"Dreigroschensuite: V. Finale" by Kurt Weill, Calefax Reed Quintet, Cora Burggraaf had its release date on September 15, 2014. This song is about six minutes long, preciously at 6:19, making this song fairly long compared to other songs. There are a total of 17 in the song's album "Roaring Twenties". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Netherlands. In terms of popularity, Dreigroschensuite: V. Finale is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Dreigroschensuite: V. Finale by Kurt Weill, Calefax Reed Quintet, Cora Burggraaf having a BPM of 102 with a half-time of 51 BPM and a double-time of 204 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dichterliebe, Op.48: 1. Im wunderschönen Monat Mai | Robert Schumann, Dietrich Fischer-Dieskau, Christoph Eschenbach | A Minor | 0 | 8A | 173 BPM | ||
| Dialogues des Carmélites, FP 159, Act III Scene 4: Salve Regina (La Foule, Les Carmelites, Constance, Blanche) | Francis Poulenc, Jean-Philippe Lafont, Sally Matthews, Yann Beuron, Deborah Polaski, Heidi Brunner, Michelle Breedt, Hendrickje van Kerckhove, Magdalena Anna Hofmann, Christa Ratzenböck, Jürgen Sacher, Matjaz Robavs, Erik Arman, Craig Smith, Dominik Koninger, Nenad Marinkovic, Arnold Schoenberg Chor, Vienna Radio Symphony Orchestra, Bertrand de Billy | E Minor | 2 | 9A | 74 BPM | ||
| Das Verlassene Mägdlein | Hugo Wolf, Barbara Hendricks | A Minor | 0 | 8A | 70 BPM | ||
| Faure: Aprés un rêve | Gérard Souzay | E Minor | 1 | 9A | 133 BPM | ||
| Entreveo | Daniel Ariño, Mercedes Gancedo | B Major | 1 | 1B | 73 BPM | ||
| Cold Song’ (What Power Art Thou...) | Henry Purcell, VOCES8, Les Inventions, Dingle Yandell | E Minor | 1 | 9A | 134 BPM | ||
| Die Dreigroschenoper: Akt II, Der Pferdestall ("Mackie muss fliehen und nimmt Abschied von Polly") | Kurt Weill, Erich Schellow, Wolfgang Neuss, Johanna von Koczian, Wilhelm Brückner-Rüggeberg | G Major | 0 | 9B | 112 BPM | ||
| Mondnacht, Op. 39, No. 5 | Robert Schumann, Jonas Kaufmann, Helmut Deutsch | E Major | 0 | 12B | 101 BPM | ||
| Vier letzte Lieder, TrV 296: 3. Beim Schlafengehen | Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur | D♭ Major | 1 | 3B | 82 BPM | ||
| Das Lied von der Erde: Das Trinklied vom Jammer der Erde | Gustav Mahler, Michael Schade, Wiener Philharmoniker, Pierre Boulez | G Minor | 2 | 6A | 78 BPM | ||
| 3 Dance Episodes from On the Town: No. 2, Lonely Town | Leonard Bernstein, Bournemouth Symphony Orchestra, Marin Alsop | D Minor | 2 | 7A | 105 BPM | ||
| Les Pêcheurs de perles, WD 13, Act I: Au fond du temple saint | Georges Bizet, Alexandre Bloch, Orchestre National de Lille, Cyrille Dubois, Florian Sempey, Les Cris De Paris | B♭ Major | 1 | 6B | 101 BPM | ||
| 4 Lieder, Op. 27: 4. Morgen! | Richard Strauss, Jessye Norman, Gewandhausorchester Leipzig, Kurt Masur | G Major | 0 | 9B | 81 BPM | ||
| Mack The Knife - Remastered Album Version | Bertolt Brecht, Marc Blitzstein, Kurt Weill, Jerry Orbach | A Minor | 2 | 8A | 78 BPM | ||
| Emily — No Prisoner Be: No. 20, Tell Her | Kevin Puts, Time For Three, Joyce DiDonato | B♭ Minor | 1 | 3A | 92 BPM | ||
| Peter Grimes, 4 Sea Interludes, Op. 33a: III. Moonlight | Benjamin Britten, London Symphony Orchestra, Steuart Bedford | E♭ Major | 0 | 5B | 78 BPM | ||
| Die sieben Todsünden: V. Unzucht | Kurt Weill, Katharine Mehrling, Michael Porter, Simon Bode, Michael Nagl, Oliver Zwarg, Konzerthausorchester Berlin, Joana Mallwitz | F Minor | 1 | 4A | 82 BPM | ||
| Bizet: Les pêcheurs de perles, WD 13, Act 1: "Je crois entendre encore" (Nadir) | Georges Bizet, Pierre Dervaux, Nicolai Gedda, Orchestre du Theatre National de IOpera-Comique | A Minor | 1 | 8A | 88 BPM | ||
| Trois mélodies, Op. 8: No. 3, Ici-bas! | Dilyana Georgieva, Galina Apostolova | C Minor | 3 | 5A | 168 BPM | ||
| Schwanenlied | Fanny Mendelssohn, Sivan Goldman, Shira Shaked | E Major | 1 | 12B | 93 BPM | ||
| Lieder (Duette), Op. 63: II. Abschiedslied der Zugvögel | Felix Mendelssohn, Angelika Kirchschlager, Barbara Bonney, Malcolm Martineau | E♭ Major | 1 | 5B | 167 BPM | ||
| Marechiaro | Pene Pati, Antonello Paliotti, Raffaele La Ragione, Giulio d'Alessio, Il Pomo D'oro | D Major | 2 | 10B | 77 BPM | ||
| Dido and Aeneas: Dido's Lament | Jessye Norman | C Minor | 2 | 5A | 89 BPM | ||
| Petite messe solennelle: Gloria: Petite messe solennelle: Gloria: V. Qui tollis | Gioachino Rossini, Birgit Remmert, Marcus Creed, Hanno Müller-Brachmann, RIAS Kammerchor, Steve Davislim, Krassimira Stoyanova | B♭ Minor | 1 | 3A | 79 BPM | ||
| Die Dreigroschenoper: 3. Dreigroschenfinale | Kurt Weill, Rolf Boysen, Wolfgang Reichmann, René Kollo, Ute Lemper, Helga Dernesch, Mario Adorf, Rias-Sinfonietta Berlin, John Mauceri | F Major | 1 | 7B | 81 BPM |