Calefax Reed Quintet's ' "Goldberg Variations Bwv 988, Variatio 20" was released on its scheduled release date, February 20, 2012. With This song being less than two minutes long, at 1:08, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Calefax Reed Quintet's "Goldberg Variations" album is number 21 out of 32. Goldberg Variations Bwv 988, Variatio 20 is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Goldberg Variations Bwv 988, Variatio 20 by Calefax Reed Quintet to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bassoon Concerto in F Major, WoO 23, S63: II. Romanza. Andantino e cantabile | Johann Nepomuk Hummel, Matthias Rácz, Nordwestdeutsche Philharmonie, Johannes Klumpp | E Minor | 0 | 9A | 77 BPM | ||
| The Hebrides | Calefax Reed Quintet | B Minor | 1 | 10A | 123 BPM | ||
| Far East Suite - III. Isafahan | Tony Overwater Trio, Calefax Reed Quintet | A♭ Major | 4 | 4B | 127 BPM | ||
| Flute Sonata in A Minor, Wq. 132, H. 562: III. Allegro | Carl Philipp Emanuel Bach, Gunilla von Bahr | A Minor | 0 | 8A | 62 BPM | ||
| Contrastes: VI. Fugue/Tango | Richard Galliano, South Czech Philharmonic, Miran Vaupotic, Sebastien Giniaux | D♭ Major | 0 | 3B | 146 BPM | ||
| Iridescence | Jörgen Dafgård, Anders Paulsson | D Major | 1 | 10B | 80 BPM | ||
| Alto Saxophone Sonata in C-Sharp Major (Version for Saxophone & Piano): I. Très modéré, expressif | Fernande Decruck, Asya Fateyeva, Valeria Myrosh | E Major | 1 | 12B | 102 BPM | ||
| Sonate pour basson, Op. 168: I. Allegretto moderato | Camille Saint-Saëns, Marc Trenel, Pascal Godart | G Major | 1 | 9B | 67 BPM | ||
| Vivaldi: La stravaganza, Op. 4: Violin Concerto No. 6 in G Minor, RV 316a: III. Allegro (Transcr. for Piccolo Trumpet and Baroque Orchestra by Simon Wright) | Antonio Vivaldi, Alison Balsom, Pinnock’s Players, Trevor Pinnock | F♯ Minor | 3 | 11A | 131 BPM | ||
| The river - VII. The River | Tony Overwater Trio, Calefax Reed Quintet | F Minor | 2 | 4A | 134 BPM | ||
| Introduzione e 6 Variazioni Brillanti, Op. 23 (REINVENTED for Solo Flute by LUCA ASTOLFONI FOSSI): II. Tema allegretto con gusto | Ernst Krähmer, Claudio Ferrarini | B♭ Major | 1 | 6B | 67 BPM | ||
| Dreigroschensuite: II. Moritat von Mackie Messer | Kurt Weill, Calefax Reed Quintet, Cora Burggraaf | A Minor | 0 | 8A | 83 BPM | ||
| Peace on Earth (Arr. for Euphonium & Piano by Anonymous) | Errollyn Wallen, David Childs, Christopher Williams | F Major | 0 | 7B | 69 BPM | ||
| Introduction and Variations on a Swedish Song for Clarinet and Orchestra, Op. 12 | Bernhard Henrik Crusell, Martin Fröst, Royal Stockholm Philharmonic Orchestra | B♭ Major | 2 | 6B | 141 BPM | ||
| Bassoon Concerto in E minor, RV 484: 2. Andante | Antonio Vivaldi, Klaus Thunemann, Shizuko Noiri, I Musici | E Minor | 5 | 9A | 125 BPM | ||
| Progess Back | Money Wheels | B♭ Major | 1 | 6B | 210 BPM | ||
| Feet In The Clouds | Fiona Ubong | F♯ Major | 1 | 2B | 73 BPM | ||
| Bach Orchestral Suite No.2 in B Minor, BWV 1076: II. Rondeau | London Conchord Ensemble, Florian Uhlig | B Minor | 1 | 10A | 143 BPM | ||
| Saint-Saëns: The Swan (Le Cygne) | Conrad Zwicky | G Major | 0 | 9B | 69 BPM | ||
| Bassoon Concerto in F Major, Op. 75, J. 127: II. Adagio | Carl Maria von Weber, Matthias Rácz, Nordwestdeutsche Philharmonie, Johannes Klumpp | E Minor | 0 | 9A | 105 BPM | ||
| Obra de 8º tono alto (Arr. for Reed Quintet by Jelte Althuis): Ensalada | Sebastian Aguilera de Heredia, Calefax Reed Quintet | G Major | 1 | 9B | 116 BPM | ||
| Flute Concerto Pour Potsdam in D Major, QV 5:41(Reinvented for Solo Flute by Luca Astolfoni Fossi): III. Presto | Johann Joachim Quantz, Claudio Ferrarini | B♭ Major | 1 | 6B | 67 BPM | ||
| Suite No. 1 for Organ (Arr. for Reed Quintet by Jelte Althuis): I. Fantasy | Florence Beatrice Price, Calefax Reed Quintet | C Major | 0 | 8B | 72 BPM | ||
| Phalanx Suite: Prolog | R.Kuhn, Rüdiger Edgar Kuhn | F Major | 2 | 7B | 96 BPM | ||
| Marcello: Oboe Concerto in D Minor, S. Z799: I. Andante (Transcr. for Piccolo Trumpet and Baroque Orchestra by Simon Wright) | Alessandro Marcello, Alison Balsom, Pinnock’s Players, Trevor Pinnock | D♭ Minor | 2 | 12A | 80 BPM |