"Der Bettelstudent: Jucheissa, Hurrah, die Messe beginnt" by Carl Millöcker, Robert Stolz had its release date on February 21, 1966. With This song being less than two minutes long, at 1:39, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Carl Millöcker, Robert Stolz's "Millöcker: Der Bettelstudent (Excerpts)" album is number 4 out of 14. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Der Bettelstudent: Jucheissa, Hurrah, die Messe beginnt is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Der Bettelstudent: Jucheissa, Hurrah, die Messe beginnt by Carl Millöcker, Robert Stolz to be Moderato (at a moderate speed) because the track has a tempo of 118 BPM, a half-time of 59BPM, and a double-time of 236 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Die Hochquelle, Op. 114 | Eduard Strauss, Czech Philharmonic Chamber Orchestra, John Georgiadis | A♭ Major | 1 | 4B | 119 BPM | ||
| Vor meinem Vaterhaus steht eine Linde | Robert Stolz, Rudolf Schock | F Major | 1 | 7B | 76 BPM | ||
| Die verkaufte Braut (2007 Remaster), Akt 2: Wie schäumst du in den Gläsern (Chor: Hans - Kezal - Chor) | Bedřich Smetana, Pilar Lorengar/Fritz Wunderlich/Gottlob Frick/Bamberger Symphoniker/Rudolf Kempe, Rudolf Kempe, Bamberg Symphony | G Major | 5 | 9B | 112 BPM | ||
| Im Salzkammergut da kann man gut | Wiener Operettenorchester, Chor | C Major | 5 | 8B | 76 BPM | ||
| Donausagen, op. 446 | Carl Michael Ziehrer, Vienna Walzer Orchestra, Sandro Cuturello | G Major | 2 | 9B | 96 BPM | ||
| Cyprienne (Polka schnell) | Carl Millöcker, Nürnberger Philharmoniker, Christian Simonis | C Major | 2 | 8B | 136 BPM | ||
| Luftig und duftig. Polka schnell, op. 206 | Eduard Strauss, Riccardo Muti, Wiener Philharmoniker | D Major | 4 | 10B | 82 BPM | ||
| Das Land des Lächelns: Meine Liebe, deine Liebe | Franz Lehár, Sandor Konya, Herta Talmar, Renate Holm, Peter Alexander, Grosses Operetten Orchester, Franz Marszalek | G Major | 2 | 9B | 80 BPM | ||
| The Emperor Waltz | The Ball Orchestra Of Vienna | C Major | 0 | 8B | 89 BPM | ||
| Wagner: Lohengrin, Act 1: "Nun sei bedankt, mein lieber Schwan" (Lohengrin, Henry, Chorus) | Richard Wagner, Daniel Barenboim, Chor der Deutschen Staatsoper Berlin, Peter Seiffert, René Pape, Staatskapelle Berlin | B♭ Major | 2 | 6B | 130 BPM | ||
| Der Feldprediger: Steckbrief | Carl Millöcker, Czech Philharmonic Chamber Orchestra, John Georgiadis | D Major | 4 | 10B | 114 BPM | ||
| Die Hochquelle, Polka mazur, Op. 114 | Eduard Strauss, Christian Thielemann, Wiener Philharmoniker | D Major | 4 | 10B | 85 BPM | ||
| Der Bettelstudent, Act I: "Das ist der Fürst Wibicki" - "Racheplan-Chor" (Ollendorf, Bronislawa, Laura, Palmatica, Chor) | Carl Millöcker, Sinfonieorchester des Hessischen Rundfunks, Kurt Schröder, Georg Stern, Maria Madlen Madsen, Betina Brucker, Else Tegetthoff, Chor Des Hessischen Rundfunks | G Minor | 4 | 6A | 91 BPM | ||
| Rossini: Petite messe solennelle: II. Gloria, 4. Domine Deus (Tenor). Allegro giusto | Gioachino Rossini, Antonio Pappano | F Major | 1 | 7B | 81 BPM | ||
| Der Bettelstudent, Act I: Welch ein Radau, welch ein Skandal | Carl Millöcker, Otto Storr, Symphonieorchester des Bayerischen Rundfunks, Werner Schmidt-Boelcke | E Major | 6 | 12B | 115 BPM | ||
| Bizet: Carmen, WD 31, Act 2: Entr'acte | Georges Bizet, Orchestre National Radiodiffusion Française, Sir Thomas Beecham, Orchestre National de la Radiodiffusion-Television Francaise | E♭ Major | 0 | 5B | 71 BPM | ||
| Hérold & Lanchbery: La fille mal gardée, Act 1: No. 2, Dance du coq et des poules | Ferdinand Hérold, John Lanchbery, Royal Liverpool Philharmonic Orchestra, Barry Wordsworth | D Major | 4 | 10B | 164 BPM | ||
| Die Csárdásfürstin · Operette in 3 Akten (1988 Digital Remaster), Erster Akt: Alle sind wir Sünder (Boni - Feri - Chor) | Emmerich Kálmán, Anneliese Rothenberger, Willy Mattes, Symphonie-Orchester Graunke | F Major | 4 | 7B | 78 BPM | ||
| Giselle - Act 1: No. 6 Scène d'Hilarion - No. 7 Marche des vignerons - No. 7(bis) Variation de Giselle | Adolphe Adam, London Symphony Orchestra, Anatole Fistoulari | B Minor | 1 | 10A | 93 BPM | ||
| Hino 13 - Confiemos em Deus | Orquestra Sacra Paulista | A♭ Major | 0 | 4B | 133 BPM | ||
| Chianti-Lied | Rudolf Schock | G Major | 4 | 9B | 140 BPM | ||
| Eight Russian Folksongs for Orchestra, Op. 58: VI. Cradle Song (Lullaby). Moderato | Anatoly Lyadov, Alexander Gauk | C Minor | 2 | 5A | 72 BPM | ||
| Brahms: Hungarian Dances, WoO 1: No. 6 in D Major (Orch. Parlow) | Johannes Brahms, Sir Charles Mackerras, Philharmonia Orchestra | D Major | 2 | 10B | 80 BPM | ||
| Dagmar Polka (1866) | Hans Christian Lumbye, Tivoli Symphony Orchestra | A Major | 2 | 11B | 168 BPM | ||
| Die Dubarry: Wie schön ist alles | Theo Mackeben, Carl Millöcker, Fritz Wunderlich, Hans Moltkau, Munich Radio Orchestra | D Major | 2 | 10B | 108 BPM |