On September 4, 1988, the song "花浪道" was released by A-JARI. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 3 out of 12 in CHARACTERS by A-JARI. Going off of the ISRC code of this track, we detected that the origin of this track is from Japan. In terms of popularity, 花浪道 is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of 花浪道 by A-JARI is Moderato (at a moderate speed), since this song has a tempo of 111 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Watashi wa Knife | Shizuka Kudo | D♭ Major | 9 | 3B | 140 BPM | ||
| 花浪道 | A-JARI | G Major | 7 | 9B | 111 BPM | ||
| 思い出さない夜はないだろう - Re-mix | Satoshi Ikeda | F Major | 8 | 7B | 127 BPM | ||
| 君のもとへ | KATSUMI | C Major | 9 | 8B | 150 BPM | ||
| Mother's Touch | Fumiya Fujii | C Major | 4 | 8B | 76 BPM | ||
| 心の闇(ハローダークネス) (2025 REMASTER VERSION) | Koji Kikkawa | G Major | 10 | 9B | 123 BPM | ||
| SOMEDAY | Takako Shirai | D Minor | 8 | 7A | 122 BPM | ||
| Tokyo Sugar Town | Chiemi Hori | B Minor | 8 | 10A | 140 BPM | ||
| 微笑みながら | Fumina Hisamatsu | G Major | 9 | 9B | 110 BPM | ||
| もォ やだ! | BARBEE BOYS, Larry Alexander | B Minor | 10 | 10A | 131 BPM | ||
| おまえにチェックイン | Kenji Sawada | B♭ Major | 7 | 6B | 169 BPM | ||
| あのコによろしく | Ribbon | G Major | 10 | 9B | 150 BPM | ||
| ALL MIGHTY LOVE | A-JARI | G Major | 8 | 9B | 131 BPM | ||
| ロンリー・チャップリン | Kiyomi Suzuki, Rats & Star | A♭ Major | 8 | 4B | 113 BPM | ||
| エスメラルダ | Takashi Sato | F♯ Minor | 6 | 11A | 111 BPM | ||
| ダーリング | Kenji Sawada | C Major | 8 | 8B | 178 BPM | ||
| Sagashiterunonii | FAIRCHILD | B Minor | 9 | 10A | 157 BPM | ||
| ほらね、春が来た | Ushirogami Hikaretai | A♭ Minor | 9 | 1A | 142 BPM | ||
| Metamorphose | Shizuka Kudo | B♭ Minor | 8 | 3A | 137 BPM | ||
| サマータイムグラフィティ | TOM☆CAT | G Minor | 6 | 6A | 114 BPM | ||
| ハートブレイカーは踊れない | Masanori Ikeda | F♯ Minor | 9 | 11A | 142 BPM | ||
| Be True | Ayumi Nakamura | E Major | 8 | 12B | 107 BPM | ||
| モノクローム・ヴィーナス | Satoshi Ikeda | C Minor | 5 | 5A | 76 BPM | ||
| SHADE -夏の翳り- - 2022 Remaster | Kiyotaka Sugiyama | C Major | 5 | 8B | 90 BPM | ||
| 悲しみ2(too)ヤング - 2010 New Recording | Toshihiko Tahara | A♭ Major | 8 | 4B | 152 BPM |