Heini Altbart's 'Chi Mai' had a release date set for November 22, 2019. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 12 in the song's album "The Way We Were". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Germany. The popularity of Chi Mai is currently unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Chi Mai by Heini Altbart having a BPM of 186 with a half-time of 93 BPM and a double-time of 372 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| You Upset Me Baby | DR Big Band, Robben Ford | E Minor | 6 | 9A | 120 BPM | ||
| Go Back Whree You Stayed Last Night | Lillian Boutté | F Major | 3 | 7B | 127 BPM | ||
| When We Were Young and Foolish | Sam Bass | C Minor | 2 | 5A | 116 BPM | ||
| Good Vibes | Peter Platts Jazz mbH, Thomas Gansch | C Major | 2 | 8B | 126 BPM | ||
| easy come, easy go | is it sunday? | F Minor | 3 | 4A | 81 BPM | ||
| You Go to My Head | Heini Altbart, Reinhold Bilgeri | B♭ Minor | 3 | 3A | 139 BPM | ||
| Dance For Daddy | The Los Angeles Jazz Ensemble | C Major | 3 | 8B | 95 BPM | ||
| Poinciana | Gerhard Wessely, Heini Altbart | G Major | 6 | 9B | 106 BPM | ||
| Lovely Day | Big Mama Kate Daniels, Big Lenny Power Exson, Heini Altbart | F Minor | 8 | 4A | 100 BPM | ||
| Big Butter And Eggman | The Bourbon Street Stompers | C Major | 4 | 8B | 133 BPM | ||
| Just a Gigolo / I Aint Got Nobody | The Jive Aces | C Major | 7 | 8B | 157 BPM | ||
| Hasta Mañana | Peter Platts Jazz mbH, Thomas Gansch | C Major | 2 | 8B | 126 BPM | ||
| Why Did You That to Me | Jean-Pierre Bertrand, Frank Muschalle, Dani Gugolz, Peter Müller | C Major | 5 | 8B | 139 BPM | ||
| Nobody Does It Better | Heini Altbart | A Major | 5 | 11B | 120 BPM | ||
| Scat Skunk | Maria Muldaur | A♭ Minor | 8 | 1A | 120 BPM | ||
| They Call It Stormy Monday Blues | Heini Altbart, Hubert Tubbs | B♭ Major | 7 | 6B | 142 BPM | ||
| Do Nothing Till You Hear from Me | Nick The Nightfly & The Monte Carlo Nights Orchestra | G Major | 6 | 9B | 120 BPM | ||
| Sweet Marijuana (Live) | Lizzy & The Triggermen | F Major | 6 | 7B | 77 BPM | ||
| FUJIYAMA HIGHBALL | Clap Stomp Swingin' | F Major | 4 | 7B | 127 BPM | ||
| Dixie Dee | Chris Nole | G Major | 4 | 9B | 91 BPM | ||
| take it or leave it | is it sunday? | G Minor | 3 | 6A | 88 BPM | ||
| Butter & Blues | Walko | G Minor | 6 | 6A | 174 BPM | ||
| I Believe She Was Talkin' 'Bout Me | Kevin Mahogany | C Major | 4 | 8B | 128 BPM | ||
| Two Wrongs | Jon Cleary | F Minor | 4 | 4A | 63 BPM | ||
| Till There Was You | Super-Trio | F Major | 4 | 7B | 107 BPM |