Ancient Infinity Orchestra's 'Variations On A Theme Of Social Oppression' had a release date set for October 3, 2018. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Ancient Infinity Orchestra's "Joy of a Natural World" album is number 5 out of 9. In terms of popularity, Variations On A Theme Of Social Oppression is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Variations On A Theme Of Social Oppression by Ancient Infinity Orchestra to be Andante (at a walking pace) because the track has a tempo of 102 BPM, a half-time of 51BPM, and a double-time of 204 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Elements | Ancient Infinity Orchestra | F Major | 4 | 7B | 80 BPM | ||
| Love | Takuro Okada | D Minor | 5 | 7A | 154 BPM | ||
| Mouth Words | SML | A Minor | 7 | 8A | 160 BPM | ||
| Hawk Hill | Nora Stanley, Benny Bock | G Minor | 2 | 6A | 95 BPM | ||
| Charlie's Way | Ruby Rushton | B♭ Major | 6 | 6B | 126 BPM | ||
| Ambassador Cathedral | Phil Cook | D♭ Major | 0 | 3B | 122 BPM | ||
| Jicama | Gregory Uhlmann, Josh Johnson, Sam Wilkes | A Major | 1 | 11B | 100 BPM | ||
| Healing Time | Phi-Psonics | B♭ Minor | 3 | 3A | 102 BPM | ||
| Perspective | Sinsuke Fujieda Group | B♭ Minor | 5 | 3A | 98 BPM | ||
| Old Friends | Ancient Infinity Orchestra | E Major | 5 | 12B | 104 BPM | ||
| mathilde | daoud | F Minor | 4 | 4A | 81 BPM | ||
| Transmission | Eliot Krimsky | E♭ Major | 1 | 5B | 96 BPM | ||
| Aquarius | Patricia Brennan | C Minor | 2 | 5A | 68 BPM | ||
| After Dark | Amanda Whiting | C Minor | 1 | 5A | 120 BPM | ||
| Old Friend; The Sea | Vega Trails | C Minor | 0 | 5A | 178 BPM | ||
| fall iv | Felbm | C Minor | 3 | 5A | 164 BPM | ||
| At Once Familiar | Work Money Death | E Minor | 7 | 9A | 151 BPM | ||
| Variations On A Theme Of Social Oppression | Ancient Infinity Orchestra | B♭ Minor | 4 | 3A | 102 BPM | ||
| Felt Like Floating | Joe Westerlund, Sam Gendel | C Major | 5 | 8B | 100 BPM | ||
| Sunrise | Takuro Okada | B♭ Minor | 2 | 3A | 74 BPM | ||
| Somnambulista | Pino Palladino, Blake Mills | A Major | 3 | 11B | 136 BPM | ||
| Passing Through | Okonski | E Minor | 1 | 9A | 129 BPM | ||
| Morningtide | Jasmine Myra | A Major | 4 | 11B | 93 BPM | ||
| open | cktrl | C Major | 1 | 8B | 82 BPM | ||
| Bowls | Ancient Infinity Orchestra | F Major | 1 | 7B | 73 BPM |