"La traviata: Act II: Imponete - Non amarlo ditegli" by Giuseppe Verdi, Riccardo Muti, Orchestra Del Teatro Alla Scala, Milano had its release date on 1993. With This song being less than two minutes long, at 1:19, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Verdi: La Traviata - The Sony Opera House by Giuseppe Verdi, Riccardo Muti. The song's track number on the album is #20 out of 45 tracks. La traviata: Act II: Imponete - Non amarlo ditegli is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since La traviata: Act II: Imponete - Non amarlo ditegli by Giuseppe Verdi, Riccardo Muti, Orchestra Del Teatro Alla Scala, Milano has a tempo of 71 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With La traviata: Act II: Imponete - Non amarlo ditegli being at 71 BPM, the half-time would be 36 BPM with a double-time of 142 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 5/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Don Carlo, Act I: Dio che nell'alma (Carlo/Rodrigo/Coro di Frati/Un frate) | Giuseppe Verdi, Luciano Pavarotti, Paolo Coni, Andrea Silvestrelli, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Riccardo Muti, Orchestra Del Teatro Alla Scala Di Milan | F Major | 4 | 7B | 89 BPM | ||
| Bizet: Carmen, Act 2: "Votre toast, je peux vous le rendre" (Escamillo, Frasquita, Mercédès, Carmen, Zuniga, Chœur) | Georges Bizet, Rafael Frühbeck de Burgos, Bernard Gontcharenko, Chœur du Théâtre national de l'Opéra de Paris, Éliane Lublin, Grace Bumbry, Kostas Paskalis, Viorica Cortez, Orchestre du Théâtre National de l'Opéra de Paris | G Minor | 0 | 6A | 124 BPM | ||
| Nabucco: Overture | Giuseppe Verdi, Berliner Philharmoniker, Claudio Abbado | F Major | 2 | 7B | 100 BPM | ||
| La traviata / Act II: "Ah! Dite alla giovine" | Giuseppe Verdi, Anna Netrebko, Thomas Hampson, Wiener Philharmoniker, Carlo Rizzi | E♭ Major | 1 | 5B | 170 BPM | ||
| Il barbiere di Siviglia (The Barber of Seville): Act I No. 2: Cavatina: Largo al factotum della citta | Gioachino Rossini, Roberto Servile, Sonia Ganassi, Ramón Vargas, Angelo Romero, Franco de Grandis, Ingrid Kertesi, Kazmer Sarkany, Laszlo Orban, Ferenc Korpas, Hungarian Radio Chorus, Budapest Failoni Chamber Orchestra, Will Humburg | C Major | 3 | 8B | 76 BPM | ||
| Verdi: Aida, Act 1: "Alta cagion v'aduna" (Il Re, Messaggero, Radamès, Ramfis, Coro, Aida, Amneris) | Giuseppe Verdi, Riccardo Muti, Chorus of the Royal Opera House, Covent Garden, Fiorenza Cossotto, Luigi Roni, Montserrat Caballé, Nicola Martinucci, Nicolai Ghiaurov, Plácido Domingo, New Philharmonia Orchestra | C Major | 3 | 8B | 88 BPM | ||
| Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: "Là ci darem la mano" | Wolfgang Amadeus Mozart, Ildebrando D'Arcangelo, Mojca Erdmann, Mahler Chamber Orchestra, Yannick Nézet-Séguin | B Minor | 9 | 10A | 180 BPM | ||
| Così fan tutte ossia La scuola degli amanti, K.588 - (L. da Ponte) - Act 1: "Soave sia il vento" | Wolfgang Amadeus Mozart, Karita Mattila, Anne Sofie von Otter, José van Dam, Academy of St. Martin in the Fields, Sir Neville Marriner | E Major | 2 | 12B | 74 BPM | ||
| Verdi: La traviata, Act 1: Brindisi. "Libiamo ne'lieti calici" (Alfredo, Violetta, Coro) | Giuseppe Verdi, Maria Callas, Coro Cetra, Francesco Albanese, Gabriele Santini, Orchestra Sinfonica di Torino della RAI | B♭ Major | 2 | 6B | 195 BPM | ||
| Lakmé / Flower Duet: Dôme épais le jasmin ... Sous le dôme épais | Léo Delibes, Nadine Sierra, Pretty Yende, Les Frivolités Parisiennes, Giacomo Sagripanti | F Major | 1 | 7B | 82 BPM | ||
| Bizet: Carmen, Act 3: Entr'acte | Georges Bizet, Orchestre de l'Opéra National de Paris/Georges Prêtre, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | D Minor | 2 | 7A | 132 BPM | ||
| Cavalleria rusticana: Preludio | Pietro Mascagni, National Philharmonic Orchestra, Gianandrea Gavazzeni | F Major | 2 | 7B | 88 BPM | ||
| Tosca, SC 69: Mario Cavaradossi? ... E lucevan le stelle | Giacomo Puccini, Jonathan Tetelman, Önay Köse, PKF – Prague Philharmonia, Carlo Rizzi | B Minor | 1 | 10A | 136 BPM | ||
| Ingemisco | Giuseppe Verdi, Carmen Giannattasio, Veronica Simeoni, Alxander Timchenko, Carlo Colombara, Yuri Temirkanov, St. Petersburg Philharmonic Orchestra | E♭ Major | 0 | 5B | 82 BPM | ||
| Nabucco: Va, pensiero, sull'ali dorate (Chorus of the Hebrew Slaves) | Renato Cellini, Robert Shaw | A♭ Major | 1 | 4B | 168 BPM | ||
| Don Giovanni, ossia Il dissoluto punito, K.527 / Act 2: "Don Giovanni, a cenar teco m'invitasti" | Wolfgang Amadeus Mozart, Paata Burchuladze, Samuel Ramey, Ferruccio Furlanetto, Berliner Philharmoniker, Herbert von Karajan, Chor der Deutschen Oper Berlin | B♭ Major | 3 | 6B | 76 BPM | ||
| Norma (1997 - Remaster), Act I, Scene 1: Casta diva (Norma/Coro) | Vincenzo Bellini, Maria Callas, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan | F Major | 1 | 7B | 140 BPM | ||
| Pagliacci / Act 1: "Recitar!...Vesti la giubba" | Ruggero Leoncavallo, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | E Minor | 4 | 9A | 81 BPM | ||
| La Bohème: Mi chiamano Mimi | Mirella Freni | D Major | 2 | 10B | 74 BPM | ||
| Carmen, WD 31 / Act 1: "L'amour est un oiseau rebelle" | Georges Bizet, Marilyn Horne, Wiener Opernchor, Wiener Opernorchester, Henry Lewis | D Major | 2 | 10B | 129 BPM | ||
| Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 82 BPM | ||
| Cavalleria rusticana: Pt. I: Prelude | Pietro Mascagni, Maria Callas, Giuseppe Di Stefano, Rolando Panerai, Anna Maria Canali, Ebe Ticozzi, Vittore Veneziani, Milan La Scala Chorus, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | C Major | 3 | 8B | 100 BPM | ||
| Rossini: Il Barbiere di Siviglia, Act I: "Largo al factotum" (Figaro) | Gioachino Rossini, Michael Spyres, Marko Letonja, Orchestre Philharmonique De Strasbourg | C Major | 3 | 8B | 134 BPM | ||
| 'A vucchella | Francesco Paolo Tosti, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Anton Guadagno | F Major | 1 | 7B | 81 BPM | ||
| Persischer Marsch, Op.289 | Johann Strauss II, Berliner Philharmoniker, Herbert von Karajan | G Minor | 2 | 6A | 207 BPM |