"Rhapsody in Blue: III." by George Gershwin, Calefax Reed Quintet had its release date on March 17, 2023. With This song being less than two minutes long, at 1:53, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 3 out of 19 in An American Rhapsody by Calefax Reed Quintet. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Rhapsody in Blue: III. is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Rhapsody in Blue: III. by George Gershwin, Calefax Reed Quintet is Adagio (slowly with great expression), since this song has a tempo of 69 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| La lisonjera, Op. 50 | Cécile Chaminade, Péter Nagy | D♭ Major | 1 | 3B | 132 BPM | ||
| Fascinatin' Rhythm | Leon Bates, George Gershwin | E♭ Major | 1 | 5B | 145 BPM | ||
| Prélude in C-Sharp Minor, Op. 3, No. 2 | Sergei Rachmaninoff | F♯ Minor | 1 | 11A | 115 BPM | ||
| Concerto grosso No.1: 1. Prelude: Allegro energico e pesante | Ernest Bloch, Eastman-Rochester Orchestra, Howard Hanson | B♭ Major | 3 | 6B | 129 BPM | ||
| Scheherezade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Pelin Halkacı Alkın, Sascha Goetzel, Borusan Istanbul Philharmonic Orchestra | E Minor | 1 | 9A | 70 BPM | ||
| Danse Macabre, Op. 40 | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | G Minor | 2 | 6A | 110 BPM | ||
| Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Robert Schumann, Seattle Symphony Orchestra, Gerard Schwarz | A Minor | 0 | 8A | 104 BPM | ||
| Quiet City | Aaron Copland, Paula Engerer, Scott Moore, Nashville Chamber Orchestra, Paul Gambill | F Major | 0 | 7B | 72 BPM | ||
| Clarinet Quintet in A Major: Clarinet Quintet in A Major: I. Allegro | Wolfgang Amadeus Mozart, Arcanto Quartett, Jörg Widmann | A Major | 1 | 11B | 116 BPM | ||
| Rosalie: How Long Has This Been Going On? | Peter Breiner, Juray Bartos, George Gershwin | C Major | 1 | 8B | 63 BPM | ||
| Peter and the Wolf, Op. 67: The Bird | Sergei Prokofiev, Slovak Radio Symphony Orchestra, Ondrej Lenard | C Major | 0 | 8B | 99 BPM | ||
| Elite Synchopations (1902) | Scott Joplin, Joshua Rifkin | F Major | 2 | 7B | 100 BPM | ||
| Raymonda, Act I: Scene 1. 1er Tableau (Lento maestoso) | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | E♭ Major | 1 | 5B | 81 BPM | ||
| Nocturnes, Op. 27: No. 2 in D-Flat Major | Frédéric Chopin, Arthur Rubinstein | D♭ Major | 0 | 3B | 77 BPM | ||
| Piano Concerto in F: II. Adagio | George Gershwin, Jon Nakamatsu, Rochester Philharmonic Orchestra, Jeff Tyzik | F♯ Major | 0 | 2B | 139 BPM | ||
| Deep River | Samuel Coleridge-Taylor, Isata Kanneh-Mason | E Major | 0 | 12B | 135 BPM | ||
| Gershwin: Porgy and Bess, Act 2: "I Loves You, Porgy" (Orch. Elliott) | George Gershwin, Lucienne Renaudin Vary, Bill Elliott, BBC Concert Orchestra | D♭ Major | 2 | 3B | 70 BPM | ||
| Gershwin: Gershwin's Songbook: No. 5, I Got Rhythm | George Gershwin, Martin James Bartlett | C Minor | 1 | 5A | 70 BPM | ||
| Bottesini: Double Bass Concerto in B Minor: I. Allegro moderato | Giovanni Bottesini, Wies de Boevé, Joshua Weilerstein, Brussels Philharmonic | E Minor | 2 | 9A | 102 BPM | ||
| Le Bœuf sur le toit, Op. 58 | Darius Milhaud, Lucienne Renaudin Vary, Bill Elliott, BBC Concert Orchestra | F Major | 2 | 7B | 106 BPM | ||
| Lyric for Strings | George Walker, Cleveland Chamber Symphony, Gregory Walker, Edwin London | F♯ Major | 0 | 2B | 77 BPM | ||
| Gershwin: Porgy and Bess, Act 1: "Summertime" (Clara, Chorus) | George Gershwin, Sir Simon Rattle, Harolyn Blackwell, Glyndebourne Chorus, London Philharmonic Orchestra | F♯ Minor | 1 | 11A | 90 BPM | ||
| Wood Notes: I. Singing River: Moderately slow | William Grant Still, Fort Smith Symphony, John Jeter | F Minor | 0 | 4A | 112 BPM | ||
| Symphony No. 3 in C Minor: II. Andante ma non troppo | Florence Beatrice Price, Philadelphia Orchestra, Yannick Nézet-Séguin | A♭ Major | 0 | 4B | 88 BPM | ||
| 24 Preludes, Op. 53: Prelude No. 23 in F Major | Nikolai Kapustin, Catherine Gordeladze | B♭ Major | 2 | 6B | 81 BPM |