On February 21, 1999, the song "Kay Kay Sangu" was released by Surykant Shinde. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Kamlesh Jadhav's "Mathala Gela Tada Vol 4" album is number 4 out of 9. On top of that, India appears to be the country where this track was created. In terms of popularity, Kay Kay Sangu is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Kay Kay Sangu by Surykant Shinde to be Andante (at a walking pace) because the track has a tempo of 102 BPM, a half-time of 51BPM, and a double-time of 204 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tore Baje Paijana Bake | Raju Patel | B Minor | 7 | 10A | 145 BPM | ||
| Motyacha Bashing Bandha Navrila | Roshan Satarkar | D Major | 4 | 10B | 76 BPM | ||
| Toke Kine Dibo Jaam Ranger Fita | Lakhan Das Goshwami, Rupa barma | C Minor | 7 | 5A | 168 BPM | ||
| Tai Aamchi Honar Navari | Shakuntala Jadhav | F♯ Major | 5 | 2B | 94 BPM | ||
| Ekvira Aay Majhi | Arun Ingle, Sampada Sathe | F♯ Major | 6 | 2B | 71 BPM | ||
| Pandharichya Vithuraya - Studio | Sanjeev Abhyankar | F♯ Major | 3 | 2B | 73 BPM | ||
| Dattaguru Jay Duttaguru | Swapnil Bandodkar | D♭ Minor | 8 | 12A | 88 BPM | ||
| Mhara Hariya Ban Ra Suvtiya | prakashdasswamiofficial | F♯ Major | 8 | 2B | 144 BPM | ||
| Rusali Ka Ga Majhyavari Amba | Chandan Kamble | F♯ Minor | 7 | 11A | 93 BPM | ||
| Swwami Kripa Kadhi Karnaar | Ajeet Kumar Kadkade | B♭ Major | 6 | 6B | 103 BPM | ||
| Radhe Ga Radhe Sang Na Tujhe | Suryakant Shinde | A♭ Major | 9 | 4B | 171 BPM | ||
| Narsobachya Vadeela | Ajeet Kumar Kadkade | E♭ Major | 4 | 5B | 120 BPM | ||
| SAN GAURI GANAPATICHA ALA | Suryakant Shinde | F Minor | 6 | 4A | 66 BPM | ||
| Jagi Buddha Jhala | Suryakant Shinde | G Minor | 6 | 6A | 171 BPM | ||
| Jaau De Re Mala Mathurela | Godavaribai Munde, Rameshbua Shengaonkar, Kashiram Bua | D♭ Major | 7 | 3B | 92 BPM | ||
| Dekhoniya Tujya Rupacha Aakar | Suresh Wadkar | A♭ Minor | 6 | 1A | 175 BPM | ||
| Adma Ga Purala Pahu Balu Ga Mamala | Vijay Sartape | F♯ Major | 7 | 2B | 202 BPM | ||
| Ved Jiva Lavito Pava | Suryakant Shinde | A♭ Minor | 9 | 1A | 153 BPM | ||
| Danka Baaje Tinhi Lokant | Prahlad Shinde | A Major | 3 | 11B | 131 BPM | ||
| Majhya Saicha Udo | Sachidanand Aappa | F♯ Major | 6 | 2B | 104 BPM | ||
| Aarti Mahalaxmichi | Suresh Wadkar, Prahlad Shinde, Anupama, Ravindra Sathe, Ranjana Joglekar, Suryakant Shinde, Jyotsna Ganpule, Suchitra Bhagwat | F♯ Major | 6 | 2B | 101 BPM | ||
| Dudhacha Math Futla Kasa | Suryakant Shide | E Major | 8 | 12B | 62 BPM | ||
| Khodya Kari Manmohana | Godavaribai Munde, Rameshbua Shengaonkar, Kashiram Bua | F♯ Major | 7 | 2B | 170 BPM | ||
| Kiti Kiti Sangu Tula - Gaulan | Shridhar Mungekar | F Minor | 6 | 4A | 92 BPM | ||
| Jhala Jhala Mayakka Jaighoas | Shakuntala Jadhav, Manoj Bhadakwad, Suryakant Shinde | F♯ Major | 7 | 2B | 147 BPM |