Pierre Rode, Axel Strauss's '24 caprices en formes d'etudes: No. 6 in B Minor' had a release date set for December 15, 2009. With this song being around four minutes long, at 3:56, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 24 in the song's album "Rode, P.: 24 Caprices for Solo Violin". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Hong Kong. 24 caprices en formes d'etudes: No. 6 in B Minor is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With 24 caprices en formes d'etudes: No. 6 in B Minor by Pierre Rode, Axel Strauss having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Zigeunerweisen, Op. 20 (Arr. For cello and piano) | Pablo de Sarasate, Emilio Colón, Sung Hoon Mo | C Major | 1 | 8B | 138 BPM | ||
| Concerto for 2 Cellos in G Minor, RV 531: II. Largo | Julian Lloyd Webber, Jiaxin Lloyd Webber, European Union Chamber Orchestra, Hanspeter Hofmann | G Minor | 1 | 6A | 108 BPM | ||
| Sonata For Violin And Continuo In G Minor, B. g5 - "Il trillo del diavolo": 3. Grave | Giuseppe Tartini, David Garrett, Alexander Markovich | B♭ Major | 1 | 6B | 102 BPM | ||
| Tarantelle, Op. 23 | William Henry Squire, Oliver Gledhill, Tadashi Imai | D Major | 1 | 10B | 141 BPM | ||
| Guitar Quartet No. 10 in F Major, MS 37: III. Adagio cantabile | Niccolò Paganini, Benjamin Schmid, Petrit Ceku, Benedict Mitterbauer, Florian Eggner | D Major | 2 | 10B | 176 BPM | ||
| Concerto for 2 Mandolins in G Major, RV 532: I. Allegro | Julian Lloyd Webber, Jiaxin Lloyd Webber, European Union Chamber Orchestra, Hanspeter Hofmann | G Minor | 1 | 6A | 108 BPM | ||
| Duet for Violin & Cello in F Major, Op. 6 No. 2: I. Andante | Franz Anton Hoffmeister, John Mills, Bozidar Vukotic | A Minor | 1 | 8A | 144 BPM | ||
| La Cinquantaine - Arranged for Cello and Harp by Miriam Keogh | Gabriel-Marie, None, Sebastian Comberti, Miriam Keogh | A Major | 1 | 11B | 90 BPM | ||
| Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
| Viola Concerto in G Minor: III. Allegro con fuoco | Cecil Forsyth, Baden-Badener Philharmonie, Hartmut Rohde, Pavel Baleff | F Major | 1 | 7B | 75 BPM | ||
| Moses Fantasy | Niccolò Paganini, Nemanja Radulović | C Major | 1 | 8B | 100 BPM | ||
| String Quartet No. 1 in E Flat Major, Op. 12, MWV R 25: II. Canzonetta: Allegretto | Felix Mendelssohn, Emerson String Quartet | G Major | 1 | 9B | 142 BPM | ||
| Violin Concerto No. 8 in A Minor, Op. 47 (Im Form einer Gesangsszene): I. Recitative - Allegro molto | Louis Spohr, Hilary Hahn, Swedish Radio Symphony Orchestra, Eije Oue | A Minor | 0 | 8A | 131 BPM | ||
| Raff: Cavatina in A-Flat Major, Op. 85 No. 3 | Joachim Raff, Itzhak Perlman | D Major | 2 | 10B | 100 BPM | ||
| 24 Caprices for Solo Violin, Op. 22: No. 6 in B Minor. Adagio - Moderato | Pierre Rode, Roksana Kwaśnikowska | C Major | 1 | 8B | 123 BPM | ||
| Lalo: Symphonie espagnole in D Minor, Op. 21: I. Allegro ma non troppo | Édouard Lalo, Pierre Amoyal, Orchestre National de l'Opéra de Monte-Carlo, Paul Paray | B♭ Major | 1 | 6B | 153 BPM | ||
| Violin Sonata No. 3 in C Minor, Op. 45: I. Allegro molto ed appassionato | Edvard Grieg, Frederic Chiu, Pierre Amoyal | C Major | 0 | 8B | 102 BPM | ||
| Carmen Concert Fantasy, Op. 25: III. Lento assai | Pablo de Sarasate, Tianwa Yang, Navarre Symphony Orchestra, Ernest Martinez Izquierdo | D Major | 1 | 10B | 111 BPM | ||
| Bach, J.S.: Solo Violin Sonata No. 1 in G Minor, BWV 1001: IV. Presto | Johann Sebastian Bach, Itzhak Perlman | G Minor | 3 | 6A | 94 BPM | ||
| Sonata No. 5 in E Minor, RV 40: I. Largo | Ashima Scripp, Eleanor Perrone | F Major | 1 | 7B | 135 BPM | ||
| Brahms: Violin Concerto in D Major, Op. 77: II. Adagio | Johannes Brahms, David Oistrakh, George Szell, The Cleveland Orchestra | B♭ Major | 3 | 6B | 128 BPM | ||
| Violin Concerto in C Major, Hob. VIIa:1: III. Finale. Presto | Joseph Haydn, Augustin Hadelich, Kolner Kammerorchester, Helmut Müller-Brühl | C Major | 2 | 8B | 134 BPM | ||
| Sonata for Violin Solo No. 1 in G Minor, BWV 1001: 2. Fuga. Allegro | Johann Sebastian Bach, Hilary Hahn | G Minor | 2 | 6A | 116 BPM | ||
| Viola Concerto in C Minor: III. Allegro molto energico | Johann Christian Bach, Henri Casadesus, Nemanja Radulović, Double Sens | G Minor | 3 | 6A | 79 BPM | ||
| Paganiniana, Variations for Solo Violin | Nathan Milstein | A Minor | 1 | 8A | 104 BPM |