Various World Reknowed Orchestras And Conductors's ' "Capriccio Espagnole" was released on its scheduled release date, January 1, 2006. With This song being less than two minutes long, at 1:55, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 13 out of 111 in A Treasury of Golden Classics by Various World Reknowed Orchestras And Conductors. In terms of popularity, Capriccio Espagnole is currently unknown. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Capriccio Espagnole by Various World Reknowed Orchestras And Conductors is Andante (at a walking pace), since this song has a tempo of 102 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
The music key of this track is A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Az intezett veszedelem vagy Hazy szeretete (Threatening Danger or Love of the Fatherland): VI. Az el menes [Marching off] | Antal Gyorgy Csermak, Budapest Strings, Karoly Botvay | D Major | 1 | 10B | 149 BPM | ||
| 5 Lieder, Op. 49: No. 4, Wiegenlied (Arr. for Orchestra) | Johannes Brahms, Slovak Radio Symphony Orchestra, Peter Breiner | G Major | 1 | 9B | 84 BPM | ||
| Gold Und Silber (Gold And Silver), Op. 79 | Slovak Radio Symphony Orchestra, Franz Lehár | C Major | 1 | 8B | 81 BPM | ||
| Giselle, Act II: Variation de Giselle | Adolphe Adam, Academy of St. Martin in the Fields, Sir Neville Marriner | E♭ Major | 2 | 5B | 80 BPM | ||
| My Own Lover | Ria Mbanefo | B♭ Major | 3 | 6B | 83 BPM | ||
| Vienna Blood - Waltz Op. 354 | Johann Strauss II, Hallé, Bryden Thomson | C Major | 0 | 8B | 178 BPM | ||
| Frühlingsstimmen (Walzer, Nr.410) | Wiener Philharmoniker | C Minor | 2 | 5A | 139 BPM | ||
| Carmen Fantasy, Op. 25 (Arr. for Marimba by Thibault Lepri): Introduction. Allegro moderato | Pablo de Sarasate, Adélaïde Ferrière, Orchestre Dijon Bourgogne, Joseph Bastian | C Major | 2 | 8B | 173 BPM | ||
| The Watermill | Ronald Binge, Slovak Radio Symphony Orchestra, Ernest Tomlinson | F Major | 0 | 7B | 80 BPM | ||
| La Sylphide: Act I: Overture | Herman Severin Løvenskiold, Kim Sjøgren, Royal Danish Orchestra, David Garforth | E Major | 1 | 12B | 132 BPM | ||
| Symphony No. 3 In C Minor, Op. 78 "Organ Symphony": 2b. Maestoso - Più allegro - Molto allegro | Camille Saint-Saëns, Simon Preston, Berliner Philharmoniker, James Levine | C Major | 3 | 8B | 106 BPM | ||
| The Gold and Silver Waltz | The Manhattan Pops | C Major | 3 | 8B | 95 BPM | ||
| Walzer, Op.138, "Schlittschuhlaufer" | Émile Waldteufel, Schwanen Salon Orchestra, Georg Huber | A Major | 1 | 11B | 88 BPM | ||
| Ballet Suite No. 1 (arr. L. Atovmyan): Polka (The Limpid Stream) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | C Major | 3 | 8B | 148 BPM | ||
| Voices of Spring, Op. 410 | Johann Strauss II, Leonard Bernstein | B♭ Major | 2 | 6B | 110 BPM | ||
| Scheherazade, Op. 35: No. 1, El mar y el barco de Simbad. Largo e maestoso - Allegro non troppo | Orquesta Sinfónica De Radio Ljubljana, Anton Nanut | E Major | 2 | 12B | 79 BPM | ||
| Radetsky March | Various World Reknowed Orchestras And Conductors | A Major | 5 | 11B | 120 BPM | ||
| Carmen, Opera Suite No. 1: II. Les Dragons d'Alcala, Act 2 | London Festival Orchestra, Alfred Scholz | G Major | 0 | 9B | 120 BPM | ||
| Act III. Spanish dance | Moscow New Philharmonic Orchestra, Vladimir Ponkin | F♯ Minor | 2 | 11A | 119 BPM | ||
| Le Corsaire, Pas de deux: I. Adagio (Arr. J. Lanchberry) | Ludwig Minkus, Riccardo Drigo, Sofia National Opera Orchestra, Boris Spassov | A♭ Major | 1 | 4B | 76 BPM | ||
| Minkus / Arr. Lanchbery: Don Quixote: No. 12, Variation. Dryad's Mistresses - Remembrance of the Ball | Ludwig Minkus, John Lanchbery, Elizabethan Trust Melbourne Orchestra | G Major | 0 | 9B | 89 BPM | ||
| Carmen Ballet: Entrance of Carmen and Habañera | Arthur Fiedler | G Major | 1 | 9B | 120 BPM | ||
| La Bayadère / Act 2: No. 29 (Andante) | Ludwig Minkus, English Chamber Orchestra, Richard Bonynge | D Major | 0 | 10B | 68 BPM | ||
| Sinfonia in G Major, RV 149: II. Andante | Antonio Vivaldi, Kaunas Chamber Orchestra, Silvano Frontalini | G Minor | 0 | 6A | 114 BPM | ||
| Fantasie Impromptu | Various World Reknowed Orchestras And Conductors | D♭ Major | 0 | 3B | 82 BPM |