"Chromo" by Georg Fischer had its release date on October 22, 2021. This song is about six minutes long, preciously at 5:54, making this song fairly long compared to other songs. The track order of this song in Georg Fischer's "Lost In My Mind EP" album is number 1 out of 6. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Chromo's popularity is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of Chromo by Georg Fischer to be Allegro (fast, quick, and bright) because the track has a tempo of 130 BPM, a half-time of 65BPM, and a double-time of 260 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Romeo and Juliet, Op. 64, Act III: No. 48, Aubade (Morning Serenade) | Sergei Prokofiev, Los Angeles Philharmonic, Gustavo Dudamel | C Major | 2 | 8B | 126 BPM | ||
| Strauss, R: Don Quixote, Op. 35: Theme. Don Quixote, Knight of the Sorrowful Countenance - Maggiore. Sancho Panza | Richard Strauss, Mstislav Rostropovich, Ulrich Koch, Herbert von Karajan, Berliner Philharmoniker | A Major | 6 | 11B | 113 BPM | ||
| Concerto grosso in G Minor, Op. 6 No. 8, "Fatto per la Notte di Natale": I. Vivace - Grave (Rev. Vittorio Negri) | Arcangelo Corelli, Felix Ayo, Arnaldo Apostoli, Enzo Altobelli, Maria Teresa Garatti, Guy Bovet, I Musici | F Major | 2 | 7B | 115 BPM | ||
| Concerto for Flute and Oboe in B Minor, FaWV L:H1: II. Largo | Johann Friedrich Fasch, Jan De Winne, Marcel Ponseele, Il Gardellino | F Minor | 0 | 4A | 81 BPM | ||
| Ein Heldenleben, Op. 40, TrV. 190: Des Helden Friedenswerke | Richard Strauss, Wiener Philharmoniker, Christian Thielemann, Rainer Honeck | D Major | 1 | 10B | 56 BPM | ||
| Teil 7 - Folge 43: Professor van Dusen und der Leichenräuber | Professor van Dusen, Michael Koser, Friedrich W. Bauschulte, Klaus Herm, Heinz Giese, Michael Christian, Maren Kroymann, Herbert Weißbach, Heinz Spitzner, Klaus Jepsen, Susanne Lüpertz, Bernd Ludwig, Ingolf Gorges, Barbara Witte | C Major | 3 | 8B | 94 BPM | ||
| Konzert Es-dur Für Oboe, Streicher Und Continuo, BWV 1053: Sinfonia Weinen, Klagen, Sorgen, Zagen (BWV 12) | Thomas Indermühle | F Minor | 1 | 4A | 48 BPM | ||
| 3. Geburt und Kindheit | Leopold Mozart, Wolfgang Amadeus Mozart, Will Quadflieg, Bach-Orchester Berlin, Carl Gorvin, Karl Steins, Karl Leister, Gerd Seifert, Günter Piesk, Berliner Philharmoniker, Karl Böhm | C Major | 1 | 8B | 103 BPM | ||
| Orfeo ed Euridice: Act III, Scene 3, Ballo. Grazioso | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester | E Major | 0 | 12B | 69 BPM | ||
| Violin Concerto in D Major, FWV L:D4a: Violin Concerto in D Major, FWV L:D4a: I. Allegro | Johann Friedrich Fasch, Johannes Pramsohler, Darmstädter Barocksolisten | D Major | 3 | 10B | 103 BPM | ||
| Essercizii Musici, Solo 11, E minor, TWV41: e 6 (ob/rec): I. Largo | Han De Vries, Wouter Moeller | E♭ Minor | 1 | 2A | 74 BPM | ||
| String Quartet in F-Sharp Minor, Op. 50 No. 4: IV. Fuga. Allegro molto | Joseph Haydn, London Haydn Quartet | F♯ Minor | 3 | 11A | 76 BPM | ||
| Serenade for String Orchestra in C Minor, Op. posth.: III. Allegro | Max Bruch, George Hanson, Sinfonieorchester Wuppertal | A Minor | 1 | 8A | 88 BPM | ||
| Occhi Lucenti e Belli | The Royal Wind Music | E♭ Minor | 1 | 2A | 70 BPM | ||
| Don Juan: IV. Divertissement No. 2 (After Mozart's K. 421) | Daniel Auber, Karlovy Vary Symphony Orchestra, Dario Salvi | F Major | 0 | 7B | 87 BPM | ||
| Bassoon Concerto in C Major, RV 473: II. Largo | Antonio Vivaldi, Sergio Azzolini, L'Onda Armonica | D Major | 1 | 10B | 81 BPM | ||
| Die sieben letzten Worte unseres Erlösers am Kreuze, Hob. XX:2: I. Introduzione. Maestoso ed adagio | Joseph Haydn, Hofkapelle Stuttgart, Frieder Bernius | G Minor | 0 | 6A | 173 BPM | ||
| Musikalische Schlittenfahrt: 19. Schlittenfahrt | Leopold Mozart, Ensemble Eduard Melkus, Eduard Melkus | F Major | 5 | 7B | 119 BPM | ||
| Desolate Nights | Orithia | D♭ Major | 1 | 3B | 101 BPM | ||
| Oboe d'amore Concerto in D Major: III. Largo | Christoph Graupner, Lajos Lencsés, Budapest Strings, Karoly Botvay | G Major | 1 | 9B | 65 BPM | ||
| Bassoon Concerto in C Major, RV 476: II. Largo | Antonio Vivaldi, Tamás Benkócs, Nicolaus Esterhazy Sinfonia, Béla Drahos | F♯ Major | 0 | 2B | 96 BPM | ||
| Das erste Konzert | Johann Sebastian Bach, Will Quadflieg, David Oistrakh, Wiener Symphoniker, Georg Fischer | D Major | 4 | 10B | 99 BPM | ||
| Bach Concerto in C Minor for Oboe and Violin (reconstructed from BWV 1060): I. Allegro | London Conchord Ensemble, Florian Uhlig | C Minor | 3 | 5A | 91 BPM | ||
| López : Variaciones del Fandango español | Félix Máximo López, Andreas Staier | E♭ Major | 2 | 5B | 124 BPM | ||
| Take Off - Georg Fischer Remix | Yenny Skev, Georg Fischer | E Major | 7 | 12B | 128 BPM |