"Mathis Der Maler, 4th Tableau, Scene 3: Das sieht euch gleich (Schwalb/Bauern/Mathis/Regina/Gräfin)" by Paul Hindemith, Rafael Kubelik, Bayerischer Rundfunk, Bavarian Radio Symphony Orchestra had its release date on April 1, 1995. With this song being around four minutes long, at 3:52, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Paul Hindemith, Rafael Kubelik's "Hindemith: Mathis der Maler" album is number 12 out of 61. Mathis Der Maler, 4th Tableau, Scene 3: Das sieht euch gleich (Schwalb/Bauern/Mathis/Regina/Gräfin) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mathis Der Maler, 4th Tableau, Scene 3: Das sieht euch gleich (Schwalb/Bauern/Mathis/Regina/Gräfin) by Paul Hindemith, Rafael Kubelik, Bayerischer Rundfunk, Bavarian Radio Symphony Orchestra to be Larghetto (rather broadly) because the track has a tempo of 66 BPM, a half-time of 33BPM, and a double-time of 132 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Poulenc: Sextet for Piano and Winds, FP 100: III. Finale. Prestissimo | Francis Poulenc, Les Vents Français | C Major | 1 | 8B | 112 BPM | ||
| 4 Ragtime Dances: No. 1, — | Charles Ives, Orchestra New England, James Sinclair | G Major | 0 | 9B | 173 BPM | ||
| Arcadiana: VI. O Albion | Thomas Adès, Calder Quartet | E♭ Major | 0 | 5B | 78 BPM | ||
| Adriana Lecouvreur, Act 2: Intermezzo | Francesco Cilea, Opera Australia Orchestra, Andrea Molino | F Major | 0 | 7B | 124 BPM | ||
| L'oiseau de feu (1919 Suite): II. Ronde des princesses [Live] | Igor Stravinsky, Bavarian Radio Symphony Orchestra, Mariss Jansons | B Major | 0 | 1B | 136 BPM | ||
| Martinu: Piano Quartet No. 1, H. 287: II. Adagio | Bohuslav Martinů, Domus | D Minor | 1 | 7A | 85 BPM | ||
| Piano Quintet in F-Sharp Minor, Op. 67: II. Adagio espressivo | Amy Beach, Ambache | D♭ Major | 0 | 3B | 60 BPM | ||
| Badian: Concerto for Piano & Orchestra, Pt. 1 (Live) | Maya Badian, Winnipeg Symphony Orchestra, Peter Tiefenbach | G Minor | 5 | 6A | 74 BPM | ||
| Cardillac, Op. 39, Act I (First Version, 1926): Mörder! Mörder! Verborgen! Wo? (Chor) | Paul Hindemith, Vienna State Opera Orchestra, Vienna State Opera Chorus, Cornelius Meister | D♭ Minor | 0 | 12A | 172 BPM | ||
| Bartók: String Quartet No. 2 in A Minor, Op. 17, Sz. 67: II. Allegro molto capriccioso | Béla Bartók, Belcea Quartet | G Major | 2 | 9B | 98 BPM | ||
| Svanevit Suite, Op. 54: III. Tärnorna med rosor | Jean Sibelius, Finnish Radio Symphony Orchestra, Nicholas Collon | C Major | 1 | 8B | 85 BPM | ||
| Symphony No. 6 in D Major, Op. 104: IV. Allegro molto - Allegro assai - Doppio più lento | Jean Sibelius, Santtu-Matias Rouvali, Gothenburg Symphony Orchestra | G Major | 3 | 9B | 110 BPM | ||
| Concerto for 2 Pianos and Orchestra in D minor, FP 61: 2. Larghetto | Francis Poulenc, Sylviane Deferne, Pascal Rogé, Philharmonia Orchestra, Charles Dutoit | G Minor | 1 | 6A | 101 BPM | ||
| Piano Quintet No. 2 "Transience Patterns": I. Prelude | Jim Aitchison, Roderick Chadwick, Kreutzer Quartet | D♭ Minor | 0 | 12A | 172 BPM | ||
| Abendstern, D. 806 (Arr. X. van Dijk for String Quartet) | Franz Schubert, Signum Quartet | G Minor | 0 | 6A | 85 BPM | ||
| Violin Concerto in D Major, Op. 35: III. Finale. Allegro assai vivace | Erich Wolfgang Korngold, Vadim Gluzman, Hague Residentie Orchestra, Neeme Järvi | G Major | 2 | 9B | 75 BPM | ||
| Elegie I. In Memoriam: Adagio | Lodewijk Mortelmans, Brussels Philharmonic, Silveer Vandenbroeck | D♭ Minor | 0 | 12A | 172 BPM | ||
| String Quartet No. 12 in F major, Op. 96 - "American" B.179: 2. Lento | Antonín Dvořák, Hagen Quartett | D Minor | 1 | 7A | 88 BPM | ||
| Badian: Concerto for Piano & Orchestra, Pt. 3 (Live) | Maya Badian, Winnipeg Symphony Orchestra, Peter Tiefenbach | G Minor | 5 | 6A | 74 BPM | ||
| Pulcinella, K 034: VIII. Minuetto | Igor Stravinsky, Orquestra De Cambra Teatre Lliure, Josep Pons | C Minor | 0 | 5A | 77 BPM | ||
| Ravel: Violin Sonata No. 2 in G Major, M. 77: I. Allegretto | Maurice Ravel, Renaud Capuçon, Frank Braley | G Major | 0 | 9B | 124 BPM | ||
| Romance (From "Omena putoaa") | Einar Englund, Linda Hedlund, La Tempesta Orchestra, József Hárs | E♭ Major | 0 | 5B | 90 BPM | ||
| Violin Concerto "To the Memory of an Angel": I. Andante - Allegro | Alban Berg, Anne-Sophie Mutter, Chicago Symphony Orchestra, James Levine | C Major | 1 | 8B | 89 BPM | ||
| Schoenberg: Verklärte Nacht, Op. 4: IV. Adagio (1943 Version) | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra | D Major | 1 | 10B | 82 BPM | ||
| Le Tombeau de Couperin, M. 68a: I. Prélude. Vif | Maurice Ravel, Les Siècles, François-Xavier Roth | F♯ Major | 0 | 2B | 74 BPM |