Fame on Fire's 'Back to You' had a release date set for November 23, 2018. With this song being around four minutes long, at 3:38, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. Because this song is the only song in Back to You and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from Turks and Caicos Islands. Back to You is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Back to You by Fame on Fire is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Robbery | Flight Paths | D Major | 10 | 10B | 80 BPM | ||
| Be Like Me | LOWBORN | F♯ Major | 8 | 2B | 62 BPM | ||
| The Bottom | Devour the Day | F♯ Major | 9 | 2B | 168 BPM | ||
| Rollercoaster | Framing Hanley | D♭ Major | 9 | 3B | 158 BPM | ||
| Glass Goodbyes | Hollow City | A♭ Major | 10 | 4B | 92 BPM | ||
| Rose Gold | Lightfall | G Minor | 9 | 6A | 163 BPM | ||
| I Love It | Fame on Fire | B♭ Minor | 8 | 3A | 104 BPM | ||
| Pull Me In | Between Now And Forever | B Minor | 10 | 10A | 144 BPM | ||
| Subtle Mistakes | In Motive | B Minor | 8 | 10A | 120 BPM | ||
| Not Going Back | Versus Me | F Minor | 10 | 4A | 140 BPM | ||
| Black Cloud | The Amity Affliction | B Minor | 9 | 10A | 112 BPM | ||
| Crossfire | Otherwise | B Major | 9 | 1B | 180 BPM | ||
| Torn Apart | The Compromise | F♯ Major | 9 | 2B | 140 BPM | ||
| Family First | Woe, Is Me | C Major | 9 | 8B | 130 BPM | ||
| Demon | Savage Hands | E♭ Minor | 10 | 2A | 126 BPM | ||
| Heroes | Dark Station | D Major | 9 | 10B | 148 BPM | ||
| Locked Away | Stories Through Storms | G Major | 10 | 9B | 155 BPM | ||
| What's Left | Fight The Fade | D♭ Minor | 8 | 12A | 103 BPM | ||
| White Noise | Archetypes Collide | D♭ Minor | 9 | 12A | 170 BPM | ||
| On My Mind | Like Ghosts | D Minor | 9 | 7A | 155 BPM | ||
| Time Is Running Out | Emphatic | D♭ Major | 9 | 3B | 110 BPM | ||
| Where Can I Call Home | At My Mercy, Craig Mabbitt | D♭ Minor | 9 | 12A | 180 BPM | ||
| Motion & Side Effects | Flight Paths | D Major | 10 | 10B | 90 BPM | ||
| Close to Me | Archers | D Major | 9 | 10B | 144 BPM | ||
| Running With Scissors | I See Stars | A Minor | 10 | 8A | 120 BPM |