Jane Rutter, Traditional Sor, Giuseppe Zangari's ' "La Romanesca for flute and guitar" was released on its scheduled release date, October 24, 2025. The duration of This song is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. La Romanesca for flute and guitar's duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 16 in Amore - Timeless Italian Flute & Guitar by Jane Rutter, Giuseppe Zangari. Going off of the ISRC code of this track, we detected that the origin of this track is from Australia. In terms of popularity, La Romanesca for flute and guitar is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of La Romanesca for flute and guitar by Jane Rutter, Traditional Sor, Giuseppe Zangari is Moderato (at a moderate speed), since this song has a tempo of 112 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Near Home | GENTLE STRING | G Major | 2 | 9B | 87 BPM | ||
| Song Without Words No. 7 | Heath Olean, Yaroslav Medvedev-Taraldset | G Minor | 2 | 6A | 169 BPM | ||
| Piano in the Rain | Lars Hustoft, Peter's Piano | A Minor | 0 | 8A | 136 BPM | ||
| Prelude G-Dur | Takuya Okamoto | D Major | 1 | 10B | 95 BPM | ||
| Ave Maria | Slava Grigoryan, Sharon Grigoryan | G Major | 0 | 9B | 79 BPM | ||
| Aeroporto do Galeão | Jane Rutter, Slava Grigoryan | F Major | 5 | 7B | 91 BPM | ||
| Nuestro Eco En El Tiempo | Romaria Cruz | E Minor | 1 | 9A | 108 BPM | ||
| 月下竹舟 | 漫夜星, 刘珂矣, 变奏的梦想 | E Minor | 1 | 9A | 108 BPM | ||
| Tu Ausencia | Italian Mandolin Torna A Surriento, Arpas Fantasticas, Global Village Players | F Major | 1 | 7B | 91 BPM | ||
| Guitar Concerto in A Major, Op. 8 (Recomposed for Solo Flute by Luca Astolfoni Fossi): I. Allegro | Ferdinando Carulli, Claudio Ferrarini | G Major | 2 | 9B | 87 BPM | ||
| Andante et Allegro pour violoncelle et piano in E Major: I. Andante | Reynaldo Hahn, Dania Tchalik, Marc Tchalik | E Minor | 1 | 9A | 108 BPM | ||
| We Are Australian Flute and Didgeridoo Meditation | Jane Rutter, Paul Boon | B Major | 2 | 1B | 119 BPM | ||
| 12 Études pour Harpe: No. 6, — | Jean-Michel Damase, Catherine Michel | G Minor | 1 | 6A | 101 BPM | ||
| LE MANÉGE | ANICET JEAN-CHARLES, JEAN-CHARLES ANICET | E Minor | 1 | 9A | 108 BPM | ||
| Jolie Gigue | Jean-Marie Leclair, Jane Rutter | E♭ Major | 2 | 5B | 77 BPM | ||
| Minidanza del siglo XX - Nº 2 | Antonio Chover Salom, Carlos Blanco Ruiz | B Minor | 1 | 10A | 71 BPM | ||
| Milonga Del Desamor | Gabriel Aldana | E Minor | 1 | 9A | 108 BPM | ||
| Fragrant Forest Flowers - Duftende Waldblumen | Christian Périat, Santec Music Orchestra | D Major | 1 | 10B | 83 BPM | ||
| Theme and Variations on S. Vigano's ballet Psammi, Re d'Egitto, Op. 40: Theme. Andante | Antonio Maria Nava, Noemi Gyori, Katalin Koltai | G Major | 0 | 9B | 73 BPM | ||
| 蘇州夜曲 | 服部良一, 宮田 大, Yasuji Ohagi | B♭ Major | 0 | 6B | 115 BPM | ||
| 6 Pieces for Harp Solo: No. 2, Scherzetto | Jacques Ibert, Ellen Bødtker | D♭ Major | 2 | 3B | 85 BPM | ||
| The Valley Where Echoes Sleep | Bheto VN | C Minor | 3 | 5A | 140 BPM | ||
| Mavra, K39: Chanson russe (Arr. Knigge for Recorder & Ensemble) | Lucie Horsch, LUDWIG Orchestra, Igor Stravinsky | A Minor | 4 | 8A | 121 BPM | ||
| Sonata for Violin & Harp No. 4 in E-Flat Major, Op. 113 (Version for Cello & Harp): II. Adagio | Louis Spohr, Helga Storck, Klaus Storck | A Major | 0 | 11B | 117 BPM | ||
| Première leçon de ténèbres à une voix: He (Arr. for Cello and Synthesizer by Sonia Wieder-Atherton) | François Couperin, Sonia Wieder-Atherton, Marius Atherton | E Minor | 1 | 9A | 108 BPM |