- BPM
- 57
- Key
- D♭ Major
- Camelot
- 3B
Dumpy And Skinny Get Ready For The Ball by Ann Rachlin Song Details
On 1986, the song "Dumpy And Skinny Get Ready For The Ball" was released by Ann Rachlin. With This song being less than two minutes long, at 1:30, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 3 out of 12 in Cinderella - The Story Of The Ballet by Ann Rachlin. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Dumpy And Skinny Get Ready For The Ball is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
BPM and Tempo
The tempo marking of Dumpy And Skinny Get Ready For The Ball by Ann Rachlin is Lento (slowly), since this song has a tempo of 57 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
Music Key
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 1%
- Loudness
- -10.052 dB
- Acousticness
- 83%
- Danceability
- 66%
- Energy
- 56%
- Instrumentalness
- 0%
- Liveness
- 10%
- Loudness
- 83%
- Speechiness
- 80%
- Valence
- 87%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Violin Concerto No. 2 in D Minor, Op. 61: II. Andantino sostenuto | Karol Szymanowski, Warmia Symphonic Orchestra, Silvano Frontalini, Beatrice Antonionini | A♭ Major | 4 | 4B | 103 BPM | |
 | Giselle, Peasant pas de deux, Act I: Coda (Arr. March) | Friedrich Burgmüller, Sofia National Opera Orchestra, Boris Spassov | B♭ Major | 3 | 6B | 137 BPM | |
 | Miške, MKČ 101: II. Exposition, Bridge Passage | Mikalojus Konstantinas Čiurlionis, Orchestre Philharmonique de Radio France, Mirga Gražinytė-Tyla | A Minor | 0 | 8A | 85 BPM | |
 | The Winter's Tale, Act I Scene 1: The Court at Sicilia | Joby Talbot, Orchestra of the Royal Opera House, Covent Garden, Koen Kessels | A♭ Major | 2 | 4B | 108 BPM | |
 | Peter and the Wolf, Op. 67: II. The Story Begins | Wiener Opernorchester | A♭ Major | 1 | 4B | 97 BPM | |
 | Margaret Rutherford Edition Folge 11 - Zirkus, Zirkus - Teil 15 | Margaret Rutherford | D Major | 4 | 10B | 81 BPM | |
 | Holocaust In Memoriam, Symphony: I. Preludio, Pt. 2 (Live) | Maya Badian, Romanian National Radio Orchestra, Ludovic Bács | D♭ Major | 3 | 3B | 116 BPM | |
 | Brooklets & Heights | Danke Timi Briggs | B♭ Minor | 1 | 3A | 121 BPM | |
 | Sherlock Holmes und Dr. Watson Teil 3 - Die Silhouette des Windes Teil 17 | Sherlock Holmes und Dr. Watson | G Minor | 3 | 6A | 154 BPM | |
 | Intermission* - Instrumental | André Previn | G Major | 1 | 9B | 54 BPM | |
 | The Seasons, Op. 67: X. Barcarolle | Alexander Glazunov, Neeme Järvi, Royal Scottish National Orchestra | A Major | 2 | 11B | 98 BPM | |
| The Winter's Tale, Act II Scene 1: Florizel and Perdita's Tryst | Joby Talbot, Orchestra of the Royal Opera House, Covent Garden, Koen Kessels | F♯ Minor | 5 | 11A | 93 BPM | |
 | Jeux d'enfants, Op. 22 - Petite Suite for Orchestra: 1. Marche: Trompette et tambour | Georges Bizet, Orchestre National De France, Jean Martinon | G Major | 2 | 9B | 147 BPM | |
 | Theme and Explorations for Orchestra: I. The Theme's the Thing | Dave Brubeck, Chris Brubeck, The Moores Symphony Orchestra, Franz Anton Krager | D♭ Major | 3 | 3B | 140 BPM | |
 | Dr. Merryheart: IX. The Dance Of Merryheart - Merryhearts Tanz | RTÉ National Symphony Orchestra, Havergal Brian | C Major | 3 | 8B | 104 BPM | |
 | Anna's Theme | Nigel Clarke, Michael Csányi-Wills, Bulgarian Symphony Orchestra | C Major | 1 | 8B | 122 BPM | |
 | Symphony No. 1, GMW 11: IIIb. A tempo. Ziemlich langsam | Gustav Mahler, Tonhalle-Orchester Zürich, Paavo Järvi | D Major | 4 | 10B | 87 BPM | |
 | From This Moment On | Ann Miller, Tommy Rall, Bobby Van, Bob Fosse | E♭ Minor | 4 | 2A | 144 BPM | |
 | The Human Comedy, Op. 37: The Theme of Paris | Dmitri Shostakovich, Malmö Opera Orchestra, Mark Fitz-Gerald | A♭ Major | 0 | 4B | 82 BPM | |
 | Von Rothbart's Deceitful Trick | Ann Rachlin | A♭ Major | 3 | 4B | 140 BPM | |
 | Teil 8 - Folge 16: Duell der Giganten | Professor van Dusen, Michael Koser, Friedrich W. Bauschulte, Klaus Herm, Arnold Marquis, Susanna Bonaséwicz, Harry Wüstenhagen, Krikor Melikyan, Eric Vaessen, Wolfgang Condrus | D♭ Major | 3 | 3B | 101 BPM | |
 | Chapter 41 - Geronimo Stilton, Book 15: The Mona Mousa Code | Geronimo Stilton, Bill Lobley | A Minor | 3 | 8A | 108 BPM | |
 | The Pepperland Suite: IV. Sea of Monsters | George Martin, Berlin Music Ensemble, Craig Leon | G Major | 1 | 9B | 115 BPM | |
 | Mary Poppins Arrives | Marc Shaiman | F♯ Major | 1 | 2B | 114 BPM | |
 | The Cuckoo Deceives Mandy | Ann Rachlin | A♭ Major | 0 | 4B | 133 BPM |
- ISRC
- USJ3V0701775
- Label
- L-M Records/RCA Records