Chitra Rajan's ' "Rama Nama Tarakam" was released on its scheduled release date, August 10, 2019. With This song being less than two minutes long, at 1:17, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 17 out of 23 in Bhaja Re, Vol. 2 by Chitra Rajan. In terms of popularity, Rama Nama Tarakam is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Rama Nama Tarakam by Chitra Rajan is Andante (at a walking pace), since this song has a tempo of 105 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ardhanareeshwara Stotram | Bhanumathi Narasimhan | A♭ Major | 1 | 4B | 183 BPM | ||
| Ayodhya Vasi Rama | Chitra Rajan | D Major | 5 | 10B | 100 BPM | ||
| Shripad Vallabh Digambara - FAST - Datta Stuti | Mandar Apte, Datta Thite | B♭ Major | 7 | 6B | 91 BPM | ||
| Ganapati Stotraa | Rajendra Vaishampayan & Natasha Dias | A♭ Major | 3 | 4B | 170 BPM | ||
| Sri Varahi Dwadasa Nama Stotram | Bhandhavi | A Major | 2 | 11B | 122 BPM | ||
| Navagraha Slokam | D.V. Ramani, Ramu.N.Prakash | B♭ Major | 3 | 6B | 137 BPM | ||
| Sri Yantrodhara Hanumata Stotra | Puttur Narasimha Nayak, Harsha Rao, Sri Mukund | C Major | 6 | 8B | 72 BPM | ||
| Karunatan Kadamizhi | Amma | E♭ Minor | 4 | 2A | 132 BPM | ||
| Logass Path | Sanchi Lalani | C Major | 2 | 8B | 122 BPM | ||
| Buddhi Heena | Gayathri Girish, Team | F♯ Major | 4 | 2B | 105 BPM | ||
| Vishwamitra Nadi Samvad - a Poetic Conversation between the Sage Vishwamitra & Two Rivers | Ved Vrind | C Major | 4 | 8B | 175 BPM | ||
| Kalki Stuthi 1 | V. Ramakrishna | F Minor | 2 | 4A | 88 BPM | ||
| Shri Ganesh Sankat Nashan Stotra | Brahmins | E♭ Major | 4 | 5B | 109 BPM | ||
| Strii | Grihsam | A♭ Major | 1 | 4B | 135 BPM | ||
| Panchanga Rudranyasaha | Venkataramana Bhat, Shivashankara Bhat, Venkatesh Shastri | B Major | 3 | 1B | 65 BPM | ||
| Hare Krishna 5 - Original | Debjit, Bitu Samajpati, NA | F♯ Major | 6 | 2B | 149 BPM | ||
| Dasarathkrutha Shani Stotram | Navagrahas | E Major | 2 | 12B | 81 BPM | ||
| Laxmi Suktam | Dixit Guru | E Major | 5 | 12B | 77 BPM | ||
| Om Sri Mahalakshmyai Namah | K.S. Surekha | F Major | 4 | 7B | 93 BPM | ||
| Kausalya Sthuthi | Soumya Manoj | B Minor | 4 | 10A | 93 BPM | ||
| Sankatnashan Ganesh Stotra | Riddhi Agarwal | C Major | 3 | 8B | 103 BPM | ||
| Bhagavadswaroopam & Mahatmiyam | Mrs.Prema Rengarajan | D Major | 2 | 10B | 99 BPM | ||
| Gajananam Bhutaganadi Sevitam | Jagdish Shastri | E Minor | 1 | 9A | 117 BPM | ||
| Panchayudha Stotram | Bhandhavi | E Minor | 5 | 9A | 151 BPM | ||
| Laxmi Narasimha Stotram | Abhijeet Ghoshal | B Major | 4 | 1B | 100 BPM |