- BPM
- 78
- Key
- A Minor
- Camelot
- 8A
Giulietta e Romeo, Act III: Maestro Bernabò... Voi, bel signore? (Romeo, Bernabò) by Riccardo Zandonai, Orchestra di Milano della RAI, Angelo Questa, Angelo Lo Forese, Ugo Novelli Song Details
"Giulietta e Romeo, Act III: Maestro Bernabò... Voi, bel signore? (Romeo, Bernabò)" by Riccardo Zandonai, Orchestra di Milano della RAI, Angelo Questa, Angelo Lo Forese, Ugo Novelli had its release date on 1955. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Zandonai: Giulietta e Romeo by Riccardo Zandonai, Anna Maria Rovere, Angelo Lo Forese, Angelo Questa. The song's track number on the album is #16 out of 22 tracks. Giulietta e Romeo, Act III: Maestro Bernabò... Voi, bel signore? (Romeo, Bernabò) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
Since Giulietta e Romeo, Act III: Maestro Bernabò... Voi, bel signore? (Romeo, Bernabò) by Riccardo Zandonai, Orchestra di Milano della RAI, Angelo Questa, Angelo Lo Forese, Ugo Novelli has a tempo of 78 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Giulietta e Romeo, Act III: Maestro Bernabò... Voi, bel signore? (Romeo, Bernabò) being at 78 BPM, the half-time would be 39 BPM with a double-time of 156 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
Music Key
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -26.782 dB
- Acousticness
- 99%
- Danceability
- 23%
- Energy
- 7%
- Instrumentalness
- 19%
- Liveness
- 13%
- Loudness
- 55%
- Speechiness
- 5%
- Valence
- 4%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Preludio VIII - Transcr. for Strings, Harp and Harmonium of Bach's "The Well-Tempered Clavier Book: I. No. 8 in E-Flat Minor" | Riccardo Zandonai, Spettro Armonico Chamber Orchestra, Simone Zuccatti, Francesca Tirale, Antonio Vicentini | A♭ Major | 3 | 4B | 79 BPM | |
 | Norma (Ed. Biondi & Minasi), Act I Scene 1: Va, crudele, al Dio spietato | Vincenzo Bellini, John Osborn, Sumi Jo, Orchestra La Scintilla, Giovanni Antonini | A♭ Major | 3 | 4B | 134 BPM | |
 | Tosca, Act II: Orsù, Tosca, parlate | Giacomo Puccini, Sherrill Milnes, Mirella Freni, Luciano Pavarotti, Michel Sénéchal, Paul Hudson, National Philharmonic Orchestra, Nicola Rescigno | G Minor | 2 | 6A | 176 BPM | |
 | Suor Angelica: O sorelle in pio lavoro | Giacomo Puccini, Isobel Buchanan, Dame Joan Sutherland, Elizabeth Connell, Miriam Bowen, National Philharmonic Orchestra, Richard Bonynge | D♭ Major | 1 | 3B | 91 BPM | |
 | Lucia di Lammermoor / Act 1: Quando rapito in estasi | Gaetano Donizetti, Nadine Sierra, Veta Pilipenko, Orchestra Sinfonica Nazionale della Rai, Riccardo Frizza | E♭ Major | 3 | 5B | 96 BPM | |
 | Peter Grimes, Op.33 / Act 1: "Look, the Storm Cone!" | Benjamin Britten, James Pease, Geraint Evans, Raymond Nilsson, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden | B♭ Major | 4 | 6B | 91 BPM | |
 | Gianni Schicchi: Ecco la cappellina! | Giacomo Puccini, Leo Nucci, Eva Podles, Roberto Alagna, Riccardo Cassinelli, Barbara Frittoli, Barbara Guerrini, Giorgio Giorgetti, Enrico Fissore, Orazio Mori, Nicoletta Curiel, Coro Di Voci Bianchi "Guido Monaco" Di Prato, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Bruno Bartoletti | F Major | 1 | 7B | 88 BPM | |
 | Lucia di Lammermoor / Act 2: "Ah! cedi, cedi" | Gaetano Donizetti, Dame Joan Sutherland, Nicolai Ghiaurov, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | B♭ Major | 2 | 6B | 87 BPM | |
