"Omega à 6" by Francesco Soriano, Lambert Colson, Bernard Foccroulle had its release date on February 28, 2018. With This song being less than two minutes long, at 1:59, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 16 in the song's album "Un Cornetto a Roma". In this album, this song's track order is #16. Based on our statistics, Omega à 6's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Omega à 6 by Francesco Soriano, Lambert Colson, Bernard Foccroulle having a BPM of 129 with a half-time of 64 BPM and a double-time of 258 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| An Irish Blessing | Alexander L'Estrange, Tenebrae, James Sherlock, Nigel Short | C Major | 0 | 8B | 74 BPM | ||
| Sestina Mentre ti fui sì grato: Mentre ti fui sì cara (G.B. Moscaglia) | Giovanni de Macque, Luca Marenzio, Giovanni Maria Nanino, Giovanni Battista Moscaglia, Francesco Soriano, Annibale Zoilo, La Compagnia del Madrigale | B♭ Minor | 1 | 3A | 91 BPM | ||
| Pange Lingua Gloriosi: Chant Mode III | Chant Mode III, St. Thomas Aquinas, Catherine Bridge, Pam Erven-Sukonik, Kari Ferguson, Katherine Fitzgibbon, Anna Haagenson, Maria Karlin, Emily Kinkley, Stephanie Kramer, Catherine van der Salm, Angela Westhoff-Johnson | C Minor | 0 | 5A | 123 BPM | ||
| Drei geistliche Gesänge, Op. 69 "Bleib bei uns": No. 3 in F Major, Abendlied | Josef Rheinberger, Cantus Novus Wien, Thomas Holmes | F Major | 2 | 7B | 79 BPM | ||
| Missa de Angelis | Cistercian Monks of Stift Heiligenkreuz, Gregorian Chant Ensemble, Magna Canta | A Minor | 1 | 8A | 71 BPM | ||
| Missa Cantantibus organis: Ib. Christe eleison (Soriano) | Giovanni Pierluigi da Palestrina, Andrew Carwood, Robert Quinney, Simon Johnson, The Cardinall's Musick | C Minor | 2 | 5A | 68 BPM | ||
| Ave Sacer Christi Sanguis | Catholic Music Initiative, Lauren Moore | F Minor | 0 | 4A | 57 BPM | ||
| Anima Christi | Dominican House of Studies | F Major | 2 | 7B | 84 BPM | ||
| Pange lingua gloriosi (Plain-chant) | Anonymous , Choir of Clare College, Cambridge, Graham Ross, Alice Halstead | E Minor | 0 | 9A | 95 BPM | ||
| O pastor animarum | Hildegard von Bingen, Oxford Camerata, Jeremy Summerly | B♭ Major | 0 | 6B | 112 BPM | ||
| Alleluia: III. Night | Valentin Silvestrov, Kārlis Rūtentāls, Latvian Radio Choir, Sigvards Kļava | D Major | 0 | 10B | 84 BPM | ||
| Te Splendor (Matins Of St. Michael The Archangel) | Carmelite Sisters | G Major | 2 | 9B | 147 BPM | ||
| Missa Jubilate Deo: Agnus Die | Johann Stadlmayr, Roswitha Schmelzl, Andrea Lauren Brown, Gert Hohmann, Robert Sellier, Manuel Warwitz, Matthias Winckhler, Munich Orpheus Choir, Les Cornets Noirs, Gerd Guglhör | E Minor | 1 | 9A | 68 BPM | ||
| Palestrina: Missa Papae Marcelli - 1a. Kyrie Eleison 1 | The Tallis Scholars, Peter Phillips | B Major | 1 | 1B | 81 BPM | ||
| Psalmi et motecta: In dedicatione templi | Francesco Soriano, Karen Kadevarek, Christopher Jackson, Francis Palma-Pelletier, Studio De Musique Ancienne De Montréal, Sara Lackie, Réjean Poirier | F♯ Major | 2 | 2B | 167 BPM | ||
| Adesto dolori meo | Jacob Clemens non Papa, Musica Sacra | B♭ Major | 1 | 6B | 87 BPM | ||
| In monte Oliveti, IGM 4 | Giovanni Battista Martini, Pro Musica, Szabó Dénes | G Minor | 0 | 6A | 133 BPM | ||
| Omega à 6 | Francesco Soriano, Lambert Colson, Bernard Foccroulle | C Major | 1 | 8B | 129 BPM | ||
| Alleluya | Antoine Busnois, Capilla Flamenca | E♭ Major | 1 | 5B | 80 BPM | ||
| Sacred Concerto No. 15, "Priidite, vospoim lyudiye" (Come, let us praise in song, O people): II. Adagio | Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma | E♭ Major | 0 | 5B | 77 BPM | ||
| Divine Liturgy (Arr. V. Sharafyan for Mixed Choir): Sanctus | Komitas, Hovhannes Nersesyan, Latvian Radio Choir, Sigvards Kļava | A Major | 0 | 11B | 83 BPM | ||
| Missa cantantibus organis: Kyrie | Annibale Stabile, Giovanni Andrea Dragoni, Ruggiero Giovannelli, Prospero Santini, Francesco Soriano, Giovanni Pierluigi da Palestrina, Curzio Mancini, Ensemble Officium, Wilfried Rombach | B♭ Minor | 1 | 3A | 80 BPM | ||
| Mass for Four Voices: V. Agnus Dei | William Byrd, Stile Antico | F Minor | 1 | 4A | 123 BPM | ||
| The Sound of Spirit | Los Angeles Master Chorale | D♭ Major | 1 | 3B | 91 BPM | ||
| Missa O lumen ecclesie: Kyrie | Jacob Obrecht, Ars Nova Secunda, Janos Bali | F Major | 1 | 7B | 72 BPM |