- BPM
- 81
- Key
- E Minor
- Camelot
- 9A
3 Bagatelles: No. 1, Tempo di valse by Robin Stevens, Stephen Robbings Song Details
"3 Bagatelles: No. 1, Tempo di valse" by Robin Stevens, Stephen Robbings had its release date on January 3, 2025. With This song being less than two minutes long, at 1:29, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 11 out of 21 in A Questing Soul by Robin Stevens, Christine Townsend, Stephen Robbings. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. 3 Bagatelles: No. 1, Tempo di valse is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
BPM and Tempo
The tempo marking of 3 Bagatelles: No. 1, Tempo di valse by Robin Stevens, Stephen Robbings is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Music Key
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -24.261 dB
- Acousticness
- 99%
- Danceability
- 46%
- Energy
- 4%
- Instrumentalness
- 75%
- Liveness
- 7%
- Loudness
- 60%
- Speechiness
- 8%
- Valence
- 15%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
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 | Peer Gynt Suite No. 1, Op. 46 (Version for Piano 4 Hands): II. The Death of Aase | Edvard Grieg, Lucas Jussen, Arthur Jussen | A Minor | 0 | 8A | 104 BPM | |
 | Eternal Dreams | Luna Mystic | E Major | 3 | 12B | 164 BPM | |
 | String Quartet No. 2 "Three Portraits": I. Impulsive One | Robin Stevens, Behn Quartet | D Major | 0 | 10B | 84 BPM | |
 | Concertino for Viola and Chamber Orchestra: III. Presto, Molto Ritmico | Menachem Wiesenberg, Yuval Gotlibovich, Chen Halevi, Thomas Rösner, Beethoven Philarmonie Orchestra | G Major | 1 | 9B | 87 BPM | |
 | Vier Lieder für das Pianoforte, Op. 8: No. 1, Allegro moderato H. 423 | Fanny Mendelssohn, Olga Pashchenko | G Minor | 1 | 6A | 91 BPM | |
 | Orfeo ed Euridice (arr. G. Sgambati): Melodie | Giovanni Sgambati, Christoph Willibald Gluck, Anthony Goldstone | D Minor | 0 | 7A | 152 BPM | |
 | 3 Preludes & Fugues, Op. 16: No. 1 in G Minor | Clara Schumann, Jean-Pierre Armengaud | B Minor | 0 | 10A | 70 BPM | |
 | Cello Suite No. 3, Op. 87: III. Canto. Con moto – | Benjamin Britten, Steven Isserlis | C Major | 0 | 8B | 106 BPM | |
 | Haydn: String Quartet in D Major, Op. 76 No. 5, Hob. III:79: III. Menuetto. Allegro | Joseph Haydn, Quatuor Arod | C Minor | 2 | 5A | 82 BPM | |
 | I. The Meeting | Michael Stephen Brown, Osmo Vänskä, Erin Keefe | A Major | 1 | 11B | 98 BPM | |
 | Variations & Fugue on a Theme by J.S. Bach, Op. 81: Var. 12. Andante sostenuto | Max Reger, Marc-André Hamelin | E♭ Major | 0 | 5B | 92 BPM | |
 | Prière Et Procession | G. I. Gurdjieff, Thomas de Hartmann, Dietrich Bethge, Corinne Cordier, Herbert Lashner | D♭ Major | 0 | 3B | 78 BPM | |
 | Sonata No.4 in C Major for Cello and Piano, Op. 102, No.1 : IIa. Adagio - Tempo d'andante | Ludwig van Beethoven, Jungin Huh, Ilya Rashkovskiy | D Major | 2 | 10B | 182 BPM | |
 | 8 Pieces, Op. 83: III. Andante con moto – Andante | Max Bruch, Philon Trio | F♯ Minor | 0 | 11A | 63 BPM | |
 | Nielsen: Violin Sonata No. 2 in G Minor, Op. 35: II. Molto adagio | Carl Nielsen, Leif Ove Andsnes, Christian Tetzlaff | B♭ Minor | 0 | 3A | 80 BPM | |
 | Balmoral Suite for Cello & Piano: III. A Graceful Beauty | Robin Stevens, Nicholas Trygstad, David Jones | D Major | 0 | 10B | 105 BPM | |
 | 3 Ghazeles, Op. 54: No. 1, Andante con moto | Ferdinand Hiller, Tobias Koch | C Major | 1 | 8B | 65 BPM | |
| 3 Romances, Op. 11: No. 2 in G Minor | Clara Schumann, Jean-Pierre Armengaud | B Minor | 0 | 10A | 70 BPM | |
 | Trio in G Major, K.564: IV. Variation 2 | Wolfgang Amadeus Mozart, Gryphon Trio | G Major | 1 | 9B | 78 BPM | |
 | Trois romances op.11 Andante | Pierre-Alain Volondat, Clara Schumann | E♭ Minor | 0 | 2A | 69 BPM | |
 | Balmoral Suite: II. Granpa Hankers for the Past | Robin Stevens, John Turner, David Routledge, Manchester Sinfonia, Richard Howarth | E Minor | 0 | 9A | 133 BPM | |
 | Bassoon Scherzo No 1 F# Minor | Nikolas Eleftheriou | F♯ Minor | 0 | 11A | 125 BPM | |
 | Liebesbotschaft (Schwanengesang) | Franz Schubert, Antoine Tamestit, Markus Hadulla | F♯ Minor | 0 | 11A | 89 BPM |
- ISRC
- GBBDZ2434130
- Label
- L-M Records/RCA Records