The Rite of Spring (Scenes of Pagan Russia in Two Parts): Part One - Games of the Rival Tribes by Igor Stravinsky, Leonard Bernstein, London Symphony Orchestra Song Details

"The Rite of Spring (Scenes of Pagan Russia in Two Parts): Part One - Games of the Rival Tribes" by Igor Stravinsky, Leonard Bernstein, London Symphony Orchestra had its release date on 1958. With This song being less than two minutes long, at 1:55, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 20 in the song's album "Stravinsky: The Rite of Spring & The Firebird Suite". In this album, this song's track order is #5. The Rite of Spring (Scenes of Pagan Russia in Two Parts): Part One - Games of the Rival Tribes is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With The Rite of Spring (Scenes of Pagan Russia in Two Parts): Part One - Games of the Rival Tribes by Igor Stravinsky, Leonard Bernstein, London Symphony Orchestra having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.

Music Key

This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 11%
Loudness: -12.476 dB
Acousticness: 92%
Danceability: 27%
Energy: 64%
Instrumentalness: 93%
Liveness: 36%
Loudness: 79%
Speechiness: 13%
Valence: 16%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
The Rite of Spring (Scenes of Pagan Russia in Two Parts): Part One - Games of the Rival Tribes	Igor Stravinsky, Leonard Bernstein, London Symphony Orchestra	E♭ Major	6	5B	86 BPM
Pictures at an Exhibition: IV. Bydlo	Modest Mussorgsky, Leonard Bernstein, New York Philharmonic	A Major	0	11B	92 BPM
Prince Igor: Polovtsian Dances (Remastered): No. 17g, Allegro con spirito - Più animato	Alexander Borodin, Leonard Bernstein, New York Philharmonic	A Major	6	11B	91 BPM
Eine Alpensinfonie: V. Auf dem Gletscher - Gefahrvolle Augenblicke	Richard Strauss, Bernard Haitink, London Symphony Orchestra	F♯ Minor	0	11A	83 BPM
Britten: Four Sea Interludes from Peter Grimes, Op. 33a: No. 3, Moonlight	Benjamin Britten, André Previn, London Symphony Orchestra	G Minor	1	6A	117 BPM
Sinfonietta, JW VI/18: II. The Castle, Brno. Andante – Allegretto	Leoš Janáček, Bavarian Radio Symphony Orchestra, Rafael Kubelík	A♭ Minor	2	1A	144 BPM
Prince Igor: Overture	Alexander Borodin, London Symphony Orchestra, Sir Georg Solti	B♭ Major	2	6B	76 BPM
The Planets, Op. 32: 3. Mercury, the Winged Messenger	Gustav Holst, Berliner Philharmoniker, Herbert von Karajan	A Major	1	11B	108 BPM
Tchaikovsky: Swan Lake, Op. 20, Act 3: No. 17, Entrance of the Guests and Waltz	Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra	A♭ Major	1	4B	91 BPM
Tchaikovsky: Swan Lake, Op. 20, Act 1: No. 8, Dance with Goblets	Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra	E Major	4	12B	122 BPM
Samson et Dalila, Op. 47: Bacchanale	Camille Saint-Saëns, Leonard Bernstein, New York Philharmonic	D Minor	2	7A	145 BPM
Carnival of the Animals: XII. Fossils	Camille Saint-Saëns, Barry Wordsworth, London Symphony Orchestra	E♭ Major	3	5B	114 BPM
Symphony No. 2 in C Minor, Op. 17 "Little Russian": I. Andante sostenuto - Allegro vivo	Pyotr Ilyich Tchaikovsky, Leonard Bernstein, New York Philharmonic	A♭ Major	3	4B	113 BPM
Carmina Burana: XIV. In taberna quando sumus	Carl Orff, London Symphony Chorus, London Symphony Orchestra, Richard Hickox	E Major	3	12B	128 BPM
Peer Gynt Suite No. 1, Op. 46: II. Åse's Death. Andante doloroso - 2017 Remastered Version	Edvard Grieg, Leonard Bernstein, New York Philharmonic	G Major	1	9B	135 BPM
The Barber of Seville: Overture	Gioachino Rossini, Leonard Bernstein, New York Philharmonic	E Major	2	12B	175 BPM
Tristan und Isolde, WWV 90 / Act 3: Prelude - Live	Richard Wagner, Bavarian Radio Symphony Orchestra, Leonard Bernstein	G Major	3	9B	96 BPM
Candide: Overture	Leonard Bernstein, New York Philharmonic	E♭ Major	4	5B	82 BPM
Prince Igor: Polovtsian Dances (Remastered): No. 17a, Polovtsian Dance. Introduzione. Andantino	Alexander Borodin, Leonard Bernstein, New York Philharmonic	A Major	1	11B	78 BPM
Billy the Kid Suite: III. Mexican Dance and Finale	Aaron Copland, Leonard Bernstein, New York Philharmonic	C Major	3	8B	141 BPM
Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto. Allegretto	Béla Bartók, Berliner Philharmoniker, Herbert von Karajan	F Major	0	7B	96 BPM
Béatrice et Bénédict, Op. 27, H 138: Ouverture	Hector Berlioz, London Symphony Orchestra, Sir Colin Davis	G Major	0	9B	101 BPM
Le Sacre du Printemps - Revised version for Orchestra (published 1947) / Part 2: The Sacrifice: Ritual Action of the Ancestors	Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan	D Minor	0	7A	108 BPM
Symphony No. 1 in B-Flat Minor: IV. Maestoso - Allegro, brioso ed ardentemente - Vivacissimo - Maestoso	William Walton, London Symphony Orchestra, Sir Colin Davis	B♭ Major	2	6B	118 BPM
Piano Concerto No. 2 in B-Flat Major, Op. 83: II. Allegro appassionato	Johannes Brahms, Krystian Zimerman, Wiener Philharmoniker, Leonard Bernstein	D Minor	2	7A	107 BPM