Manoj Dave, Alka Patel's ' "O Mari Mamadiyawadi Re Maa" was released on its scheduled release date, July 23, 1993. With this song being around four minutes long, at 4:07, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Manoj Dave, Alka Patel's "Jai Mataji" album is number 4 out of 8. On top of that, India appears to be the country where this track was created. In terms of popularity, O Mari Mamadiyawadi Re Maa is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of O Mari Mamadiyawadi Re Maa by Manoj Dave, Alka Patel to be Andante (at a walking pace) because the track has a tempo of 101 BPM, a half-time of 50BPM, and a double-time of 202 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sukhi Base Sansar Sab | Shradhey Ajay Bhai Ji | E Major | 6 | 12B | 130 BPM | ||
| JAI JAI AARTI NITYANAND RAYA | Group Chant | D♭ Minor | 9 | 12A | 105 BPM | ||
| Ghat Ma Giridhari Ne | Sachin Limaye | F Minor | 7 | 4A | 114 BPM | ||
| Aho Shri Satpurushke | SRMD Bhakti | D Major | 3 | 10B | 98 BPM | ||
| Avi Aso Ni | Alka Patel, Manoj Dave | F♯ Minor | 5 | 11A | 142 BPM | ||
| Aarti Gyanraja | Ajeet Kumar Kadkade | A♭ Major | 7 | 4B | 104 BPM | ||
| Sampurna Ramayan Katha | Vipin Sachdeva | E Major | 7 | 12B | 100 BPM | ||
| Vandan Kariye | Satish Dehra, Foram Maheta | B♭ Major | 7 | 6B | 90 BPM | ||
| Hai Radhika Hai Radhika | Mridul Krishan Shastri | F Major | 5 | 7B | 142 BPM | ||
| Maanasa Mandira | Sri Ganapathy Sachchidananda Swamiji | F Major | 7 | 7B | 95 BPM | ||
| Shri Padmavati Chalisa | Hemant, Sangita, Chandrika, Nandita | F Major | 6 | 7B | 137 BPM | ||
| HU TARO LALO O MAIYA | Nidhi Dholkia | C Major | 6 | 8B | 88 BPM | ||
| Nanda Nanda | Dr. Manikantan Menon | F Major | 5 | 7B | 126 BPM | ||
| Aalndi He Gav He Punya Bhumi Thav | Rekha Manvatkar | D♭ Major | 8 | 3B | 91 BPM | ||
| Bhaye Pragat Kripala Ram Stuti | Prem Prakash Dubey | A♭ Major | 4 | 4B | 84 BPM | ||
| Supa Supa | Shivkumar Tiwari | A♭ Minor | 8 | 1A | 174 BPM | ||
| Lambodara | Rishi Nityapragya | F♯ Minor | 6 | 11A | 145 BPM | ||
| O Ishwar Bhajiye Tane | Dipali Bhatt, Manoj Dave, Ninad Maheta, Foram Maheta | B♭ Major | 3 | 6B | 91 BPM | ||
| Raghuvar Tumko Meri Laaj | Satya Adhikar | E Major | 4 | 12B | 176 BPM | ||
| Aaj Mara Mandiriyama Male Shrinathji | Nidhi Dholakiya | F♯ Minor | 5 | 11A | 140 BPM | ||
| Samay Maro Sadhaje | Manoj Dave, Deepal Gajjar, Maitreyee Vyas | B♭ Minor | 3 | 3A | 139 BPM | ||
| Sonal Garbo Shire | Pamela Jain, Vikram Thakor, Montu, Manoj Dave | F Major | 5 | 7B | 110 BPM | ||
| CHARNE RAKHO SARNE RAKHO | NIDHI DHOLKIYA-NITIN DEVKA | F Major | 6 | 7B | 94 BPM | ||
| O Vishwapati Tara Vishvase -Trupti Dave | Studio Avsar | B♭ Minor | 6 | 3A | 148 BPM | ||
| Veer Zule Trishla Zulave | Deepti Shah | A♭ Major | 3 | 4B | 143 BPM |