Swan Lake, Op. 20 (Mariinsky Version), Act II: No. 19a, Pas de deux: Intrada. Tempo di valse by Pyotr Ilyich Tchaikovsky, Mariinsky Orchestra, Valery Gergiev Song Details

Pyotr Ilyich Tchaikovsky, Mariinsky Orchestra, Valery Gergiev's 'Swan Lake, Op. 20 (Mariinsky Version), Act II: No. 19a, Pas de deux: Intrada. Tempo di valse' had a release date set for January 1, 2007. With This song being less than two minutes long, at 1:33, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 30 in the song's album "Tchaikovsky: Swan Lake (Mariinsky Version): Highlights". In this album, this song's track order is #26. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Swan Lake, Op. 20 (Mariinsky Version), Act II: No. 19a, Pas de deux: Intrada. Tempo di valse's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With Swan Lake, Op. 20 (Mariinsky Version), Act II: No. 19a, Pas de deux: Intrada. Tempo di valse by Pyotr Ilyich Tchaikovsky, Mariinsky Orchestra, Valery Gergiev having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.

Music Key

This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 24%
Loudness: -15.123 dB
Acousticness: 94%
Danceability: 24%
Energy: 15%
Instrumentalness: 95%
Liveness: 64%
Loudness: 75%
Speechiness: 4%
Valence: 27%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
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The Princess Diaries Waltz - Score	John Debney	A Major	2	11B	137 BPM
Hérold & Lanchbery: La fille mal gardée, Act 1: No. 16c, Pas de deux de Fanny Elssler. Adage	Ferdinand Hérold, John Lanchbery, Royal Liverpool Philharmonic Orchestra, Barry Wordsworth	E♭ Major	0	5B	142 BPM
Swan Lake - Waltz	London Philharmonic Orchestra	A Major	1	11B	76 BPM
Skater's Waltz	Norddeutsche Philharmonie Symphony	D Major	2	10B	105 BPM
Act III. Spanish dance	Moscow New Philharmonic Orchestra, Vladimir Ponkin	F♯ Minor	2	11A	119 BPM
The Waltzing Cat	Leroy Anderson, Simon Tedeschi, Paul Mann, Melbourne Symphony Orchestra	G Major	1	9B	134 BPM
Polka	Josef Bayer, Slovak Radio Symphony Orchestra, Andrew Mogrelia	D Major	2	10B	112 BPM
Act III: №28. Pas de deux / Aurore et Prince Desire / Adagio	Moscow New Philharmonic Orchestra, Vladimir Ponkin	C Major	1	8B	78 BPM
Gaîté parisienne: Barcarolle	Jacques Offenbach, Boston Symphony Orchestra, Seiji Ozawa	A Minor	0	8A	135 BPM
Il Lado Dei Cigni, Suite dal Balletto Op.20	Armonie Symphony Orchestra	D Major	2	10B	164 BPM
Coppelia: Act III - Galop final	Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia	E♭ Major	2	5B	143 BPM
Paquita: Allegro	Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov	D Major	0	10B	78 BPM
Swan lake Dance of the Little Swans	SC-Mirai	B Minor	1	10A	104 BPM
Romeo and Juliet Suite No. 1, Op. 64bis: VI. Romeo and Juliet (Balcony Scene)	Sergei Prokofiev, Bergen Philharmonic Orchestra, Andrew Litton	F Major	0	7B	79 BPM
Sarasate: Zigeunerweisen, Op. 20	Pablo de Sarasate, Itzhak Perlman, Abbey Road Ensemble	C Minor	1	5A	83 BPM
Paulli: Pas de deux from "Flower Festival in Genzano" (adapted from Matthias Strebinger's "Pas de deux" for "Napoli" Ballet of Bournonville): No. 3, Variation I (based on a Waltz from Adolphe Adam's "Le Diable … quatre")	Edvard Helsted, Holger Simon Paulli, Copenhagen Philharmonic Orchestra/Ole Schmidt, Ole Schmidt, Copenhagen Philharmonic Orchestra	B♭ Major	2	6B	109 BPM
Swan Lake, Op. 20: No. 5. Pas de Deux: I. Tempo di valse ma non troppo vivo, quasi moderato	Pyotr Ilyich Tchaikovsky, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler	D Major	1	10B	180 BPM
I Am a Girl Like You (from 'Barbie as the Princess and the Pauper')	Minnz Piano	G Major	1	9B	181 BPM
Coppelia: Act III - Danse de fete	Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia	D Major	0	10B	72 BPM
Tales of Beatrix Potter - Music from the Royal Ballet film: Mrs Tiggy-Winkle's Laundry	John Lanchbery, Orchestra of the Royal Opera House, Covent Garden	F Major	2	7B	117 BPM
Jazz Suite No. 2: VI. Waltz No. 2 (Arr. for Chamber Ensemble)	Dmitri Shostakovich, Osterreichischen Salonisten	F Major	0	7B	138 BPM
La bayadère: Moderato	Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov	D Major	1	10B	81 BPM
Raymonda, Act III: Variation for male dancer	Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland	A♭ Major	0	4B	61 BPM
Giselle: Act II: Ensemble des Wilis	Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia	A♭ Major	0	4B	89 BPM