"O lux beata Trinitas à 3" by Thomas Preston, Fretwork had its release date on March 1, 2011. The duration of This song is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. O lux beata Trinitas à 3's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Fretwork's "In Nomine Sixteenth Century Music for Viols" album is number 13 out of 21. O lux beata Trinitas à 3 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of O lux beata Trinitas à 3 by Thomas Preston, Fretwork to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Danseryes: Tordion | Jacques Moderne, Musica Antiqua, Christian Mendoze | E♭ Major | 3 | 5B | 108 BPM | ||
| Volte | Johann Daniel Mylius, Lutz Kirchhof | A Major | 1 | 11B | 97 BPM | ||
| Trio Sonata in B-Flat Major, BuxWV 255 | Dietrich Buxtehude, Ensemble Masques, Olivier Fortin, Sophie Gent, Mélissande Corriveau | B♭ Major | 1 | 6B | 95 BPM | ||
| Sonate concertate a due e tre voci, Book 1: No. 18, Sonata sopra "La novella" | Giuseppe Scarini, Ecco la musica | F♯ Major | 1 | 2B | 89 BPM | ||
| Sonata No. 103 in B-Flat Major: VI. Gigue | Silvius Leopold Weiss, Evangelina Mascardi | F Minor | 1 | 4A | 132 BPM | ||
| La Suave Melodia | Andrea Falconieri, Musica Sequenza, BURAK | F♯ Minor | 1 | 11A | 75 BPM | ||
| Ciaccona for 2 Treble Instruments & Continuo, Op. 12 No. 20 | Tarquinio Merula, Leila Schayegh, La Centifolia | B Major | 2 | 1B | 80 BPM | ||
| Zarabanda detta la favorita | Giovanni Paolo Foscarini, Private Musicke | F Major | 1 | 7B | 145 BPM | ||
| De Navarez : Mille regretz | Heringman | G Minor | 0 | 6A | 161 BPM | ||
| Farnabys Humour | Giles Farnaby, Harmonia Recorder Ensemble | G Major | 0 | 9B | 68 BPM | ||
| O lux beata Trinitas | Thomas Preston, Musicke & Mirth | E Major | 1 | 12B | 85 BPM | ||
| Manuscrit de Cracovie, Suite in D Minor: Sarabande et sa variation | Nicolas Hotman, Lucile Boulanger | D♭ Major | 0 | 3B | 138 BPM | ||
| Mystery Sonata No. 3 "The Nativity": III. Adagio | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen-Pilch, Battalia | B♭ Minor | 0 | 3A | 80 BPM | ||
| Recorder Sonata in A Minor: II. Allegro | Diogenio Bigaglia, Dan Laurin, Parnassus Avenue | B Major | 1 | 1B | 142 BPM | ||
| Pièces en ut majeur: Prélude | Michel de Béthune, José Miguel Moreno | F Major | 0 | 7B | 79 BPM | ||
| Gintzler : Part II: Ave Maria | Heringman | D Minor | 0 | 7A | 80 BPM | ||
| La rhétorique des dieux / Suite No. 10 en la mineur: 4. Courante | Denis Gaultier, Louis Pernot | F♯ Major | 1 | 2B | 95 BPM | ||
| Canzon 19 a 8 | Giovanni Picchi, Flanders Recorder Quartet, Viola da Gamba Consort, Guy Penson | A♭ Major | 1 | 4B | 81 BPM | ||
| Pièces de clavecin, Book 2: 7th Ordre: La Menetou (Rondeau) [arr. Y. Imamura] | François Couperin, Yasunori Imamura | C Major | 1 | 8B | 98 BPM | ||
| Sonata No. 103 in B-Flat Major: II. Allemande | Silvius Leopold Weiss, Evangelina Mascardi | A Major | 1 | 11B | 141 BPM | ||
| Recercare del dodicesimo tuono | Vincenzo Galilei, Ugo Nastrucci | G Minor | 0 | 6A | 93 BPM | ||
| Aria malinconica (Adagio) | Nicola Matteis, Gli Incogniti, Amandine Beyer | E Major | 2 | 12B | 129 BPM | ||
| Ground in D Major | Christopher Simpson, Mika Suihkonen, Ballo della Battalia | A Major | 1 | 11B | 113 BPM | ||
| Cello Sonata No. 3 in C Major: III. Amoroso | Alessandro Scarlatti, Guadalupe López-Íñiguez, Markku Luolajan-Mikkola, Olli Hyyrynen | G Major | 0 | 9B | 105 BPM | ||
| Sonata in C Major (Weiss) - Andante | Edward Martin and Paul Berget | B Major | 1 | 1B | 86 BPM |