Ajit Kadkade's ' "Swami Samarth Naamacha" was released on its scheduled release date, January 1, 1993. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 8 in Akkalkoti Majhi Aai by Ajit Kadkade. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Swami Samarth Naamacha is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Swami Samarth Naamacha by Ajit Kadkade is Moderato (at a moderate speed), since this song has a tempo of 116 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Swami Shakti | Yogesh Tapasvi | A♭ Major | 6 | 4B | 82 BPM | ||
| Dev Shivacha Avtaar-Abhang | Santosh Dattaram Joil | D Major | 9 | 10B | 104 BPM | ||
| Ja Re Jare Ja Tu Pakhara | Yuvraj Pradhan | D♭ Minor | 6 | 12A | 155 BPM | ||
| Ek Patra Dila Khanala - Shivji Ani Khanachi Bhetichi Tayari | Shivshahir Vijay Tanpure | A♭ Major | 7 | 4B | 145 BPM | ||
| Bajirao Pratapi - Shrimant Bajirao Peshwa | Shantanu Herlekar, Siddhesh Jadhav | D Major | 8 | 10B | 100 BPM | ||
| Vit Ji Milali Pundlika Bheti | Prahlad Shinde | E Minor | 5 | 9A | 115 BPM | ||
| Yamai Mothya Manachi | Popatrao Sonwane | A♭ Minor | 10 | 1A | 115 BPM | ||
| Run Zun Vaajantri | Shahir Sable | B Minor | 10 | 10A | 120 BPM | ||
| Maz Maran Yenyaadhi | Ranjit Khandagale | E Major | 7 | 12B | 79 BPM | ||
| Gao Sara Martaya Tuzyavarti | Mahendra Kapoor, Shaila Chikhale | G Major | 7 | 9B | 111 BPM | ||
| Swami Samarth Naamacha | Ajit Kadkade | A Major | 7 | 11B | 116 BPM | ||
| Avghe Garje Pandharpura | Kashirambuva Indolikar, Digambar Kute | F Minor | 7 | 4A | 97 BPM | ||
| Aarambhi Aavdi Aadare Aale Naam | Baba Maharaj Satarkar | D Major | 7 | 10B | 138 BPM | ||
| Thambana Pudha Asa Jaoonaka | Usha Mangeshkar, Mahendra Kapur | F♯ Major | 5 | 2B | 87 BPM | ||
| Saat Samunder Paar Se | Gopal Rai | F Major | 5 | 7B | 89 BPM | ||
| Devachiye Dwari | Ajit Kadkade | D Major | 5 | 10B | 121 BPM | ||
| Nadichya Kinari Sasarcha That | Shakuntala Jadhav | F Major | 4 | 7B | 86 BPM | ||
| Nagaracha Baheri Aai Kay Ga He Vajte | Shakuntala Jadhav, Nanda Bhamre | B♭ Major | 7 | 6B | 82 BPM | ||
| Pandharisi Jaya Ekvel | Vishnubuva Wavanjekar | F♯ Minor | 8 | 11A | 93 BPM | ||
| Pritichya Baget Tu | Yuvraj Pradhan | D♭ Major | 6 | 3B | 102 BPM | ||
| Sai Baban Phone Kela | Omkar Mahadik | D♭ Major | 9 | 3B | 90 BPM | ||
| Sundar Te Dhyan | Baba Maharaj Satarkar | F♯ Minor | 6 | 11A | 90 BPM | ||
| Hira Kohinoor | Milind Shinde | B♭ Minor | 4 | 3A | 88 BPM | ||
| Hari Jay Jay Ram | Vishnubua Vavnjekar | B♭ Major | 5 | 6B | 175 BPM | ||
| Dev Bazarcha Bhajipala Nahi | Krishna Shinde | B♭ Minor | 5 | 3A | 111 BPM |