- BPM
- 84
- Key
- C Major
- Camelot
- 8B
String Quartet No. 12 "First Impressions": III. Pastorale by Charles Roland Berry, Nexus Quartet Song Details
"String Quartet No. 12 "First Impressions": III. Pastorale" by Charles Roland Berry, Nexus Quartet had its release date on November 1, 2024. This song is about six minutes long, preciously at 6:06, making this song fairly long compared to other songs. The song is number 3 out of 14 in Charles Roland Berry: 3 String Quartets by Charles Roland Berry, Nexus Quartet. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. String Quartet No. 12 "First Impressions": III. Pastorale is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of String Quartet No. 12 "First Impressions": III. Pastorale by Charles Roland Berry, Nexus Quartet is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
Music Key
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -14.196 dB
- Acousticness
- 85%
- Danceability
- 25%
- Energy
- 10%
- Instrumentalness
- 10%
- Liveness
- 13%
- Loudness
- 76%
- Speechiness
- 4%
- Valence
- 19%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Le nozze di Figaro, K. 492: Overture | Wolfgang Amadeus Mozart, London Philharmonic Orchestra, Sir Georg Solti | D Major | 1 | 10B | 79 BPM | |
 | Excerpt From Adagio Quintet In C | Barrington Pheloung | B Major | 1 | 1B | 76 BPM | |
 | Charpentier: Te Deum, H. 146: I. Prélude (Arr. for Trumpet and Organ) | Marc-Antoine Charpentier, Maurice André, Jane Parker-Smith | D Major | 2 | 10B | 141 BPM | |
 | La Molinarella: Symphony | Niccolò Piccinni, International Symphony Orchestra, Silvano Frontalini | D Major | 0 | 10B | 95 BPM | |
 | Song of Shadows | Paolo MIllon, Neon Lilith, Barbara Norbert | D Major | 3 | 10B | 144 BPM | |
 | Cavalleria rusticana: Part II: Intermezzo | Pietro Mascagni, Maria Callas, Giuseppe Di Stefano, Rolando Panerai, Anna Maria Canali, Ebe Ticozzi, Vittore Veneziani, Milan La Scala Chorus, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | D Minor | 0 | 7A | 117 BPM | |
 | Bells across the Meadows | Albert Ketèlbey, Slovak Radio Symphony Orchestra, Adrian Leaper | E♭ Major | 0 | 5B | 136 BPM | |
 | La bohème: Quando me'n vo' | Giacomo Puccini, Andre Kostelanetz, Andre Kostelanetz & His Orchestra, André Kostelanetz Orchestra | A Minor | 3 | 8A | 77 BPM | |
 | I Lombardi alla prima crociata, Preludio III | Charles Roland Berry | C Major | 1 | 8B | 122 BPM | |
 | Peer Gynt Suite No. 1, Op. 46: Morning Mood | London Philharmonic Orchestra | E Major | 1 | 12B | 132 BPM | |
 | Ketèlbey: Bells across the Meadows | Albert Ketèlbey, Philharmonia Orchestra, John Lanchbery | E♭ Major | 2 | 5B | 88 BPM | |
 | Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": II. Adagio un poco moto – | Ludwig van Beethoven, Wilhelm Kempff, Berliner Philharmoniker, Ferdinand Leitner | B Major | 1 | 1B | 86 BPM | |
 | Così fan tutte, K. 588: Act I Scene 2: Terzet - Soave sia il vento (Don Alfonso, Fiordiligi, Dorabella) | Wolfgang Amadeus Mozart, Joanna Borowska, Priti Coles, John Dickie, Andrea Martin, Peter Mikulas, Rohangiz Yachmi, Slovak Philharmonic Chorus, Capella Istropolitana, Johannes Wildner | E Major | 2 | 12B | 154 BPM | |
 | Symphony No. 5: IV. Allegro | Charles Roland Berry, Polish Wieniawski Philharmonic Orchestra, Theodore Kuchar | A Minor | 3 | 8A | 121 BPM | |
 | Poeme, Op. 41, No. 6 | Fibich, Grand Philharmonia Orchestra | C Major | 1 | 8B | 135 BPM | |
 | Concerto Per Oboe, Archi E Continuo In Re Minore: I. Andante Spiccato | Alessandro Marcello, Venice Baroque Orchestra | D♭ Minor | 0 | 12A | 79 BPM | |
| String Quintet in E Major, Op. 11, No. 5: III. Minuetto | Charles Roland Berry | C Major | 1 | 8B | 122 BPM | |
 | Cefeidas : 3. Sentimiento alegre | Juan Pablo Fernández Ramos | C Major | 1 | 8B | 101 BPM | |
 | Tannhauser: Pilgrims Chorus | Richard Wagner, Alexander Vilumanis, Latvian State Symphony Orchestra | E♭ Major | 0 | 5B | 75 BPM | |
 | String Quintet in A major, Op. 11/5, G 275: Minuetto | The Smithsonian Chamber Players | A♭ Major | 0 | 4B | 184 BPM | |
 | Sinfonia in D Major "Il giorno onomastico": II. Larghetto | Antonio Salieri, Gavril Costea, Florin Ionoaia, Modest Cichirdan, Orchestre Philharmonique de Craiova | A Major | 0 | 11B | 169 BPM | |
 | Flute Concerto No. 2 in G Major: I. Allegro | Frederick the Great, Manfred Friedrich, Carl Philipp Emanuel Bach Chamber Orchestra, Hartmut Haenchen | G Major | 1 | 9B | 135 BPM | |
 | Rossini : La Cenerentola : Sinfonia | Gioachino Rossini, Carlo Rizzi & Orchestra of the Royal Opera House, Covent Garden, Carlo Rizzi, Orchestra of the Royal Opera House, Covent Garden | B♭ Major | 1 | 6B | 144 BPM | |
 | Concerto en ré mineur, bwv974 - Adagio (d'après Marcello) | Élise Robineau | D Minor | 0 | 7A | 83 BPM | |
 | Romance for Violin & Orchestra No.2 F Major Op.50 | Alberto Lizzio, Philharmonica Slavonica, Ivan Czerkov | F Major | 1 | 7B | 98 BPM |
- ISRC
- US8272400926
- Label
- L-M Records/RCA Records