Pt. Rattan Mohan Sharma's ' "Nachyo Bahut Gopal" was released on its scheduled release date, 2009. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Pt. Rattan Mohan Sharma's "Gopaal" album is number 10 out of 10. On top of that, France appears to be the country where this track was created. Nachyo Bahut Gopal is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Nachyo Bahut Gopal by Pt. Rattan Mohan Sharma to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Saare Jahan Ke Malik | Ritesh Mishra | E♭ Major | 8 | 5B | 102 BPM | ||
| Aa Ja Be Durga Maiya | Dukalu Yadav | A♭ Minor | 9 | 1A | 176 BPM | ||
| Ma Esheche Moder Ki Ar | Ramakrishna Math, Swami Narendrananda | F Minor | 6 | 4A | 110 BPM | ||
| Dwar Pe Thado Langooriya | Gyanendra Sharma | A♭ Major | 7 | 4B | 78 BPM | ||
| Radha | Abhishek Bajpai | A♭ Minor | 4 | 1A | 172 BPM | ||
| Jab Neele Neele Ambar Par | Vinod Agarwal | A♭ Major | 5 | 4B | 154 BPM | ||
| Le Chal Apni Nagariya Avadh Bihari Saawariya | Rasraj Maharaj | D♭ Minor | 7 | 12A | 93 BPM | ||
| Meri Kutiya Ke Bhag Aaj Jag Jayega | Paras Jain | B Major | 8 | 1B | 110 BPM | ||
| Hari Hari Narayan Kirtan | Mridul Krishan Shastri Ji | D♭ Major | 4 | 3B | 93 BPM | ||
| Ak Kungadi | Sunil Rana, Rekha | B♭ Major | 6 | 6B | 108 BPM | ||
| Bhola Ke Dekhela | Sharda Sinha | A Major | 3 | 11B | 77 BPM | ||
| Jev Jevan Jagat Me | Rajesh Goswami | F♯ Minor | 7 | 11A | 126 BPM | ||
| Kate Jangal Kate Jhadi | Mamta Chandrakar, Sunil Soni | A♭ Major | 7 | 4B | 84 BPM | ||
| Albeli Swamini Radha | Bhaiya Kishan Das | D♭ Minor | 7 | 12A | 78 BPM | ||
| Sohang Ram Ram | Dhun | Santram Dhun | Hari cassettes | E♭ Minor | 8 | 2A | 80 BPM | ||
| Fariyadi | Adarsh Dadhich | E♭ Major | 5 | 5B | 120 BPM | ||
| Mere Ram Lakhan Dhanurdhari | Master Rana | E♭ Major | 6 | 5B | 122 BPM | ||
| Nishank Ho Nirbhay Ho Mana Re | Anoopam Mission, Sadhu Pujya Sarjudasji | D♭ Major | 5 | 3B | 110 BPM | ||
| Dinchari | Mithlesh Sahu | F Minor | 9 | 4A | 157 BPM | ||
| Aaju Janakpur Me Madwa | Maithili Thakur | E♭ Minor | 6 | 2A | 110 BPM | ||
| Mor Ganw Ke Shitla Bhawani | Lokeshwari Sen, Indrani Verma | G Major | 8 | 9B | 140 BPM | ||
| Man Ho Ja Diwana Re | Gyanendra Sharma | A♭ Major | 7 | 4B | 131 BPM | ||
| Jyaa Sukhakarni | Santosh Redakar | F Minor | 7 | 4A | 100 BPM | ||
| Tera Khana Kharab - Sawal | Chhote Yusuf Azad | G Major | 5 | 9B | 99 BPM | ||
| Mujhko Raghav Mere | Hari Om Tiwari Raghavcharnanuragi, Shiv Om Tiwari | E♭ Major | 4 | 5B | 90 BPM |