Mark May's ' "Back In The Joint" was released on its scheduled release date, March 9, 1999. This song is about six minutes long, preciously at 5:47, making this song fairly long compared to other songs. There are a total of 12 in the song's album "Telephone Road". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United States. In terms of popularity, Back In The Joint is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Back In The Joint by Mark May having a BPM of 92 with a half-time of 46 BPM and a double-time of 184 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Who Needs It? | Guitar Shorty | A Minor | 9 | 8A | 127 BPM | ||
| Betcha I'll Getcha | The Lachy Doley Group | C Major | 7 | 8B | 132 BPM | ||
| Big-Legged Woman | Chris Duarte | B♭ Minor | 9 | 3A | 95 BPM | ||
| Had Enough | Tommy Castro | A Major | 8 | 11B | 128 BPM | ||
| Long Time Coming | Danny Bryant's Redeyeband | F Minor | 8 | 4A | 122 BPM | ||
| Movin' On | Joe Louis Walker | E Minor | 9 | 9A | 198 BPM | ||
| Can't Find The Blues | Debbie Davies | A Major | 8 | 11B | 126 BPM | ||
| Keep the Party Rollin' | Too Slim and the Taildraggers | E♭ Minor | 8 | 2A | 162 BPM | ||
| The One | Supersonic Blues Machine | D Minor | 9 | 7A | 124 BPM | ||
| They Call Me The Chief | Eddy Clearwater | A Major | 9 | 11B | 168 BPM | ||
| Big Mouth | Mike Zito | F Minor | 7 | 4A | 99 BPM | ||
| She's Gone | Doyle Bramhall | A Major | 9 | 11B | 115 BPM | ||
| Tijuana Bible | Jim Suhler, Monkey Beat, Jim Suhler & Monkey Beat | B Major | 5 | 1B | 105 BPM | ||
| The Chicago Way | Toronzo Cannon | E Minor | 9 | 9A | 111 BPM | ||
| Don't Want No Woman | Trampled Under Foot | G Major | 8 | 9B | 125 BPM | ||
| Bee Hive Baby | Reverend Raven | C Major | 7 | 8B | 115 BPM | ||
| Too Many Problems | Chris Cain | C Major | 8 | 8B | 103 BPM | ||
| I Been up All Night | Albert Castiglia | A Major | 8 | 11B | 162 BPM | ||
| Sweet Shuffle Queen | Mark May | A Minor | 6 | 8A | 122 BPM | ||
| Backstroke | Ronnie Earl, The Broadcasters | F Major | 8 | 7B | 114 BPM | ||
| Blues Been Good to Me | James Armstrong | E Minor | 8 | 9A | 116 BPM | ||
| Let the Big Dog Eat | Albert Castiglia | A Minor | 8 | 8A | 124 BPM | ||
| You Didn't Think About That | Coco Montoya | A♭ Major | 9 | 4B | 131 BPM | ||
| Definition of Insanity | Tommy Castro | G Major | 8 | 9B | 138 BPM | ||
| Hard Blues | Royal Southern Brotherhood | B♭ Minor | 7 | 3A | 160 BPM |