Satbir, Ranbir, Rajender, Bali, Surender's ' "Are Nyu To Meri Part 5" was released on its scheduled release date, July 23, 2021. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 10 in the song's album "Sonipat [Fazilpur] Competition Vol 3". In this album, this song's track order is #1. Furthermore, we believe that the track originated from India. Are Nyu To Meri Part 5 is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Are Nyu To Meri Part 5 by Satbir, Ranbir, Rajender, Bali, Surender having a BPM of 72 with a half-time of 36 BPM and a double-time of 144 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sant Ki Bandi Part 6 | Satbir | D♭ Major | 2 | 3B | 135 BPM | ||
| Gaam Ke Chane Me Part 7 | Bali, Paleram, Satbir, Ranbir | F Minor | 5 | 4A | 108 BPM | ||
| RAGNI = समय करा दे नर के करले (Haryanvi Folk Ragni) | HARYANA लोक-संगीत | A♭ Major | 8 | 4B | 126 BPM | ||
| Koi Maane Ya Na Maane | Santram Banjara | F♯ Major | 7 | 2B | 111 BPM | ||
| કાનુડા કાંકરી ના માર || HETAL AHIR || KANUDA KAKRI NA MAR | Studio Krishna Bhanvad | F♯ Minor | 6 | 11A | 72 BPM | ||
| Rani Ko Jab Gyan Part 7 | Rajender, Satbir, Pale Ram, Ranbir, Bali Sharma | F Major | 4 | 7B | 72 BPM | ||
| Hoor Ka Kanchan Pure Se Gav Part 5 | Satbir | D♭ Major | 3 | 3B | 121 BPM | ||
| Bandi Hoke Dhadu Dhamaka Part 5 | Satbir | E♭ Minor | 9 | 2A | 128 BPM | ||
| Yari Marda Ki Dobe Adham Bechale | Azad Singh | A Major | 4 | 11B | 158 BPM | ||
| Kala Balam Na Hota | Usha Shastri | A♭ Minor | 10 | 1A | 109 BPM | ||
| A Sakhi Wo Badana Part 9 | Satbir, Ranbir, Rajinder, Bali Sharma, Surender | F♯ Minor | 3 | 11A | 84 BPM | ||
| Tu Marti Kadey | Ranbir Banwasiya, Satbir | A♭ Major | 5 | 4B | 79 BPM | ||
| Re Buggi Datiye | Rajender Kharkiya | B♭ Minor | 5 | 3A | 106 BPM | ||
| Ek Chhore Ka Part 3 | Bali Sharma, Ranbir, Satbir, Pale Ram, Surinder | G Major | 4 | 9B | 78 BPM | ||
| Paani Bargi Part 8 | Ranbir, Satti, Satbir, Rajender Kharkiya | B♭ Minor | 3 | 3A | 78 BPM | ||
| Mat Tohmad Lave | Azad Singh Khandakhedi | D Major | 7 | 10B | 85 BPM | ||
| Goga Ji | Sonu Kumar, Golu Nath | F♯ Minor | 9 | 11A | 112 BPM | ||
| Dhora Mathe Jhopdi | Sugna Devi | B Major | 9 | 1B | 154 BPM | ||
| Lila Pila Tara Neja Farke | Geeta Rabari | E♭ Minor | 7 | 2A | 128 BPM | ||
| Bigde Kam Bnade Baba Jotram | Sumit Kalanaur | B♭ Major | 8 | 6B | 148 BPM | ||
| Jata Rese Janmara Pan Olkhan Nai Jay | J K Timba | B♭ Minor | 5 | 3A | 140 BPM | ||
| Manad Manad Muskaye Part 3 | Surjan chaitanya | A Major | 6 | 11B | 97 BPM | ||
| Bistar Pe Tey Chala Re Utth Ke Aawna Lagya Tiwala | Vikash Passoria | A Major | 9 | 11B | 141 BPM | ||
| Bera Na Chhore Ya Gadi Kit | Rajender Singh Kharkiya, Madhu Sharma | E Minor | 5 | 9A | 111 BPM | ||
| Nakhat Banna Katha Part 01 | Sitaram Panchariya | G Major | 7 | 9B | 92 BPM |