"Suite - From The Letter, 1940" by Max Steiner had its release date on 1934. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 7 out of 23 in Best BETTE DAVIS Movie Themes by Bette Davis. Going off of the ISRC code of this track, we detected that the origin of this track is from Canada. Suite - From The Letter, 1940 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Suite - From The Letter, 1940 by Max Steiner is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Just Like a Man | The Original Broadway Cast Of Two's Company, Bette Davis | C Minor | 0 | 5A | 133 BPM | ||
| Purple Rose | Bette Davis, Hiram Sherman, Two's Company Ensemble | B♭ Major | 2 | 6B | 94 BPM | ||
| If You Could See Her | Joel Grey | F♯ Major | 4 | 2B | 100 BPM | ||
| On How To Be Lovely | Fred Astaire, Audrey Hepburn, Kay Thompson | F♯ Minor | 3 | 11A | 76 BPM | ||
| Three Little Maids From School Are We from The Mikado - Voice | Arthur Sullivan, Carl Davis, Dorothy Atkinson, Shirley Henderson | C Major | 3 | 8B | 116 BPM | ||
| Perhaps Perhaps Perhaps | Mari Wilson | A Minor | 6 | 8A | 104 BPM | ||
| Why Can't You Behave | Ann Miller | F Major | 2 | 7B | 124 BPM | ||
| If I Knew You Were Comin' I'd've Baked a Cake | Eileen Barton, The New Yorkers | A♭ Major | 3 | 4B | 170 BPM | ||
| Blue Ridge Mountains | Laurel and Hardy | A♭ Major | 3 | 4B | 170 BPM | ||
| Cabaret: Willkommen | John Kander, Joel Grey, Cabaret Ensemble, Harold Hastings | F Major | 5 | 7B | 91 BPM | ||
| Out of the Clear Blue Sky | The Original Broadway Cast Of Two's Company, Bette Davis | B Minor | 1 | 10A | 159 BPM | ||
| Lady Loves - From I Love Melvin, 1953 | Debbie Reynolds | C Major | 4 | 8B | 135 BPM | ||
| I'm Still Here | Elaine Stritch | G Major | 4 | 9B | 113 BPM | ||
| Always True to You In My Fashion | Ann Miller, Tommy Rall | A Major | 5 | 11B | 109 BPM | ||
| Tomorrow Belongs To Me | Mark Lambert | E♭ Major | 6 | 5B | 113 BPM | ||
| Nobody | Bert Williams | F♯ Major | 1 | 2B | 77 BPM | ||
| Johnny Cool | Peggy March | F Major | 3 | 7B | 107 BPM | ||
| Hooray For Captain Spaulding | Groucho Marx, Ken Lane Singers | C Major | 3 | 8B | 140 BPM | ||
| The Shadows of Paris | Elsie Bianchi Trio | F Minor | 1 | 4A | 93 BPM | ||
| Finale | Bette Davis, Two's Company Ensemble | A♭ Major | 3 | 4B | 83 BPM | ||
| Don't You Know | Della Reese | E♭ Major | 5 | 5B | 88 BPM | ||
| And That Reminds Me | Della Reese | D Minor | 2 | 7A | 120 BPM | ||
| Let's Fall in Love | Annette Hanshaw | A Major | 2 | 11B | 108 BPM | ||
| What A Difference A Day Made | Della Reese | C Major | 4 | 8B | 91 BPM | ||
| If My Friends Could See Me Now (Bonus Track) | Cy Coleman, Sweet Charity Original Broadway Cast | A Minor | 3 | 8A | 110 BPM |