Julie Doiron's ' "Who Will Be The One" was released on its scheduled release date, July 22, 1997. The duration of This song is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. Who Will Be The One's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Julie Doiron's "Loneliest In The Morning" album is number 16 out of 17. On top of that, United States appears to be the country where this track was created. Based on our statistics, Who Will Be The One's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Who Will Be The One by Julie Doiron to be Allegro (fast, quick, and bright) because the track has a tempo of 136 BPM, a half-time of 68BPM, and a double-time of 272 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Who Will Be The One | Julie Doiron | B Minor | 8 | 10A | 136 BPM | ||
| A Good Friend Is Always Around | The American Analog Set | A Major | 3 | 11B | 95 BPM | ||
| Hard Road | Mary Lou Lord | G Major | 7 | 9B | 128 BPM | ||
| It's All I Can Do | Laura Watling | B♭ Major | 7 | 6B | 99 BPM | ||
| retrace | ee | E Major | 5 | 12B | 87 BPM | ||
| Learn To Say Goodnight | Mad Planets | E Major | 7 | 12B | 144 BPM | ||
| Hottie With A Ducati | Micah Preite | A♭ Major | 2 | 4B | 148 BPM | ||
| I'm Gonna Take Your Place | Rocketship | D Major | 1 | 10B | 103 BPM | ||
| Bob Again | Gaze | B Minor | 8 | 10A | 111 BPM | ||
| From The Inside | Gaze | A Minor | 9 | 8A | 143 BPM | ||
| The signals licking me | Micah Preite | A Major | 2 | 11B | 113 BPM | ||
| 24 Hours | The Sundays | B Major | 2 | 1B | 125 BPM | ||
| Unmarked | The Lazarus Plot | D♭ Minor | 5 | 12A | 127 BPM | ||
| dime | ribbon fix | C Major | 5 | 8B | 81 BPM | ||
| Right Downtown | M.I.J. | C Major | 7 | 8B | 137 BPM | ||
| Invincible | Casino Ashtrays | B♭ Minor | 6 | 3A | 103 BPM | ||
| Flood | Astral Swans, Julie Doiron | A Major | 3 | 11B | 78 BPM | ||
| Me or You | Bunkbed | E♭ Minor | 4 | 2A | 100 BPM | ||
| We're Both Alone | Rocketship | D Major | 6 | 10B | 144 BPM | ||
| A Cradle | xmal | G Major | 3 | 9B | 73 BPM | ||
| Brazil 66 | Alison's Halo | C Major | 7 | 8B | 171 BPM | ||
| Someplace But Not This Place | Brittle Stars | D♭ Major | 5 | 3B | 85 BPM | ||
| Its Pull Is Slight | Should | A Major | 4 | 11B | 171 BPM | ||
| Four Words | Brittle Stars | D Major | 7 | 10B | 107 BPM | ||
| Going So Low | Plumtree | D Major | 4 | 10B | 164 BPM |