Wayne Marshall, Barry Forgie, BBC Big Band's ' "Take the 'A' Train" was released on its scheduled release date, 1999. With this song being around four minutes long, at 3:30, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 17 in the song's album "Swing it". In this album, this song's track order is #3. In terms of popularity, Take the 'A' Train is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Take the 'A' Train by Wayne Marshall, Barry Forgie, BBC Big Band having a BPM of 92 with a half-time of 46 BPM and a double-time of 184 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
The music key of this track is G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Abbotsbury Gardens | Tamara Konstantin, Yu-Mien Sun, Jiaxin Lloyd Webber | D♭ Major | 0 | 3B | 64 BPM | ||
| Love's Labour's Lost, Op. 28: 1. Soliloquy 1: So sweet a kiss the golden sun gives not - Instrumental | Gerald Finzi, Aurora Orchestra, Nicholas Collon | C Minor | 1 | 5A | 99 BPM | ||
| Jesu Joy of Man's Desiring | The Violin Sisters | G Major | 2 | 9B | 108 BPM | ||
| Bridal Suite, Part II: No. 1, The first waltz | Leonard Bernstein, Jennifer Micallef, Wayne Marshall | D♭ Major | 0 | 3B | 121 BPM | ||
| Gershwin / Orch. Grofé: Rhapsody in Blue (Opening) | George Gershwin, Sir Simon Rattle, Wayne Marshall, City Of Birmingham Symphony Orchestra | C Major | 2 | 8B | 82 BPM | ||
| Wonderful Peace | Gustaf Nordqvist, Kerani | C Major | 2 | 8B | 88 BPM | ||
| Bist du bei mir (Formerly Attrib. J.S. Bach as BWV 508, Arr. Anna Saradjian) | Gottfried Heinrich Stölzel, Lang Lang | E♭ Major | 1 | 5B | 64 BPM | ||
| New Year Greeting | Bhumibol Adulyadej, Xuefei Yang | E Major | 1 | 12B | 97 BPM | ||
| Random Round, RMTB 8 (Version for Six Pianos) | Percy Grainger, Penelope Thwaites, Wayne Marshall, John Lavender, Rhondda Gillespie, Antony Gray, Barry Peter Ould | F Major | 0 | 7B | 100 BPM | ||
| Concertino bianco: 2. Con venerazione | Georgs Pelēcis, Johannes Fritzsch, Tamara Anna Cislowska, Tasmanian Symphony Orchestra | C Major | 0 | 8B | 77 BPM | ||
| Telemann: 12 Marches héroïques: No. 12, La réjouissance, TWV 50:42 (Arr. Alain for Trumpet and Organ) | Georg Philipp Telemann, Wayne Marshall, Ole Edvard Antonsen | B Minor | 0 | 10A | 68 BPM | ||
| Chanson de nuit, Op.15 No.1 | Edward Elgar, Hallé, Sir Mark Elder | G Major | 0 | 9B | 80 BPM | ||
| Arioso From Cantata #156 - Js Bach | Sherill Roberts | G Major | 1 | 9B | 99 BPM | ||
| Wonderland | Julia Thomsen | A Major | 3 | 11B | 86 BPM | ||
| Bist du bei mir (Formerly Attrib. J.S. Bach as BWV 508, Notebook for Anna Magdalena Bach, 1725) | Gottfried Heinrich Stölzel, Daniil Trifonov | E♭ Major | 0 | 5B | 133 BPM | ||
| Zanzibar Boat Song, RMTB 6 (Version for Three Pianos) | Percy Grainger, Penelope Thwaites, Wayne Marshall, John Lavender | F Major | 0 | 7B | 100 BPM | ||
| 12 Studies for Harp: No. 8 | John Thomas, Paola Baron | C Major | 0 | 8B | 105 BPM | ||
| On the Nature of Daylight (Arr. Mackay) | Jess Gillam, Jess Gillam Ensemble | B♭ Minor | 1 | 3A | 135 BPM | ||
| Intermezzo sinfonico, from Symphonic Poetry | State R&T Symphony Orchestra Moscow | F Major | 3 | 7B | 79 BPM | ||
| Lullaby (Goodnight, My Angel) | Lara Downes | G Major | 1 | 9B | 172 BPM | ||
| Lo How a Rose | Winter Harp Ensemble, Lori Pappajohn | G Major | 1 | 9B | 78 BPM | ||
| Requiem: IX. Pie Jesu | Karl Jenkins | E Major | 0 | 12B | 105 BPM | ||
| Symphony for Organ and Orchestra: II. Scherzo | Aaron Copland, Wayne Marshall, Dallas Symphony Orchestra, Andrew Litton | C Minor | 1 | 5A | 82 BPM | ||
| All things bright and beautiful | John Rutter, Wayne Marshall | F Major | 1 | 7B | 136 BPM | ||
| Emmanuel | Barbara Higbie | D Minor | 1 | 7A | 104 BPM |