On February 20, 2012, the song "Goldberg Variations Bwv 988, Variatio 7, Al Tempo Di Giga" was released by Calefax Reed Quintet. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Calefax Reed Quintet's "Goldberg Variations" album is number 8 out of 32. Based on our statistics, Goldberg Variations Bwv 988, Variatio 7, Al Tempo Di Giga's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Goldberg Variations Bwv 988, Variatio 7, Al Tempo Di Giga by Calefax Reed Quintet to be Allegro (fast, quick, and bright) because the track has a tempo of 127 BPM, a half-time of 64BPM, and a double-time of 254 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| From Honey to Ashes: XI. The Ajman | Stephen Goss, Francisco Correa, Emily Andrews | A Minor | 0 | 8A | 111 BPM | ||
| Symphony in 3 Movements, K073: II. Andante Interlude | Igor Stravinsky, Orchestre National Bordeaux Aquitaine, Bar Avni | A Minor | 0 | 8A | 111 BPM | ||
| Forlane | François Couperin, Calefax Reed Quintet | E Minor | 0 | 9A | 70 BPM | ||
| Suite la triomphante: Les trois mains | Jean-Philippe Rameau, Calefax Reed Quintet | E Minor | 0 | 9A | 77 BPM | ||
| Sonata No. 1 in C Major (REINVENTED for Solo Flute by LUCA ASTOLFONI FOSSI): II. Variation I | Saverio Mercadante, Claudio Ferrarini | A Minor | 0 | 8A | 111 BPM | ||
| Symphony No. 2 in One Movement, Op. 30: V. Adagio | Ruth Gipps, Rumon Gamba, BBC National Orchestra Of Wales | B♭ Major | 0 | 6B | 115 BPM | ||
| Syrinx (Arr. J.M. Londeix) | Claude Debussy, Gerard McChrystal | E Minor | 3 | 9A | 164 BPM | ||
| 24 Preludes and Fugues in G Major, Op. 87 No. 3: Fugue (Arr. by Eduard Wesly) | Dmitri Shostakovich, Calefax Reed Quintet | C Major | 3 | 8B | 62 BPM | ||
| Le tombeau de Couperin: Minuet. Allegro | Maurice Ravel, Calefax Reed Quintet | A Minor | 0 | 8A | 133 BPM | ||
| Piano Sonata in E Minor: II. Andante | Florence Beatrice Price, Calefax Reed Quintet | E Minor | 1 | 9A | 90 BPM | ||
| Far East Suite - III. Isafahan | Tony Overwater Trio, Calefax Reed Quintet | A♭ Major | 4 | 4B | 127 BPM | ||
| I Capuleti e i Montecchi, Act 1 Scene 4: Oh! quante volte (Arr. for Solo Trumpet by William Foster) | Vincenzo Bellini, Matilda Lloyd, Britten Sinfonia, Rumon Gamba | G Major | 0 | 9B | 90 BPM | ||
| New Amsterdam (Arr. Raaf Hekkema) | Moondog, Calefax Reed Quintet | D Minor | 1 | 7A | 97 BPM | ||
| Pièces froides, Pt. 2 "Danses de travers" (Arr. R, Hekkema for Reed Quintet): No. 3, Encore | Erik Satie, Calefax Reed Quintet | A Minor | 1 | 8A | 67 BPM | ||
| Rhapsody in Blue: III. | George Gershwin, Calefax Reed Quintet | C Minor | 1 | 5A | 69 BPM | ||
| Sonatine pour basson et piano: III. Scherzo presto | Alexandre Tansman, Marc Trenel, Pascal Godart | A Minor | 3 | 8A | 149 BPM | ||
| Goldberg Variations Bwv 988, Variatio 20 | Calefax Reed Quintet | G Major | 2 | 9B | 86 BPM | ||
| Le tombeau de Couperin: Forlane. Allegretto | Maurice Ravel, Calefax Reed Quintet | B Minor | 0 | 10A | 94 BPM | ||
| String Quartet In D Major, Op.64, No.5 "The Lark" (Hob.III:63): 2. Adagio. Cantabile | Joseph Haydn, Hagen Quartett | A Major | 0 | 11B | 79 BPM | ||
| Poulenc: Clarinet Sonata, FP 184: II. Romanza | Francis Poulenc, Sabine Meyer | G Minor | 0 | 6A | 67 BPM | ||
| Concerto for 2 Oboes da caccia, 2 Violas, 2 Bassoons and Continuo in G Major, FaWV L:G11: II. Air | Johann Friedrich Fasch, Il Gardellino | D♭ Major | 0 | 3B | 79 BPM | ||
| Solo de concert | Gabriel Pierné, Marc Trenel, Pascal Godart | F Major | 1 | 7B | 66 BPM | ||
| Sonata No. 1 in C Major (REINVENTED for Solo Flute by LUCA ASTOLFONI FOSSI): VII. Variation VI | Saverio Mercadante, Claudio Ferrarini | A Minor | 0 | 8A | 111 BPM | ||
| Six Epigraphes antiques: Pour la danseuse aux crotales | Claude Debussy, Calefax Reed Quintet | A Minor | 0 | 8A | 133 BPM | ||
| Bach Orchestral Suite No.2 in B Minor, BWV 1076: V. Polonaise | London Conchord Ensemble, Florian Uhlig | B Minor | 1 | 10A | 85 BPM |