Rudy Ray Moore's ' "Nantucky" was released on its scheduled release date, 1972. The duration of This song is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Nantucky's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "Rudy Ray Moore Dolemite Presents Mr? Billie McAllister - What A Big Piece Of Meat". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United States. Nantucky is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Nantucky by Rudy Ray Moore having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Saturday Night / Blue Note / Backroom | Richard Pryor | B Major | 3 | 1B | 121 BPM | ||
| Talkin' | Brass Construction | D Major | 9 | 10B | 104 BPM | ||
| If It Ain't Funky | Chuck Brown and the Soul Searchers | A♭ Major | 9 | 4B | 108 BPM | ||
| Let's Take It To The Stage | Funkadelic | D Major | 7 | 10B | 167 BPM | ||
| Zombie March (Instrumental) | Rudy Ray Moore | E Minor | 9 | 9A | 108 BPM | ||
| Do It, Fluid | The Blackbyrds | F Minor | 7 | 4A | 97 BPM | ||
| The Bubble Bunch - Original Jellybean 12" Mix | Jimmy Spicer | D♭ Major | 8 | 3B | 109 BPM | ||
| Hurricane Annie Meets Dolemite | Rudy Ray Moore | C Major | 5 | 8B | 70 BPM | ||
| The Message (Inspiration) | Brass Construction | C Major | 8 | 8B | 74 BPM | ||
| Connections and Disconnections | Funkadelic | E Major | 3 | 12B | 98 BPM | ||
| Breakin' Bread - Single Version | Fred Wesley & The New J.B.'s | B♭ Minor | 5 | 3A | 92 BPM | ||
| Keep On Bumpin' Before You Give Out Of Gas | The Last Word | C Major | 6 | 8B | 96 BPM | ||
| Yes We Can, Pt. 1 | Lee Dorsey | D Major | 6 | 10B | 172 BPM | ||
| You Better Be Good (Or the Devil Gon' Getcha) | The Jimmy Castor Bunch | C Major | 8 | 8B | 126 BPM | ||
| Funky Love | The Staple Singers | D♭ Minor | 5 | 12A | 109 BPM | ||
| Sport | Lightnin' Rod | A Minor | 5 | 8A | 80 BPM | ||
| Reach for It | George Duke | G Major | 6 | 9B | 88 BPM | ||
| Nantucky | Rudy Ray Moore | F Major | 6 | 7B | 84 BPM | ||
| What You Gonna Do After The Party | Willie Hutch | B Major | 6 | 1B | 108 BPM | ||
| Joe Bell | Isaac Hayes | C Major | 7 | 8B | 103 BPM | ||
| Now Do You Wannta Dance | Graham Central Station | A Major | 8 | 11B | 111 BPM | ||
| Black Boy From the Ghetto | Dyke & The Blazers | F Minor | 8 | 4A | 104 BPM | ||
| When the World's at Peace | The O'Jays | A Major | 6 | 11B | 88 BPM | ||
| Wake Up, Niggers | The Last Poets | B♭ Minor | 7 | 3A | 147 BPM | ||
| Man In The Glass | Rudy Ray Moore | D♭ Major | 6 | 3B | 90 BPM |