Tchaikovsky: Variations on a Rococo Theme for Cello and Orchestra, Op. 33: Variation VII. Andante sostenuto by Pyotr Ilyich Tchaikovsky, Steven Isserlis, John Eliot Gardiner, Chamber Orchestra of Europe Song Details

"Tchaikovsky: Variations on a Rococo Theme for Cello and Orchestra, Op. 33: Variation VII. Andante sostenuto" by Pyotr Ilyich Tchaikovsky, Steven Isserlis, John Eliot Gardiner, Chamber Orchestra of Europe had its release date on September 15, 1998. The duration of This song is about 3 minutes long, at 3:27. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 9 out of 34 in Cello Concertos by Steven Isserlis. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Tchaikovsky: Variations on a Rococo Theme for Cello and Orchestra, Op. 33: Variation VII. Andante sostenuto is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

The tempo marking of Tchaikovsky: Variations on a Rococo Theme for Cello and Orchestra, Op. 33: Variation VII. Andante sostenuto by Pyotr Ilyich Tchaikovsky, Steven Isserlis, John Eliot Gardiner, Chamber Orchestra of Europe is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Music Key

This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 1%
Loudness: -34.007 dB
Acousticness: 97%
Danceability: 8%
Energy: 1%
Instrumentalness: 9%
Liveness: 14%
Loudness: 43%
Speechiness: 4%
Valence: 4%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
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Souvenir de Florence, Op. 70, TH 118: I. Allegro con spirito - Live from Verbier Festival / 2013	Pyotr Ilyich Tchaikovsky, Leonidas Kavakos, Lisa Batiashvili, Antoine Tamestit, Blythe Teh Engstroem, Gautier Capuçon, Stephan Koncz	D Major	2	10B	111 BPM
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The Sleeping Beauty, Op. 66, TH.13 / Act 3: 23c. Pas de quatre: Variation II (Polka)(Silver Fairy)	Pyotr Ilyich Tchaikovsky, Mariinsky Orchestra, Uri Zagorodniuk, Sergei Roldugin, Valery Gergiev	A♭ Major	1	4B	118 BPM
Requiem In D Minor, K. 626: Sequence: VI. Lacrimosa Dies Illa	Slovak Philharmonic, Jaroslava Horska, Vladimir Ruso, Peter Mikulas, Stefan Klimo, Slovak Philharmonic Chorus, Jozef Kundlák, Magdaléna Hajóssyová, Wolfgang Amadeus Mozart	D Minor	1	7A	180 BPM
Scheherazade: The voice of Scheherazade	Nikolai Rimsky-Korsakov, Lars Hjalmar Joakim	G Major	1	9B	132 BPM
Marche slav, Op. 31, TH 45: Marche slave (Slavonic March), Op. 31 [Live]	Pyotr Ilyich Tchaikovsky, Royal Philharmonic Orchestra, Adrian Leaper	E♭ Major	2	5B	66 BPM
La Bayadere, Act III: 39. "Entrance of the Shades"	Evergreen Symphony Orchestra, Kevin Galiè	D Major	0	10B	76 BPM
Prince Igor: Polovtsian Dances (Version for Chorus)	Alexander Borodin, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar	A Major	2	11B	110 BPM
Carnival of the Animals: The Swan	Camille Saint-Saëns, Isata Kanneh-Mason, Jeneba Kanneh-Mason, Sheku Kanneh-Mason	G Major	1	9B	65 BPM
3 Liebesträume, S. 541/3: No. 3, O lieb, so lang du lieben kannst (Arr. for Harp by Nora von Marschall)	Franz Liszt, Nora von Marschall	B♭ Major	0	6B	85 BPM
21 Hungarian Dances, WoO 1: Hungarian Dance No. 5 in F-Sharp Minor	Johannes Brahms, Seattle Symphony Orchestra, Gerard Schwarz	E Major	1	12B	102 BPM
Swan Lake, Op. 20: Op. 20: Act IV No. 29, Scène Finale	Pyotr Ilyich Tchaikovsky, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler	B Major	4	1B	113 BPM
Swan Lake, Op. 20 (Mariinsky Version), Act II: No. 19a, Pas de deux: Intrada. Tempo di valse	Pyotr Ilyich Tchaikovsky, Mariinsky Orchestra, Valery Gergiev	D Major	1	10B	120 BPM
Jazz Suite No. 2: IV. Waltz I	Dmitri Shostakovich, Royal Concertgebouw Orchestra, Riccardo Chailly	B♭ Major	2	6B	178 BPM