Arthur Sullivan, John Reed, The New Symphony Orchestra Of London, Isidore Godfrey's '22. Love unrequited' had a release date set for January 1, 1960. This song is about six minutes long, preciously at 5:35, making this song fairly long compared to other songs. The track order of this song in Arthur Sullivan, The D'Oyly Carte Opera Company, The New Symphony Orchestra Of London, Isidore Godfrey's "Gilbert & Sullivan: Iolanthe" album is number 7 out of 28. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, 22. Love unrequited is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of 22. Love unrequited by Arthur Sullivan, John Reed, The New Symphony Orchestra Of London, Isidore Godfrey to be Andante (at a walking pace) because the track has a tempo of 107 BPM, a half-time of 54BPM, and a double-time of 214 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Grieg: Suite from Peer Gynt No. 1, Op. 46: I. Morning Mood | Edvard Grieg, Desire-Emile Inghelbrecht, Orchestre National Radiodiffusion Française | E Major | 1 | 12B | 183 BPM | ||
| Madama Butterfly / Act 2: Come una mosca prigionera | Giacomo Puccini, Christa Ludwig, Mirella Freni, Wiener Philharmoniker, Herbert von Karajan | B♭ Minor | 1 | 3A | 137 BPM | ||
| For he's gone and married Yum-Yum | Arthur Sullivan, Valerie Masterson, Pauline Wales, Peggy Ann Jones, Colin Wright, John Reed, Kenneth Sandford, Michael Rayner, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash | E♭ Major | 4 | 5B | 112 BPM | ||
| Finale: You'll Never Walk Alone - Reprise | Joshua Henry, Brittany Pollack, Jessie Mueller, Renée Fleming, 'Carousel' 2018 Broadway Cast | F Major | 3 | 7B | 113 BPM | ||
| Rossini: Petite messe solennelle: XII. Et vitam ventur saeculi | Gioachino Rossini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Daniele Rossi, Orchestra dell'Accademia Nazionale di Santa Cecilia | D♭ Major | 4 | 3B | 93 BPM | ||
| The Kingdom, Op. 51: Ia. In The Upper Room (Seek first the kingdom) | Edward Elgar, Francesca Chiejina, Sarah Connolly, Benjamin Hulett, Ashley Riches, Crouch End Festival Chorus, London Mozart Players, David Temple | D Minor | 2 | 7A | 62 BPM | ||
| The Mikado: Three Little Maids | Jean Rigby | C Major | 2 | 8B | 128 BPM | ||
| Puccini: Turandot, Act 1: "Fermo! che fai?" (Coro, Calaf, Pong, Pang, Ping) | Giacomo Puccini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Gregory Bonfatti, Jonas Kaufmann, Mattia Olivieri, Siyabonga Maqungo, Orchestra dell'Accademia Nazionale di Santa Cecilia | D♭ Major | 2 | 3B | 126 BPM | ||
| The Dream of Gerontius, Op. 38, Pt. 1: III. Rouse Thee, My Fainting Soul – Be Merciful, Be Gracious | Edward Elgar, David Butt Philip, Huddersfield Choral Society, The Orchestra Of Opera North, Martyn Brabbins | F♯ Major | 2 | 2B | 84 BPM | ||
| Emily — No Prisoner Be: No. 15, The Props assist the House | Kevin Puts, Time For Three, Joyce DiDonato | F♯ Major | 2 | 2B | 84 BPM | ||
| Peter and the Wolf, Op. 67: Suddenly, Something Caught Peter's Attention | Peter Ustinov, Herbert von Karajan, Philharmonia Orchestra | C Major | 1 | 8B | 85 BPM | ||
| The Love for Three Oranges Op. 33: Marche | Sergei Prokofiev, Kent Nagano, Orchestre De L'Opéra National De Lyon | A♭ Major | 4 | 4B | 128 BPM | ||
| 4. Oh, false one, you have deceived me | Arthur Sullivan, Christene Palmer, Philip Potter, Royal Philharmonic Orchestra, Isidore Godfrey | G Major | 2 | 9B | 71 BPM | ||
| Where the Bee Sucks | Thomas Arne, Elin Manahan Thomas, Orchestra of the Age of Enlightenment, Harry Christophers | F♯ Major | 1 | 2B | 70 BPM | ||
| Offenbach: Les Brigands, Act 1: No. 1bis, Mélodrame - No. 2, Couplets de Fiorella, "Au chapeau, je porte une aigrette" (Fiorella, Choeur) | Jacques Offenbach, John Eliot Gardiner - Choeurs De L'Opéra National De Lyon - Orch Nat Opéra De Lyon - Ghyslaine Raphanel, Orchestre De L'Opéra National De Lyon | A Major | 2 | 11B | 123 BPM | ||
| Wagner: Lohengrin, Act 1: "Nun sei bedankt, mein lieber Schwan" (Lohengrin, Henry, Chorus) | Richard Wagner, Daniel Barenboim, Chor der Deutschen Staatsoper Berlin, Peter Seiffert, René Pape, Staatskapelle Berlin | B♭ Major | 2 | 6B | 130 BPM | ||
| Petite messe solennelle: Credo | Gioachino Rossini, Orchestre de chambre de Paris, Accentus, Ottavio Dantone, Julia Lezhneva, Delphine Galou, Michael Spyres, Alexander Vinogradov | B Major | 1 | 1B | 135 BPM | ||
| Act 1: Scene One: | Engelbert Humperdinck, Suzzane Mentzer, Hansel, Heidi Grant Murphy, Gretel, Andreas Delfs | G Minor | 1 | 6A | 75 BPM | ||
| Trial by Jury: Sextet and Chorus. A Nice Dilemma We Have Here | Arthur Sullivan, Sir Charles Mackerras, Welsh National Opera Chorus, Welsh National Opera Orchestra, Donald Adams, Barry Banks, Richard Stuart, Peter Savidge, Rebecca Evans, Gareth-Rhys Davies | D Major | 2 | 10B | 70 BPM | ||
| Stay, We Must Not Lose Our Senses | The Pirates Of Penzance | G Major | 5 | 9B | 137 BPM | ||
| La Gioconda / Act 1: Feste! Pane! Feste! | Amilcare Ponchielli, Sherrill Milnes, The London Opera Chorus, National Philharmonic Orchestra, Bruno Bartoletti | B♭ Major | 4 | 6B | 67 BPM | ||
| Ariane et Barbe-bleue, Act I: Prenez-les! - Penchez-vous! (the Nurse, Ariane) | Paul Dukas, Marilyn Schmiege, Roderick Kennedy, Jocelyne Taillon, Cynthia Buchan, Monique Baudoin, Mitsuko Shirai, Francine Laurent, Josef Otten, Jörg Pavelec, Franz Gerihsen, WDR Rundfunkchor Köln, WDR Sinfonieorchester Köln, Gary Bertini | F♯ Major | 4 | 2B | 91 BPM | ||
| Les Pêcheurs de perles: Demeure parmi nous, Nadir (Zurga, Nadir, Fishermen, Villagers) | Georges Bizet, Ernest Blanc, Nicolai Gedda, Choeurs du Théâtre National De l'Opéra-Comique, Paris, Orchestre Du Theatre National De L'opera-comique, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique | G Minor | 2 | 6A | 72 BPM | ||
| Oh, Better Far to Live and Die | The Pirates Of Penzance | F♯ Major | 4 | 2B | 107 BPM | ||
| Petite messe solennelle: Cum Sancto Spiritu | Gioachino Rossini, Orchestre de chambre de Paris, Accentus, Ottavio Dantone | F Major | 2 | 7B | 100 BPM |