"Variation 11" by Ruth Schönthal, Gary Steigerwalt had its release date on January 1, 2003. With This song being less than two minutes long, at 1:13, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 45 in the song's album "Schonthal, R.: Piano Music". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United States. Variation 11 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Variation 11 by Ruth Schönthal, Gary Steigerwalt having a BPM of 64 with a half-time of 32 BPM and a double-time of 128 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Cello Concerto in C Minor, Op. 43: I. Adagio | Mieczysław Weinberg, Kristina Reiko Cooper, Constantine Orbelian, Kaunas City Symphony Orchestra | C Major | 0 | 8B | 129 BPM | ||
| Mirror - En Vivo | Jimmy Herrera | F Major | 1 | 7B | 107 BPM | ||
| Concerto grosso no.1 (1976-77): 1. Preludio: Andante | Alfred Schnittke, Gidon Kremer, Tatiana Grindenko, Yuri Smirnov, Chamber Orchestra of Europe, Heinrich Schiff | C Minor | 0 | 5A | 93 BPM | ||
| I. Thème. Modéré | Olivier Messiaen, Benjamin Frith, Lucy Gould | C Minor | 0 | 5A | 84 BPM | ||
| Verklärte Nacht, Op. 4 - Version For String Sextet: IV. Sehr breit und langsam | Arnold Schoenberg, LaSalle Quartet, Donald McInnes, Jonathan Pegis | D Major | 1 | 10B | 86 BPM | ||
| Frühe Lieder | Margaret Astrup, Ruth Schönthal | D Major | 1 | 10B | 83 BPM | ||
| Chorale | Igor Stravinsky, Dirk Luijmes, Martin Logar | C Major | 0 | 8B | 129 BPM | ||
| Solstice Ritual, Homage to Varèse and Ravel for 14 virtuosi: III. Bell Prayers | Augusta Read Thomas, Grossman Ensemble, Jeffrey Milarsky | D♭ Major | 0 | 3B | 64 BPM | ||
| String Quartet No. 5, H. 268: I. Allegro ma non troppo | Bohuslav Martinů, Pavel Haas Quartet | F Major | 2 | 7B | 103 BPM | ||
| Lyric Suite: III. Allegro misterioso - Trio estatico | Alban Berg, Leonkoro Quartet | C Major | 0 | 8B | 129 BPM | ||
| Fragments from a Woman's Diary: IX. Cradle Song | Ruth Schönthal, Gary Steigerwalt | B♭ Minor | 0 | 3A | 64 BPM | ||
| Frühe Lieder | Ruth Schönthal, Margaret Astrup | A♭ Major | 1 | 4B | 173 BPM | ||
| String Quartet No. 2 'Intimate Pages': String Quartet No. 2 'Intimate Pages': III. Moderato. Andante. Adagio | Leoš Janáček, Jerusalem Quartet | D♭ Minor | 1 | 12A | 88 BPM | ||
| Concerto for String Orchestra: I. Allegro | Grażyna Bacewicz, Capella Bydgostiensis, Mariusz Smolij | C Major | 2 | 8B | 125 BPM | ||
| I. Violin Concerto: Summer Nights | Peter Scott Lewis | E♭ Major | 0 | 5B | 133 BPM | ||
| Poulenc: Cello Sonata, FP 143: IV. Finale | Francis Poulenc, Daniel Müller-Schott/Robert Kulek | D♭ Minor | 1 | 12A | 171 BPM | ||
| Turangalîla-Symphonie: III. Turangalîla 1 | Olivier Messiaen, Yuja Wang, Cécile Lartigau, Boston Symphony Orchestra, Andris Nelsons | D♭ Major | 5 | 3B | 87 BPM | ||
| Rêverie: Pour calmer ma détresse | Manuel Rosenthal, Julie Roset, Susan Manoff | C Major | 0 | 8B | 129 BPM | ||
| Nachklange: IX. Abgesang (Departing Song) | Ruth Schönthal, Gary Steigerwalt | D Major | 0 | 10B | 112 BPM | ||
| Stille Musik: I. Walzer des Augenblicks | Valentin Silvestrov, Munich Chamber Orchestra | A Minor | 0 | 8A | 60 BPM | ||
| Schubert's "Winterreise": No. 15, Die Krähe | Hans Zender, Franz Schubert, Aurora Orchestra, Nicholas Collon, Allan Clayton | C Major | 0 | 8B | 129 BPM | ||
| Gaspard de la nuit: No. 2, Le Gibet. Très lent | Maurice Ravel, Hsiang Tu | C Major | 0 | 8B | 129 BPM | ||
| Chasing Sunlight: I. Sunlight - Live | Mark David Boden, Fenella Humphreys, Sinfonia Cymru, Haim Choi | G Major | 1 | 9B | 118 BPM | ||
| Sonata Concertante für Viola oder Klarinette und Klavier (Arr. für Sopransaxophon und Klavier von Kathrin von Kieseritzky): II. Slow, calm an with reat expression | Ruth Schönthal, Klusa-Duo | A♭ Major | 1 | 4B | 109 BPM | ||
| Clear Mind | Rylandiaa | E Major | 1 | 12B | 100 BPM |