"The Rake's Progress / Act 1/Scene 3: "No word from Tom"" by Igor Stravinsky, Renée Fleming, Metropolitan Opera Orchestra, James Levine had its release date on January 1, 1998. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 11 in the song's album "Renée Fleming - I Want Magic! - American Opera Arias". In this album, this song's track order is #9. Based on our statistics, The Rake's Progress / Act 1/Scene 3: "No word from Tom"'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Rake's Progress / Act 1/Scene 3: "No word from Tom" by Igor Stravinsky, Renée Fleming, Metropolitan Opera Orchestra, James Levine having a BPM of 134 with a half-time of 67 BPM and a double-time of 268 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Symphony No. 1 in E Minor, Op. 39: IV. Finale. Andante - Allegro molto | Jean Sibelius, Berliner Philharmoniker, Sir Simon Rattle | C Major | 1 | 8B | 83 BPM | ||
| The Rite of Spring, K15, Pt. 1: IV. Spring Rounds | Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan | B♭ Minor | 0 | 3A | 61 BPM | ||
| Elgar: Cello Concerto in E Minor, Op. 85: I. Adagio - Moderato | Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | E Minor | 1 | 9A | 96 BPM | ||
| The Rite of Spring, K15, Pt. 2: XI. Glorification of the Chosen One | Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 4 | 6B | 134 BPM | ||
| Scheherazade: The Fight | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Minor | 1 | 9A | 80 BPM | ||
| The Rite of Spring, K15, Pt. 1: VIII. Dance of the Earth | Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan | D Major | 5 | 10B | 84 BPM | ||
| Pacific 231 | Arthur Honegger, Neeme Järvi, Danish National Symphony Orchestra | B♭ Minor | 3 | 3A | 130 BPM | ||
| Symphonic Metamorphosis of Themes by Carl Maria von Weber: III. Andantino | Paul Hindemith, WDR Sinfonieorchester Köln, Marek Janowski | E Major | 1 | 12B | 95 BPM | ||
| Le Sacre du Printemps - Revised version for Orchestra (published 1947) / Part 2: The Sacrifice: Ritual Action of the Ancestors | Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan | D Minor | 0 | 7A | 108 BPM | ||
| Symphony No. 3 In C Minor, Op. 78 "Organ Symphony": 1. Adagio - Allegro moderato - Poco adagio | Camille Saint-Saëns, Simon Preston, Berliner Philharmoniker, James Levine | A♭ Major | 1 | 4B | 118 BPM | ||
| Salome, Op. 54, Scene 4: Salome's Dance of the Seven Veils | Richard Strauss, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | F Minor | 0 | 4A | 86 BPM | ||
| Symphony No. 3 "Liturgique": I. Dies irae. Allegro marcato | Arthur Honegger, Berliner Philharmoniker, Herbert von Karajan | C Major | 6 | 8B | 143 BPM | ||
| Symphony No. 5: V. Rondo-Finale. Allegro | Gustav Mahler, Wiener Philharmoniker, Pierre Boulez | D Major | 1 | 10B | 115 BPM | ||
| Háry János Suite: III. Song | Zoltán Kodály, Neeme Järvi, Chicago Symphony Orchestra, Laurence Kaptain | E Minor | 1 | 9A | 80 BPM | ||
| Symphony No. 10 in E Minor, Op. 93: II. Allegro | Dmitri Shostakovich, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | B♭ Minor | 6 | 3A | 89 BPM | ||
| Les Noces, Scene 1: The Tresses (At the Bride's House) [the Wedding] | Susan Bickley, Martyn Hill, Alan Ewing, Alison Wells, Simon Joly Chorale, International Piano Quartet, Tristan Fry Percussion Ensemble, Robert Craft | E Major | 2 | 12B | 118 BPM | ||
| Also sprach Zarathustra, Op. 30: V. Das Grablied | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | F♯ Minor | 1 | 11A | 93 BPM | ||
| Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | D Major | 2 | 10B | 112 BPM | ||
| Peer Gynt Suite No. 1, Op. 46: II. The Death of Åse - Recorded 1982 | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 45 BPM | ||
| Der Schwanendreher · Konzert nach alten Volksliedern für Viola und kleines Orchester: I. Zwischen Berg und tiefem Tal | Paul Hindemith, Tabea Zimmermann, David Shallon, Bayerischer Rundfunk, Bavarian Radio Symphony Orchestra | C Major | 1 | 8B | 96 BPM | ||
| L'Arlésienne Suite No. 1, WD 40: II. Minuetto | Georges Bizet, Daniel Deffayet, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 175 BPM | ||
| Symphony No. 1 in D Major: 2. Kräftig bewegt - Live | Gustav Mahler, Berliner Philharmoniker, Claudio Abbado | A Major | 1 | 11B | 96 BPM | ||
| Piano Concerto No. 1, Op. 45: I. Con grandezza | Einojuhani Rautavaara, Laura Mikkola, Royal Scottish National Orchestra, Hannu Lintu | G Major | 1 | 9B | 70 BPM | ||
| Mendelssohn: Violin Concerto in E Minor, Op. 64, MWV O14: II. Andante | Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester | C Major | 1 | 8B | 96 BPM | ||
| Symphony No. 6 in D Major, Op. 104: IV. Allegro molto - Allegro assai - Doppio più lento | Jean Sibelius, Santtu-Matias Rouvali, Gothenburg Symphony Orchestra | G Major | 3 | 9B | 110 BPM |