On December 15, 2000, the song "Sampurna Ramayan Katha" was released by Vipin Sachdeva. This song appears to be safe for all ages as it is not explicit. Since Sampurna Ramayan Katha only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from India. In terms of popularity, Sampurna Ramayan Katha is currently below average in popularity. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Sampurna Ramayan Katha by Vipin Sachdeva having a BPM of 100 with a half-time of 50 BPM and a double-time of 200 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
The music key of this track is E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Shirdi Mera | Shailendra Bharti | F♯ Minor | 6 | 11A | 96 BPM | ||
| Sukhi Base Sansar Sab | Shradhey Ajay Bhai Ji | E Major | 6 | 12B | 130 BPM | ||
| Ma Esheche Moder Ki Ar | Ramakrishna Math, Swami Narendrananda | F Minor | 6 | 4A | 110 BPM | ||
| Madhuban Ke Mandiron Mein | Rajendra Jain, Jaya Sinha | G Major | 7 | 9B | 78 BPM | ||
| Shiv Shankar Maheshwaram | Mridul Krishan Shastri | A♭ Major | 6 | 4B | 79 BPM | ||
| Shriman Narayan Narayan Kirtan | Sant Shri Asharamji Bapu | D♭ Major | 7 | 3B | 84 BPM | ||
| Teri Baat Nihaare Radha | Bhaiya Krishan Das Ji | A Minor | 9 | 8A | 130 BPM | ||
| Meri Sunlo Maruti Nandan | Salangpur Hanumanji - Official | D♭ Major | 3 | 3B | 92 BPM | ||
| Ram Naam Ke Hire Moti | Manish Tiwari | B♭ Minor | 5 | 3A | 89 BPM | ||
| Baal Kand | Vipin Sachdeva | E Major | 7 | 12B | 101 BPM | ||
| Sikshashtakam | Swarup Damodar Prabhu | F♯ Minor | 3 | 11A | 86 BPM | ||
| Hare Rama Hare Krishna | Kumar Vishu | G Major | 7 | 9B | 89 BPM | ||
| Mandir Mein Rehte Ho Bhagwan | Acharya Mridul Krishna Goswami | B♭ Major | 4 | 6B | 94 BPM | ||
| Darshan Pyasi Bai Sugna - Original | Navratansinh Raval, Kushal Barath | F Minor | 9 | 4A | 83 BPM | ||
| Hamen To Pyare Hain Shree Ram | Chandan Dass | B Major | 5 | 1B | 151 BPM | ||
| Haridwar Mathura Kashi | Sanjayraj, Pramod Medhi | E Major | 5 | 12B | 110 BPM | ||
| Om Jai Raghuveer Hare | Ravindra Jain, Suhasini Nandgaonkar | G Major | 6 | 9B | 100 BPM | ||
| Hara Bhola Natha Umapathey | Connecting Lives | D♭ Major | 5 | 3B | 136 BPM | ||
| Na Mane Na Mane Re Mata Mahakali | Shahnaz Akhtar | D♭ Major | 8 | 3B | 102 BPM | ||
| Sare Bolo Dhan Guru Ji | Nangli Darbar | E♭ Minor | 6 | 2A | 79 BPM | ||
| Sakhi Ri Mohe Laaj Bairan Bhayi | Susmita Das | C Major | 6 | 8B | 148 BPM | ||
| Siya Ram Maye Sab Jag Jaani | Vishal Saini | C Major | 5 | 8B | 100 BPM | ||
| Beda Paar Karo Mere Sai | Sri Sathya Sai Bhajans | A♭ Minor | 7 | 1A | 79 BPM | ||
| Shyama Tere Charno Ki | Pooja Shrivastav | D Minor | 5 | 7A | 96 BPM | ||
| Choti Choti Gaiyya | Satish Dehra | F♯ Minor | 9 | 11A | 84 BPM |