Ned Rorem, Carolyn Enger's 'Piano Album I: A Berceuse for Jim at Christmas' had a release date set for October 1, 2013. With This song being less than two minutes long, at 1:14, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 33 in the song's album "Rorem: Piano Album I & Six Friends". In this album, this song's track order is #17. Furthermore, we believe that the track originated from Hong Kong. Based on our statistics, Piano Album I: A Berceuse for Jim at Christmas's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Piano Album I: A Berceuse for Jim at Christmas by Ned Rorem, Carolyn Enger having a BPM of 127 with a half-time of 64 BPM and a double-time of 254 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Fauré: Pelléas et Mélisande Suite, Op. 80: IV. La mort de Mélisande. Molto adagio | Gabriel Fauré, Armin Jordan, Orchestre de Chambre de Lausanne | D Minor | 0 | 7A | 79 BPM | ||
| A Severn Rhapsody, Op.3 - Instrumental | Gerald Finzi, Aurora Orchestra, Nicholas Collon | C Minor | 1 | 5A | 66 BPM | ||
| Concertino for Viola and Chamber Orchestra: II. Andante Espressivo | Menachem Wiesenberg, Yuval Gotlibovich, Chen Halevi, Thomas Rösner, Beethoven Philarmonie Orchestra | A♭ Minor | 1 | 1A | 80 BPM | ||
| Copland: Old American Songs, Set 2: No. 1, The Little Horses | Aaron Copland, Jennifer Larmore, Antoine Palloc | A♭ Major | 2 | 4B | 81 BPM | ||
| Quatuor pour la fin du Temps: V. Louange à l'éternité de Jésus | Olivier Messiaen, Lucas Debargue, Torleif Thedéen | E Major | 0 | 12B | 81 BPM | ||
| Prelude | Gerald Finzi, Royal Ballet Sinfonia, David Lloyd-Jones | F Minor | 1 | 4A | 109 BPM | ||
| Nocturne 'Homage to John Field', Op. 33 | Samuel Barber, Ruth Slenczynska | A♭ Major | 1 | 4B | 65 BPM | ||
| Suite for Harp, Op. 83: II. Toccata. Fast and gay | Benjamin Britten, Magdalena Hoffmann | D♭ Major | 0 | 3B | 135 BPM | ||
| Träumerei, Op. 15 No. 7 | Robert Schumann, Michael Collins, Michael McHale | G Major | 1 | 9B | 99 BPM | ||
| Violin and piano Sonata No. 1, Op. 7: I. Melancholy - Andante Mysterioso | Fazıl Say, Julija Hartig, Reineke Broekhans | G Major | 0 | 9B | 93 BPM | ||
| Concerto for Violin & Orchestra in D Major, Op. 35: II. Romance. Andante | Erich Wolfgang Korngold, Tassilo Probst, Thessaloniki State Symphony Orchestra, Daniel Geiss | G Major | 0 | 9B | 93 BPM | ||
| String Quartet No. 8 in C Minor, Op. 110 (Arr. for Wind Ensemble by David Walter): I. Largo | Dmitri Shostakovich, Ensemble Ouranos | G Major | 0 | 9B | 93 BPM | ||
| Five Bagatelles, Op. 23 - Arr. Ashmore, Dickson: 4. Forlana | Gerald Finzi, Amy Dickson, Aurora Orchestra, Nicholas Collon | F♯ Major | 1 | 2B | 103 BPM | ||
| 5 Pieces for Cello and Piano: No. 4, Song | James Lentini, Pansy Chang, Siok Lian Tan | A Major | 1 | 11B | 117 BPM | ||
| Suite for Harp, Op. 83: IV. Fugue. Lively | Benjamin Britten, Magdalena Hoffmann | B♭ Major | 1 | 6B | 96 BPM | ||
| Damase: Berceuse pour cor et piano, Op. 19 | Jean-Michel Damase, David Pyatt, Martin Jones | B♭ Major | 0 | 6B | 69 BPM | ||
| Piano Trio in G Minor, Op. 17: III. Andante | Clara Schumann, Francesco Nicolosi, Rodolfo Bonucci, Andrea Noferini | G Major | 0 | 9B | 88 BPM | ||
| Violin Concerto: III. Romance Without Words | Ned Rorem, Philippe Quint, Royal Liverpool Philharmonic Orchestra, José Serebrier | F♯ Major | 1 | 2B | 62 BPM | ||
| Blumenleben, Op. 19: No. 2, Veilchen | Dora Pejačević, Natasa Veljkovic | B♭ Major | 0 | 6B | 171 BPM | ||
| Weinen, Klagen, Sorgen, Zagen | Paul Lay, Joël Suhubiette, Chœur de chambre Les Eléments, Donald Kontomanou, Clemens Van Der Feen | G Major | 0 | 9B | 93 BPM | ||
| Orgelbüchlein, BWV 599-644: Durch Adams Fall ist ganz verderbt, BWV 637 (Arr. Thomas) | Johann Sebastian Bach, Fred Thomas, Aisha Orazbayeva, Lucy Railton | D Minor | 0 | 7A | 135 BPM | ||
| Piano Sonata No. 1 in C Major, Op. 1: II. Andante | Johannes Brahms, Alexandre Kantorow | G Minor | 0 | 6A | 112 BPM | ||
| Clairières dans le ciel für Sopran und Klavier: No. 8, Vous m'avez regardé avec toute votre âme - 1914 | Lili Boulanger, Ehrbar Ensemble, Gerrit Zitterbart, Heidrun Blase | N/A | N/A | N/A | 0 BPM | ||
| Sæverud: Tunes and Dances from Siljustol, Book IV, Op. 25: No. 4, Tone's Cradle Song | Harald Sæverud, Leif Ove Andsnes | B Minor | 0 | 10A | 63 BPM | ||
| Neuf mélodies retrouvées: No. 5, Naïs | Reynaldo Hahn, Julie Roset, Susan Manoff | G Major | 0 | 9B | 93 BPM |