"Toccata Settima" by Calefax Reed Quintet, Eric Vloeimans had its release date on February 14, 2014. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 11 in the song's album "On the Spot". In this album, this song's track order is #4. Toccata Settima is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Toccata Settima by Calefax Reed Quintet, Eric Vloeimans having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Albinoni: Oboe Concerto in D Minor, Op. 9 No. 2: I. Allegro e non presto (Transcr. for Piccolo Trumpet and Baroque Orchestra by Simon Wright) | Tomaso Albinoni, Alison Balsom, Pinnock’s Players, Trevor Pinnock | D♭ Minor | 6 | 12A | 103 BPM | ||
| Aus Holbergs Zeit: 2. Sarabande | Calefax Reed Quintet | B♭ Major | 0 | 6B | 128 BPM | ||
| Timon of Athens, Z. 632: Curtain Tune on a Ground | Henry Purcell, La Petite Écurie | F♯ Minor | 3 | 11A | 137 BPM | ||
| Missa à 5: II. Gloria (arr. Reed Quintet by Eduard Wesley) | William Byrd, Calefax Reed Quintet | G Minor | 1 | 6A | 71 BPM | ||
| Suite No. 2 in F Major, HWV 427: I. Adagio | George Frideric Handel, Dina Ugorskaja | D Minor | 0 | 7A | 112 BPM | ||
| Bach, CPE: Duet for Clarinets in C Major, Wq. 142: I. Adagio e sostenuto | Carl Philipp Emanuel Bach, Sabine Meyer, Wolfgang Meyer | C Major | 0 | 8B | 74 BPM | ||
| Da Da DDD | Mike Bish | G Major | 0 | 9B | 110 BPM | ||
| Galactic Pulse | Kira Nebula | E Major | 1 | 12B | 167 BPM | ||
| Sinfonia in D Major, Wq. 183/1, H. 663: II. Largo | Carl Philipp Emanuel Bach, Carl Philipp Emanuel Bach Chamber Orchestra, Hartmut Haenchen | C Major | 1 | 8B | 98 BPM | ||
| An American in Paris: III. Allegro | George Gershwin, Cora Burggraaf, Calefax Reed Quintet | C Major | 2 | 8B | 85 BPM | ||
| Wedding | Calefax Reed Quintet, Eric Vloeimans | C Major | 1 | 8B | 133 BPM | ||
| Pulcinella, K 034: VI. Gavotta con due Variazioni | Igor Stravinsky, Orquestra De Cambra Teatre Lliure, Josep Pons | C Minor | 0 | 5A | 77 BPM | ||
| Mozart - Serenade K361 "Gran Partita" for 13 wind instruments: Romanze: Adagio - Allegretto - Adagio | Wolfgang Amadeus Mozart, London Winds, Michael Collins | E♭ Major | 0 | 5B | 132 BPM | ||
| Six Epigraphes antiques: Pour que la nuit soit propice | Claude Debussy, Calefax Reed Quintet | E Minor | 0 | 9A | 70 BPM | ||
| Southland Sketches: III. Allegretto grazioso | Harry Burleigh, Calefax Reed Quintet | F Major | 1 | 7B | 88 BPM | ||
| Concerto for 2 Oboes da caccia, 2 Violas, 2 Bassoons and Continuo in G Major, FaWV L:G11: II. Air | Johann Friedrich Fasch, Il Gardellino | D♭ Major | 0 | 3B | 79 BPM | ||
| The River - X. The mother her majesty the sea | Tony Overwater Trio, Calefax Reed Quintet | F Minor | 3 | 4A | 84 BPM | ||
| Waldszenen: 8. Jagdlied | Calefax Reed Quintet | E♭ Major | 2 | 5B | 136 BPM | ||
| Forlane | François Couperin, Calefax Reed Quintet | E Minor | 0 | 9A | 70 BPM | ||
| Trumpet Sonata: II. Adagio molto cantabile | Karl Pilss, Carole Dawn Reinhart, Jean-Claude Vanden Eynden | B♭ Major | 0 | 6B | 77 BPM | ||
| 24 Preludes and Fugues in A Minor, Op. 87 No. 2: Fugue (Arr. by Eduard Wesly) | Dmitri Shostakovich, Calefax Reed Quintet | G Major | 2 | 9B | 118 BPM | ||
| Senex puerum portabat à 4 (arr. Reed Quintet by Alban Wesley) | William Byrd, Calefax Reed Quintet | F Major | 0 | 7B | 127 BPM | ||
| Mozart, Leopold: Trombone Concerto in D Major: II. Adagio | Leopold Mozart, Philippe Entremont, Vienna Chamber Orchestra | A Major | 4 | 11B | 102 BPM | ||
| Southland Sketches: IV. Allegro | Harry Burleigh, Calefax Reed Quintet | B♭ Major | 1 | 6B | 71 BPM | ||
| Carmen Fantasy, Op. 25 (Arr. for Marimba by Thibault Lepri): Introduction. Allegro moderato | Pablo de Sarasate, Adélaïde Ferrière, Orchestre Dijon Bourgogne, Joseph Bastian | B♭ Major | 0 | 6B | 77 BPM |