Roy Etzel's 'Vaya Con Dios' had a release date set for December 22, 1961. The duration of This song is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. Vaya Con Dios's duration is considered a little bit shorter than the average duration of a typical track. The song is number 20 out of 32 in Bajo el Sol by Roy Etzel. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. The popularity of Vaya Con Dios is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Vaya Con Dios by Roy Etzel is Vivace (lively and fast), since this song has a tempo of 173 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song has a musical key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Maria Elena | Rubén Ochoa | C Major | 3 | 8B | 178 BPM | ||
| Vaya Con Dios | Roy Etzel | C Major | 3 | 8B | 178 BPM | ||
| Don't Cry for Me Argentina | Botticelli | D♭ Major | 2 | 3B | 87 BPM | ||
| Londonderry Air | Johnny Pearson and His Orchestra | G Major | 2 | 9B | 98 BPM | ||
| The Last Waltz | Blue Heaven | F Major | 5 | 7B | 94 BPM | ||
| Michelle | 50 Guitars of Tommy Garrett | D Minor | 2 | 7A | 109 BPM | ||
| Amour Eternel | Francis Dupont | C Major | 3 | 8B | 79 BPM | ||
| Theme from Love Story - Remastered | Norman Candler, Norman Candler Magic Strings | E Minor | 6 | 9A | 86 BPM | ||
| Berlin Melodie | Francis Dupont | F Major | 5 | 7B | 90 BPM | ||
| I Do, I Do, I Do, I Do, I Do | Caravelli | C Major | 6 | 8B | 114 BPM | ||
| Man müsste Klavier spielen können - Popcorn - Ay no digas | Claudius Alzner, Seine Solisten | C Major | 4 | 8B | 130 BPM | ||
| Adiós | Roy Etzel | C Major | 3 | 8B | 178 BPM | ||
| Serenata ( Toselli) | Jorge Espinoza Y Su Violin | F Major | 3 | 7B | 78 BPM | ||
| The Last Waltz | Kai Warner | D Major | 3 | 10B | 89 BPM | ||
| Rosen für Dich (roses for you) - Radio Version | Combo Alfredo | A♭ Major | 6 | 4B | 117 BPM | ||
| My Foolish Heart - Again | Charlie Shaffer | F Major | 2 | 7B | 135 BPM | ||
| Come Back to Sorrento | Ross Mitchell, His Band & Singers | B♭ Minor | 2 | 3A | 87 BPM | ||
| Deep in the heart of Texas - My Darling Clementine - Under the Double-Eagle | Claudius Alzner, Seine Solisten | C Major | 4 | 8B | 130 BPM | ||
| Love Without Limits | Jelle van Marrum | C Major | 5 | 8B | 104 BPM | ||
| 砂に書いたラブ・レター | ビリー・ヴォーン楽団 | D Major | 4 | 10B | 106 BPM | ||
| Maria Elena | Bernie Saxophone Entertainer | C Major | 6 | 8B | 109 BPM | ||
| The Beginning | Nikos Ignatiadis | D Major | 2 | 10B | 100 BPM | ||
| The Last Waltz | Geoff Love | D Major | 1 | 10B | 90 BPM | ||
| Siboney - Instrumental | Los Violines de Pego | C Major | 5 | 8B | 110 BPM | ||
| Bolero / Pour Lui / Faut Rigoler | Hector Delfosse | D Major | 4 | 10B | 132 BPM |