On April 23, 1999, the song "Savaman Sonu Mare Adhman Rupu" was released by Mathurbhai Kanjariya, Ramesh Parmar. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. Since Savaman Sonu Mare Adhman Rupu only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from India. Based on our statistics, Savaman Sonu Mare Adhman Rupu's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Savaman Sonu Mare Adhman Rupu by Mathurbhai Kanjariya, Ramesh Parmar having a BPM of 149 with a half-time of 74 BPM and a double-time of 298 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Man Ho Ja Diwana Re | Gyanendra Sharma | A♭ Major | 7 | 4B | 131 BPM | ||
| Mera Lajpaal Hai Mera Khwaja Piya | Nusrat Qadri | D♭ Minor | 6 | 12A | 127 BPM | ||
| Guru Samdata Jag Me Koi Nhi | Prem Nath | A Major | 9 | 11B | 80 BPM | ||
| Rath Hantya Jaagar | Pritam Bhartwan | B♭ Minor | 5 | 3A | 208 BPM | ||
| Jinke Hriday Me Ram Naam Band Hai | Chintu Sewak | E♭ Major | 5 | 5B | 145 BPM | ||
| Tara Tara Bole | Parikshit Bala | F Minor | 4 | 4A | 86 BPM | ||
| Pyalo Me Pidho Che | Mathurbhai Kanjariya | A♭ Minor | 5 | 1A | 93 BPM | ||
| Santvani Bhajan - Gam Khana | Birju Barot | D♭ Minor | 7 | 12A | 148 BPM | ||
| Ajab hai teri maya (Bhajanam Madhuram) | Ayodhyadas Nimavat | F♯ Major | 5 | 2B | 125 BPM | ||
| Aatma Ne Odkhya Vina | NARAYANSWAMI | D♭ Major | 5 | 3B | 83 BPM | ||
| Lagani Laagi Mara Ram Ni | Jamunaben Godaliya | A♭ Major | 5 | 4B | 110 BPM | ||
| Jo Us Saanvale Ko Sada Dhoondhata Hai | Pujya Rajan Ji Official | F Minor | 6 | 4A | 120 BPM | ||
| Baba Mujhko Dijiye | Vijay Soni | F♯ Major | 5 | 2B | 81 BPM | ||
| Eso Datar Me Suniyo | Rajkumar Swami | A Minor | 7 | 8A | 106 BPM | ||
| Nain Tere Maa Naina Devi | Karnail Rana | B♭ Minor | 9 | 3A | 140 BPM | ||
| Sita Ram Hanuman Sita Ram Hanuman | RJ Shivam | A♭ Major | 10 | 4B | 85 BPM | ||
| Bada Hai Dayalu Bholenath | Manish Tiwari | F Minor | 7 | 4A | 149 BPM | ||
| Ayodhya Ram Aaye Hain | Devendra Pathak | D♭ Major | 9 | 3B | 140 BPM | ||
| Ram ji ki nagri ram aayenge (Ram bhajan) | Bittu maharaj | A♭ Major | 7 | 4B | 170 BPM | ||
| Darbar Me Shirdi Wale Ki Dukh Dard Mitaye Jate Hai | Paras Jain | F♯ Minor | 9 | 11A | 109 BPM | ||
| Sajdhaj Kar Jis Din Maut Ki | Pujya Prembhushanji Maharaj | G Major | 7 | 9B | 132 BPM | ||
| Meera Bai Chaodo | Moinuddin Manchala, Prakash Mali | A♭ Major | 8 | 4B | 91 BPM | ||
| Ram ratan dhan | Ayodhyadas Nimavat | E Major | 6 | 12B | 92 BPM | ||
| Jire Vira Patra Re Parakhiya Vina | Mathurbhai Kanjariya | F Major | 7 | 7B | 92 BPM | ||
| Chunariya Laide Re Balma Bundeli Faag Rai | Ramesh Vishwakarma | F Minor | 7 | 4A | 135 BPM |