Susana Rinaldi's 'Cancion Desesperada' had a release date set for January 1, 2009. The duration of This song is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Cancion Desesperada's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Susana Rinaldi's "La Tana Con Todo" album is number 3 out of 10. On top of that, Argentina appears to be the country where this track was created. In terms of popularity, Cancion Desesperada is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Cancion Desesperada by Susana Rinaldi to be Andante (at a walking pace) because the track has a tempo of 102 BPM, a half-time of 51BPM, and a double-time of 204 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Balada del Alba | Susana Rinaldi | D Minor | 3 | 7A | 100 BPM | ||
| Esa estrella era mi lujo | Ranas Dúo Porteño de Tango, Chino Laborde | A Minor | 4 | 8A | 129 BPM | ||
| Retintín | Trio Pantango | G Minor | 1 | 6A | 135 BPM | ||
| Afiches | Omar Mollo | C Minor | 6 | 5A | 111 BPM | ||
| Yo no sé que me han hecho tus ojos | Orquesta Típica Misteriosa Buenos Aires | F Minor | 2 | 4A | 165 BPM | ||
| Tormento | Mariana Mazú | E Major | 6 | 12B | 200 BPM | ||
| Siempre Se Vuelve a Buenos Aires | Elena Roger | G Major | 5 | 9B | 111 BPM | ||
| Toca tango | Tango Negro Trio, Juan Carlos Caceres | D Minor | 5 | 7A | 145 BPM | ||
| Los Cosos de al lao | Amores Tangos, Osvaldo Peredo | G Minor | 4 | 6A | 106 BPM | ||
| Memoria Segunda - Los hijos del río | Horacio Ferrer, Susana Rinaldi | C Major | 7 | 8B | 81 BPM | ||
| Uno | Armando Pontier | A Minor | 5 | 8A | 56 BPM | ||
| Gricel | Spinettango | D Minor | 3 | 7A | 104 BPM | ||
| Melodía de Arrabal | Tangos de Oro | A Major | 3 | 11B | 124 BPM | ||
| Cristal | La Auténtica Milonguera | B♭ Major | 2 | 6B | 127 BPM | ||
| Sur | Nelly Omar | A Minor | 3 | 8A | 115 BPM | ||
| Mensaje Cuarto - Aleluyas del amor | Horacio Ferrer, Susana Rinaldi | A Minor | 5 | 8A | 101 BPM | ||
| Pedacito de cielo, Romance de barrio, Un placer - Selección de valses estilo Aníbal Troilo | SEXTETO VISCERAL | A Major | 5 | 11B | 100 BPM | ||
| Adiós Mi Barrio | Lágrima Ríos | F Major | 4 | 7B | 97 BPM | ||
| Desde el alma | Nelly Omar | E Minor | 5 | 9A | 89 BPM | ||
| El levante (Biaggistyle) | Noelia Sinkunas | D Minor | 4 | 7A | 108 BPM | ||
| El Ultimo Café - Remastered | Julio Sosa | B♭ Minor | 6 | 3A | 110 BPM | ||
| Muchacha (Ojos de Papel) | Spinettango, Litto Nebbia | E Major | 9 | 12B | 157 BPM | ||
| Y No Puedo Olvidarte | Osvaldo Pugliese, Maria Graña | A Major | 3 | 11B | 114 BPM | ||
| Farolito Viejo | Héctor Varela y su Orquesta Típica, Armando Laborde | C Major | 2 | 8B | 117 BPM | ||
| Cuando Estaba Enamorado | Francisco Lomuto | A Minor | 5 | 8A | 56 BPM |