"Sherlock Holmes" by Kurt Kuenne had its release date on December 5, 2016. With This song being less than two minutes long, at 1:49, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 25 in the song's album "Preston Tylk (Original Motion Picture Score)". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United States. In terms of popularity, Sherlock Holmes is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Sherlock Holmes by Kurt Kuenne having a BPM of 105 with a half-time of 52 BPM and a double-time of 210 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Gabriel's Trumpet | Marcelo Zarvos | C Minor | 0 | 5A | 73 BPM | ||
| Forgive Me | Peter Breiner, Don Gillis | G Major | 1 | 9B | 66 BPM | ||
| La nostalgie n'est plus ce qu'elle était | Philippe Sarde | A Minor | 1 | 8A | 89 BPM | ||
| Fantastic Journey | Richard Philip Birdsall | G Major | 2 | 9B | 58 BPM | ||
| The Armstrong Case | Patrick Doyle | D Major | 0 | 10B | 98 BPM | ||
| Brooklets & Heights | Danke Timi Briggs | B♭ Minor | 1 | 3A | 121 BPM | ||
| Downton Abbey - The Suite - From “Downton Abbey” Soundtrack | The Chamber Orchestra Of London | A Minor | 3 | 8A | 166 BPM | ||
| The Funeral and the Letters | Kurt Kuenne | D Minor | 1 | 7A | 68 BPM | ||
| An Empire Besieged | Batu Sener | G Minor | 1 | 6A | 78 BPM | ||
| Grace (Theme From "Shuffle") | Kurt Kuenne | G Minor | 1 | 6A | 120 BPM | ||
| Trust & Facade | Hollers Gang | E Major | 2 | 12B | 51 BPM | ||
| Jesse Walks Home | Jeff Beal | G Major | 3 | 9B | 63 BPM | ||
| Departure (From "Gattaca") | Jartisto | F Major | 0 | 7B | 100 BPM | ||
| Frozen Moment | Chris Bacon | C Major | 0 | 8B | 91 BPM | ||
| Autumn Glow | Brian Dickinson, Penderecki String Quartet, Kelly Jefferson, Jim Vivian | F Major | 0 | 7B | 78 BPM | ||
| The Endless River | Anne Dudley | D♭ Minor | 2 | 12A | 79 BPM | ||
| Outrun Your Past | DePaul Osaze | F♯ Major | 3 | 2B | 102 BPM | ||
| Pronunciandose En Silencio | Sirenas Celestiales | A Minor | 5 | 8A | 130 BPM | ||
| Speech | Ilan Eshkeri | F Minor | 0 | 4A | 79 BPM | ||
| Eternal Story | Philippe Lhommet | C Major | 3 | 8B | 119 BPM | ||
| Impromptu No. 3 in G-Flat Major, Op. 90, D 899 (Excerpt) | George Fenton | F♯ Major | 0 | 2B | 65 BPM | ||
| Guy | John Lunn, The Chamber Orchestra Of London | G Major | 4 | 9B | 140 BPM | ||
| Lo, How a Rose | Jocelyn Hagen, Timothy C. Takach, VOCES8 Foundation Orchestra, Jack Liebeck, Barnaby Smith | B Minor | 1 | 10A | 85 BPM | ||
| Ever After: a Cinderella Story | George Fenton, Simon Chamberlain | B♭ Major | 0 | 6B | 96 BPM | ||
| Zonas de Paso | Las Eternas | E♭ Major | 3 | 5B | 81 BPM |