Ralph Shapey, Robert Black's ' "Fromm Variations (31 Variations For Piano): Variation X" was released on its scheduled release date, January 1, 2007. With This song being less than two minutes long, at 1:57, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 41 in the song's album "Ralph Shapey: Radical Traditionalism". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United States. Fromm Variations (31 Variations For Piano): Variation X is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Fromm Variations (31 Variations For Piano): Variation X by Ralph Shapey, Robert Black having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ma Mère, L'oye (Piano 4 Hands): 4. Les Entretiens De La Belle Et La Bête - Duo-Art 7189 | Maurice Ravel, Walter Damrosch, Polly Damrosch, Peter Phillips | F Minor | 4 | 4A | 104 BPM | ||
| Cello Sonata in E Major, Op. 121: I. Allegro espressivo e appassionato | Ignaz Moscheles, Steven Isserlis, Connie Shih | F Minor | 4 | 4A | 104 BPM | ||
| String Quartet No. 3 in D Major, Op. 34: II. Scherzo. Allegro molto | Erich Wolfgang Korngold, Calidore String Quartet | F Minor | 4 | 4A | 104 BPM | ||
| Dutilleux: Au gré des ondes: I. Prélude en berceuse | Henri Dutilleux, Anne Queffélec | C Major | 0 | 8B | 75 BPM | ||
| Chorale | Igor Stravinsky, Dirk Luijmes, Martin Logar | C Major | 0 | 8B | 129 BPM | ||
| Chamber Concerto: II. — | Robert Erickson, Various Artists, Ralph Shapey | B♭ Minor | 0 | 3A | 140 BPM | ||
| Recalling Chimes | Vanessa Lann, Ivo Janssen | F♯ Minor | 5 | 11A | 97 BPM | ||
| Quatuor pour la fin du Temps: IV. Intermède | Olivier Messiaen, Martin Fröst | F♯ Major | 2 | 2B | 96 BPM | ||
| Ciudadano Sombra: I. - Live Concert | Ramón Paus, Pablo Martos, Yuval Gotlibovich, Alberto Martos | G Major | 1 | 9B | 94 BPM | ||
| 'Greetings', Miniaturas para Piano: 2 Palabras: 'Siempre Adelante' | Ana Vázquez Silva, Irene Cantos | D♭ Major | 1 | 3B | 92 BPM | ||
| Praise: Holy, Holy | Ralph Shapey, Paul Geiger | A♭ Major | 5 | 4B | 123 BPM | ||
| Phalanx Suite: Prolog | R.Kuhn, Rüdiger Edgar Kuhn | F Major | 2 | 7B | 96 BPM | ||
| String Quartet No. 1 in C Major, Op. 37: II. Andantino semplice. In modo d’una canzone | Karol Szymanowski, Belcea Quartet | F♯ Minor | 1 | 11A | 83 BPM | ||
| 6 Morceaux, Op. 19: I. Rêverie du soir. Andante espressivo - Excerpt | Pyotr Ilyich Tchaikovsky, Pavel Kolesnikov | D Major | 0 | 10B | 68 BPM | ||
| Fromm Variations (31 Variations For Piano): Variation XIX | Ralph Shapey, Robert Black | C Major | 0 | 8B | 85 BPM | ||
| Diagram and Projection: III. The Bells of St. Petersburg | Alessio Santolini Raggi | F Minor | 4 | 4A | 104 BPM | ||
| Weary Soul | Orithia | D Major | 6 | 10B | 98 BPM | ||
| Lamentate: II. Spietato | Arvo Pärt, Alexei Lubimov, Andrey Boreyko, Radio-Sinfonieorchester Stuttgart | E Major | 5 | 12B | 72 BPM | ||
| Cello Sonata in C Major, Op. 65: III. Elegia. Lento | Benjamin Britten, Sheku Kanneh-Mason, Isata Kanneh-Mason | C Major | 0 | 8B | 76 BPM | ||
| Xàfec de Llum I Tenebres: VII. Vayamos | Ramón Paus, Orquestra De Cambra Catalana, Joan Pàmies | D♭ Major | 0 | 3B | 79 BPM | ||
| Hartke: Netsuke "6 Movements for Violin and Piano": No. 6, Jewel of Widsom with Mountain Pavilions | Stephen Hartke, Augustin Hadelich, Orion Weiss | D Major | 2 | 10B | 104 BPM | ||
| Riessler: Bachmachine | Michael Riessler, Sabine Meyer, Trio Di Clarone | C Major | 0 | 8B | 74 BPM | ||
| Bartók: For Children, Sz. 42, Book IV "Slovakian Folk Songs": No. 76, The Hidden Horse. Poco allegretto | Béla Bartók, Dezsö Ranki | G Minor | 0 | 6A | 70 BPM | ||
| Partita, Op. 2: III. Larghetto | Georgijs Osokins, Arvo Pärt | F♯ Major | 2 | 2B | 112 BPM | ||
| Seven Set Pieces: IV. Allegretto - Grotesco "Grotesque" | Francis Thorne, Contemporary Chamber Players Of The University Of Chicago, Ralph Shapey | A♭ Major | 3 | 4B | 75 BPM |