"Aus Holbergs Zeit: 2. Sarabande" by Calefax Reed Quintet had its release date on October 25, 2015. The duration of This song is about 3 minutes long, at 3:29. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 17 in the song's album "Romantic Kaleidoscope". In this album, this song's track order is #14. Based on our statistics, Aus Holbergs Zeit: 2. Sarabande's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Aus Holbergs Zeit: 2. Sarabande by Calefax Reed Quintet having a BPM of 128 with a half-time of 64 BPM and a double-time of 256 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Concerto For Oboe And Strings: 3. Finale | Ralph Vaughan Williams, Neil Black, English Chamber Orchestra, Daniel Barenboim | G Major | 1 | 9B | 76 BPM | ||
| Sinfonie Nr. 2 c-Moll - III. Andante | Kirnberger, Reinhard Goebel, Berliner Barock Solisten | G Major | 1 | 9B | 133 BPM | ||
| A Dream (Arr. for Virginals by P. Gallon) | John Dowland, Pierre Gallon | G Major | 0 | 9B | 58 BPM | ||
| The River - VI. The falls; Whirlpool | Tony Overwater Trio, Calefax Reed Quintet | D♭ Major | 3 | 3B | 104 BPM | ||
| Lieder ohne Worte, Op. 67: No. 4 Presto "Spinnerlied" (Arr. Ottensamer for Clarinet and Strings) | Felix Mendelssohn, Andreas Ottensamer, Schumann Quartett, Gunars Upatnieks | C Major | 3 | 8B | 159 BPM | ||
| Pari Intervallo | Arvo Pärt, Kai Wessel, Eduard Wesly, Ivar Berix, Raaf Hekkema, Jelte Althuis, Alban Wesly | D♭ Minor | 0 | 12A | 70 BPM | ||
| 3 Chorale Preludes, Op. 122 (Arr. for Reed Quintet by Raaf Hekkema): No. 3, O Welt, ich muß dich lassen | Johannes Brahms, Calefax Reed Quintet | G Major | 1 | 9B | 116 BPM | ||
| Quatuor pour la fin du Temps: VI. Danse de la fureur, pour les sept trompettes | Olivier Messiaen, Louise Bessette, Cameron Crozman, Dominic Desautels, Mark Lee | G Major | 0 | 9B | 58 BPM | ||
| Far East Suite - II. Bluebird of Delhi | Tony Overwater Trio, Calefax Reed Quintet | A♭ Major | 4 | 4B | 127 BPM | ||
| Serenade for 13 Wind Instruments in E flat major, Op. 7 | Richard Strauss, François Leleux | E♭ Major | 0 | 5B | 70 BPM | ||
| Quintet for Clarinet, 2 Violins, Viola & Cello in A Major, K581: II - Larghetto | Wolfgang Amadeus Mozart, Brindisi Quartet/Nicholas Carpenter/Jackie Shave/Katie Wilkinson Kroroshunin/Anthony Pleeth/Patrick Kernan | D Major | 0 | 10B | 92 BPM | ||
| Satin Doll | Duke Ellington, Billy Strayhorn, Calefax Reed Quintet | F Major | 2 | 7B | 136 BPM | ||
| Le tombeau de Couperin: Minuet. Allegro | Maurice Ravel, Calefax Reed Quintet | A Minor | 0 | 8A | 133 BPM | ||
| Johann Sebastian Bach / Suite in E Minor, BWV 996: V. Bourrée | Lisa Spector, Viviana Guzmán | A Minor | 0 | 8A | 95 BPM | ||
| Marcello: Oboe Concerto in D Minor, S. Z799: I. Andante (Transcr. for Piccolo Trumpet and Baroque Orchestra by Simon Wright) | Alessandro Marcello, Alison Balsom, Pinnock’s Players, Trevor Pinnock | D♭ Minor | 2 | 12A | 80 BPM | ||
| 24 Preludes and Fugues in A Minor, Op. 87 No. 2: Fugue (Arr. by Eduard Wesly) | Dmitri Shostakovich, Calefax Reed Quintet | G Major | 2 | 9B | 118 BPM | ||
| Dreigroschensuite: V. Finale | Kurt Weill, Calefax Reed Quintet, Cora Burggraaf | F Major | 0 | 7B | 102 BPM | ||
| Rhapsody in Blue: III. | George Gershwin, Calefax Reed Quintet | C Minor | 1 | 5A | 69 BPM | ||
| Introduzione teatrale in D Major, Op. 4 No. 1 (Arr. J. Althuis for Reed Quintet): II. Allegro | Pietro Locatelli, Calefax Reed Quintet | A Minor | 1 | 8A | 67 BPM | ||
| Sinfonie D-Dur, Wq. 183: Sinfonie D-Dur, Wq. 183: II. Largo | Carl Philipp Emanuel Bach, Akademie für Alte Musik Berlin, Hans-Christoph Rademann | D Major | 0 | 10B | 106 BPM | ||
| Omphale, Acte I: Ouverture | Jean-Baptiste Cardonne, Gyorgy Vashegyi, Orfeo Orchestra | G Major | 0 | 9B | 58 BPM | ||
| Goldberg Variations Bwv 988, Variatio 7, Al Tempo Di Giga | Calefax Reed Quintet | G Major | 1 | 9B | 127 BPM | ||
| Samantha Sketches: II. Skyward | Mark Abel, Alice K. Dade, Ieva Jokubaviciute | G Major | 0 | 9B | 58 BPM | ||
| Concerto for Oboe and Strings in C Minor: I. Introduzione: Larghetto | Domenico Cimarosa, François Leleux | C Minor | 1 | 5A | 117 BPM | ||
| Waldszenen: 9. Abschied | Calefax Reed Quintet | B♭ Major | 0 | 6B | 134 BPM |