"Mara Sapnama" by Jaydev Gosai had its release date on August 1, 2014. This song is about six minutes long, preciously at 6:26, making this song fairly long compared to other songs. The song is number 5 out of 9 in Chok Puravo Swaminarayan Kirtan by Ravi Vyas, Jaydev Gosai. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Mara Sapnama is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Mara Sapnama by Jaydev Gosai is Andante (at a walking pace), since this song has a tempo of 106 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Powerful Krishna Mantra Krishnaya Vasudevaya Haraye Paramatmane Hare Krishna Meditation Mantra | Sachin Kadam | F♯ Major | 5 | 2B | 110 BPM | ||
| Gayatri Chalisa Fast by Kavita Raam | Kavita Raam | E Major | 8 | 12B | 84 BPM | ||
| Ram Hi Tan Mein | Hariharan | A Major | 6 | 11B | 88 BPM | ||
| Mari Aankhe Ujagara - Banjo Version Instrumental | Gopal Bharwad | A Major | 6 | 11B | 121 BPM | ||
| Tu Bula De | Aatif Gulzar | A♭ Minor | 3 | 1A | 90 BPM | ||
| Krishna Bhajan - Achyutam Keshavam | Meet Tripathi | E♭ Major | 7 | 5B | 98 BPM | ||
| Aaj Akshar Nu Geet | Divyang Ray, Aaman Trikha | G Minor | 8 | 6A | 140 BPM | ||
| Kachi Re Mati Nu Kodiyu | Hardik Dave, Kedar - Bhargav, Traditional | E Major | 6 | 12B | 94 BPM | ||
| Racha Hai Srishti Ko Jis Prabhu Ne | Prakash Gandhi | C Major | 5 | 8B | 200 BPM | ||
| Bolya Shri Hari | Divyang Ray | E♭ Major | 8 | 5B | 142 BPM | ||
| Raj Teri Rehmatein | SRMD Bhakti, Divya Kumar, Sachin-Jigar | F Major | 7 | 7B | 105 BPM | ||
| Kaisa Daani Mera Piya Hai | Tribhuvan Pati Ki Udarta | Krishna Sudama Milan | ARR Bhakti Sagar | B Minor | 7 | 10A | 90 BPM | ||
| Achyutam Keshavam | Saloni Thakkar, Budhaditya Mukherjee | B Major | 6 | 1B | 155 BPM | ||
| Rasik Piya Ghanshyam | Rajkot Gurukul | F♯ Major | 4 | 2B | 102 BPM | ||
| HAAL KAANA MANE DWARIKA DEKHAD | Hardik Dave, Kaushal Hastwala | E Major | 7 | 12B | 157 BPM | ||
| Ticket Katadyo | Varsha Garg | D Major | 3 | 10B | 109 BPM | ||
| Shree Madan Mohanji | Aneri Kakadiya, Jimmy Beatzz | E♭ Major | 4 | 5B | 130 BPM | ||
| Mara Sapnama | Jaydev Gosai | D Minor | 2 | 7A | 106 BPM | ||
| He Nath Jodi | Nidhi Dholakia | E♭ Major | 5 | 5B | 112 BPM | ||
| Hanuman Aarti | Mann Taneja, Shubham Bali | D♭ Minor | 5 | 12A | 89 BPM | ||
| લાવ તારો હાથ | Atul Purohit, Iqbal Meer | C Major | 10 | 8B | 100 BPM | ||
| Tharo Hi Saharo Re | Kanchan Soni | E♭ Major | 6 | 5B | 75 BPM | ||
| SHRI NAKODA BHAIRAV CHALISA | Vaibhav Bagmar | F♯ Major | 5 | 2B | 98 BPM | ||
| Ganesh Chalisa | Vinay Sapru, Puneet Dixit, Asit Tripathy | F♯ Major | 3 | 2B | 135 BPM | ||
| Tu Mane Bhagwan Ek Vardan Aapi De | Nikita Waghela | F Minor | 1 | 4A | 95 BPM |