Sítio de Pai Adão's ' "Toada Para Iemanjá" was released on its scheduled release date, 2020. With This song being less than two minutes long, at 1:31, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 36 in the song's album "Ritmos Africanos no Xangô do Recife". In this album, this song's track order is #29. Furthermore, we believe that the track originated from Australia. The popularity of Toada Para Iemanjá is currently not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Toada Para Iemanjá by Sítio de Pai Adão having a BPM of 160 with a half-time of 80 BPM and a double-time of 320 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
This song has a musical key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Kitembo | Afoxé Bandarerê, Nengua Mesoenji | D Major | 4 | 10B | 111 BPM | ||
| Cigana Carmem | Ylus D'Zambi | A Major | 7 | 11B | 83 BPM | ||
| Toada Para Ewa | Sítio de Pai Adão | B Minor | 9 | 10A | 160 BPM | ||
| Mutalambo | Afoxé Bandarerê, Nengua Mesoenji | D Major | 5 | 10B | 93 BPM | ||
| Ponto De Iemanjá - Rainha do Mar (Iemanjá) | Umbanda Brasil, Pontos de Umbanda e Candomblé | B♭ Major | 6 | 6B | 122 BPM | ||
| Meu Bom Vaqueiro | PAI ZÉ PRETO DE OXUM, FERNANDO DE IEMANJÁ | C Major | 7 | 8B | 123 BPM | ||
| MARABÔ, ESCUTO AO LONGE UMA GARGALHADA | Emmano, TECAL, Blessed | G Minor | 5 | 6A | 100 BPM | ||
| Hino Do Creia Òṣógiyán | CREIA Òṣógiyán | C Minor | 5 | 5A | 95 BPM | ||
| Ladinha Oxalá | Mestre Môa do Katendê, Angoleiro Sim Sinhô La Plata, Mestre Plinio | E Major | 9 | 12B | 94 BPM | ||
| Cânticos para Badé | Jorge da Fé em Deus | A♭ Minor | 5 | 1A | 134 BPM | ||
| Saudando as Pombagiras | Pablo de Ogum | A♭ Minor | 7 | 1A | 167 BPM | ||
| Sassanha 3 | Odé Igbó - Cultura e Resistência | A Major | 6 | 11B | 137 BPM | ||
| Dona Herondina I e II | A Música e o Pará | A Major | 7 | 11B | 115 BPM | ||
| Pau Rolou Caiu | Formiga, Graveto Capoeira | E Major | 7 | 12B | 90 BPM | ||
| Toada Para Odé | Sítio de Pai Adão | B Minor | 9 | 10A | 160 BPM | ||
| Xangô | Mestre Hilário, Mestre Erenilton Bagum | B♭ Major | 7 | 6B | 122 BPM | ||
| Ògún àjò màríwò ní ṣèwà | Joeliton Vieira | B Minor | 8 | 10A | 136 BPM | ||
| Alujá | Sítio de Pai Adão | B Minor | 9 | 10A | 160 BPM | ||
| 5 - Orixá Bará | Pedro de Oxum Apresenta, Alabê Lucca de Ogum & Alabê Lúcio de Ogum | G Major | 5 | 9B | 110 BPM | ||
| Mulambo Me Avisou | Yeemí | B♭ Major | 3 | 6B | 133 BPM | ||
| É de Mamãe Oxum | Leo Batuke e Leyd Faceiro | A Major | 5 | 11B | 131 BPM | ||
| Lá Na Bahia | Casa Fanti Ashanti | F♯ Major | 6 | 2B | 202 BPM | ||
| 7 Cidades Malunguinho | Gustavo Omã | D♭ Major | 8 | 3B | 200 BPM | ||
| Que Mata É Essa / É de Reis Malunguinho | Gustavo Omã, Ponto de jurema | E Major | 5 | 12B | 83 BPM | ||
| Cântico para Iansã | ILÊ FUN FUN | F Major | 9 | 7B | 149 BPM |