"Enigma Variations: E.D.U (Finale)" by London Philharmonic Orchestra had its release date on 1998. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 19 out of 20 in Elgar: Enigma Variations by Paul Daniel. Enigma Variations: E.D.U (Finale) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Enigma Variations: E.D.U (Finale) by London Philharmonic Orchestra is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Serse, HWV 40: Largo "Ombra mai fu" | George Frideric Handel, Eugene Ormandy, Philadelphia Orchestra | G Major | 1 | 9B | 82 BPM | ||
| Le Quattro Stagioni: Violin Concerto No. 4 in F Minor, RV 297 "L'Inverno": I. Allegro non molto | Antonio Vivaldi, Vladimir Spivakov, Moscow Virtuosi | F Minor | 4 | 4A | 147 BPM | ||
| Spartacus: Adagio of Spartacus and Phrygia | Aram Khachaturian, Wiener Philharmoniker | A♭ Major | 1 | 4B | 129 BPM | ||
| Rhapsody on a Theme by Paganini, Op. 43: Variation 18. Andante cantabile | Sergei Rachmaninoff, Bella Davidovich, Royal Concertgebouw Orchestra, Neeme Järvi | D♭ Major | 1 | 3B | 70 BPM | ||
| The Sleeping Beauty, Op. 66 : Valse | Pyotr Ilyich Tchaikovsky, Slovak State Philharmonic Orchestra, Kosice | B♭ Major | 2 | 6B | 100 BPM | ||
| Satie / Orch. Ducros: Gymnopédie No. 1 | Erik Satie, Gautier Capuçon, Jerome Ducros, Adrien Perruchon, Orchestre de chambre de Paris | G Minor | 0 | 6A | 170 BPM | ||
| Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
| String Quartet No. 62 in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": II. Poco adagio, cantabile | Joseph Haydn, Kodály Quartet | G Major | 1 | 9B | 110 BPM | ||
| Colonel Bogey - From Bridge Over the River Kwai | London Philharmonic Orchestra | D Minor | 2 | 7A | 119 BPM | ||
| Adagio for Strings, Op. 11 | Samuel Barber, Academy of St. Martin in the Fields, Sir Neville Marriner | B♭ Minor | 0 | 3A | 83 BPM | ||
| Lyric Pieces, Book 5, Op. 54: Nocturne | Edvard Grieg, Alessio Bax | C Major | 0 | 8B | 72 BPM | ||
| Le carnaval des animaux, R. 125: Le cygne | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | C Major | 0 | 8B | 83 BPM | ||
| Symphony No. 7 Op. 92: II. Allegretto (Beethoven) | Orchestra Di Padova E Del Veneto & Peter Maag | E Minor | 0 | 9A | 128 BPM | ||
| Gianni Schicchi: O mio babbino caro (Arr. C. Leon for Violin & Orchestra) | Giacomo Puccini, Joshua Bell, Michael Stern | D♭ Major | 2 | 3B | 121 BPM | ||
| Carmen Suite No. 2: II. Habanera | Georges Bizet, David Parry, London Philharmonic Orchestra | D Major | 0 | 10B | 121 BPM | ||
| Wolf-Ferrari: I gioielli della Madonna, Act 2: Intermezzo | Ermanno Wolf-Ferrari, Sir Adrian Boult, Richard Adeney, London Philharmonic Orchestra | G Major | 2 | 9B | 103 BPM | ||
| Tales of Hoffmann - Barcarolle | Arthur Fiedler, Jacques Offenbach, Boston Pops Orchestra | G Major | 2 | 9B | 103 BPM | ||
| Cavalleria rusticana: Intermezzo | Pietro Mascagni, Royal Liverpool Philharmonic Orchestra, Domingo Hindoyan | F Major | 1 | 7B | 173 BPM | ||
| The Heart Asks Pleasure First | Michael Nyman, Ahn Trio | A Minor | 2 | 8A | 169 BPM | ||
| The Lark Ascending | Ralph Vaughan Williams, Nicola Benedetti, London Philharmonic Orchestra, Andrew Litton | E Minor | 1 | 9A | 89 BPM | ||
| Carmen Suite No. 1: Intermezzo | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | E♭ Major | 0 | 5B | 80 BPM | ||
| Cavalleria rusticana: Intermezzo | Pietro Mascagni, National Philharmonic Orchestra, Gianandrea Gavazzeni, Giuseppe Patanè | F Major | 2 | 7B | 81 BPM | ||
| Orchestral Suite No. 3 in D major, BWV 1068: II. Air | Johann Sebastian Bach, Joshua Bell, Academy of St. Martin in the Fields | D Major | 2 | 10B | 91 BPM | ||
| The Armed Man - A Mass For Peace: V. Sanctus | Karl Jenkins, London Philharmonic Orchestra, National Youth Choir Of Great Britain, Mike Brewer, Neil Percy | A Minor | 2 | 8A | 130 BPM | ||
| Orpheus in the Underworld: Cancan | Jacques Offenbach, Semyon Bychkov, Wiener Philharmoniker | D Major | 6 | 10B | 152 BPM |