 | Mascagni: Cavalleria rusticana: "O Lola ch'hai di latti la cammisa" (Turiddu) | Pietro Mascagni, Tullio Serafin, Giuseppe Di Stefano, Orchestra Del Teatro Alla Scala, Milano | A♭ Major | 3 | 4B | 82 BPM | |
 | Norma / Act 1: Ah! bello a me ritorna | Vincenzo Bellini, Dame Joan Sutherland, Samuel Ramey, Welsh National Opera Chorus, Welsh National Opera Orchestra, Richard Bonynge | F Major | 2 | 7B | 78 BPM | |
 | La fille du régiment / Act 1: Sacré nom d'une pipe! | Gaetano Donizetti, Spiro Malas, Dame Joan Sutherland, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | G Major | 2 | 9B | 62 BPM | |
 | Il Tabarro, Act I: "O Luigi! Luigi!" | Giacomo Puccini, Jonas Kaufmann, Asmik Grigorian, Asher Fisch, Orchestra del Teatro Comunale di Bologna | A Major | 2 | 11B | 84 BPM | |
 | Notti d'agosto, RZ 96 | Riccardo Zandonai, Margherita Guarino, Stefano Guarino | B♭ Major | 1 | 6B | 125 BPM | |
 | La Bohème / Act 3: "Mimì è tanto malata!" - Live | Giacomo Puccini, Anna Netrebko, Rolando Villazón, Boaz Daniel, Bavarian Radio Symphony Orchestra, Bertrand de Billy | D♭ Major | 3 | 3B | 76 BPM | |
 | Don Pasquale, Act I Prima scena: Son nov'ore (Pasquale/Malatesta) | Gaetano Donizetti, Sesto Bruscantini/Leo Nucci/Philharmonia Orchestra/Riccardo Muti, Riccardo Muti, Philharmonia Orchestra | C Major | 1 | 8B | 111 BPM | |
 | Wagner: Lohengrin, Act 1: "Einsam in trüben Tagen" (Elsa) | Richard Wagner, Herbert von Karajan, Berliner Philharmoniker, Anna Tomowa-Sintow | C Major | 1 | 8B | 81 BPM | |
| Lucia di Lammermoor / Act 3: "S'avanza Enrico" | Gaetano Donizetti, Dame Joan Sutherland, Sherrill Milnes, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | G Major | 0 | 9B | 107 BPM | |
 | L'elisir d'amore / Act II: Quanto amore! Ed io spietata! | Gaetano Donizetti, Enzo Dara, Kathleen Battle, Metropolitan Opera Orchestra, James Levine | E Major | 2 | 12B | 107 BPM | |
 | La alegría del batallón: "Aquí está quien lo tiene tó y no tiene ná" (Tajuña) | Jose Serrano, Orquesta Juvenil Sinfonía por el Perú, Guillermo García Calvo, Juan Diego Flórez | D Major | 1 | 10B | 75 BPM | |
 | Giulietta e Romeo, Act II: Aiuto! Aiuto!... Pel tuo Dio! (Isabella, Romeo) | Riccardo Zandonai, Orchestra di Milano della RAI, Angelo Questa, Ornella Rovero, Renato Capecchi | F Minor | 3 | 4A | 76 BPM | |
 | Madama Butterfly, Act III: Già il sole! - 2025 Remaster | Giacomo Puccini, Christa Ludwig, Mirella Freni, Wiener Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 180 BPM | |
 | Carmen, Act I: Finale. Le lieutenant! Prenez garde! | Georges Bizet, Jean Barney, Jean-Noel Sissia, Maria Laborit, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 0 | 3B | 175 BPM | |
 | Francesca da Rimini, Op. 4, Act III: Abbiamo i suonatori | Riccardo Zandonai, Sally Wilson, Benedicte Tauran, Kim-Lillian Strebel, Philharmonisches Orchester Freiburg, Fabrice Bollon | G Minor | 0 | 6A | 88 BPM | |
 | Zandonai : Notte di neve | Riccardo Zandonai, José Carreras, Tim Oldham | D♭ Major | 3 | 3B | 170 BPM | |
 | La Cenerentola / Act 2: "Sì, ritrovarla io giuro" | Gioachino Rossini, William Matteuzzi, Michele Pertusi, Coro del Teatro Comunale di Bologna, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | F Major | 2 | 7B | 86 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records